Today’s guest is none other than Tom Schulman, the Oscar-winning writer of timeless school drama Dead Poets Society. Released in 1989, Tom’s affecting and uplifting story of seven classmates who take a stand against the uniformity of the elite boarding school they attend is a valentine to never letting the world smoulder that flame in you that makes life worth living. Best remembered for an astonishing turn by Robin Williams as the kids’ teacher, John Keating, the movie walked away with Best Original Screenplay at the Academy Awards and Best Film at the BAFTAs, and remains an ingrained part of our pop culture three decades later: the boys’ emotive calls of “oh captain, my captain” and Keating’s advice to “carpe diem – seize the day” deeply embedded in our collective consciousness today.

Writing the film involved deep soul-searching from Tom, whose life story overlaps with the characters in his screenplay. He went to an elite boarding school and was inspired by an iconoclastic teacher. Speaking from his home in Los Angeles, he told us about an abandoned sub-plot in which Keating has cancer in his first draft, about the improvisational magic that Robin Williams brought to the role, and what he thinks the movie’s legacy is today. No need to stand on your desk at home to listen along – a sofa will do just fine.

This episode is sponsored by ScreenCraft and WeScreenplay.

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Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. 

Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. Follow us on Twitter and Instagram, or email us on [email protected].

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