Today, I’m thrilled to announce the second installment of my “Week of Wine and Roses” with the show’s librettist, one of the greatest playwrights of our time, Craig Lucas. Tune in to hear some of the stories and insights of his career, including: why THE LIGHT OF THE PIAZZA was ultimately a fable, the double meaning of PRELUDE TO A KISS, the process of adapting that play into a musical, the newest incarnation in theater of the “Philistine urge,” why Amelie was a challenging main character for a musical, how he transitioned from being a performer to being a playwright, why Sondheim/Prince musicals appeal to him, the small fix he made to AN AMERICAN IN PARIS, and so much more.