DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets.

Haris and Go Creative Show host, Ben Consoli, discuss DEATH ON THE NILE’S enormous 1000 lights boat set, tips for creating the perfect black and white, why every shot is important, and of course his brilliant work on the film BELFAST.

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What you will learn in this episode

• Timeless black and white opening of DEATH ON THE NILE (05:34)
• Hyperreality of the opening scene (10:31)
• Using nearly 1000 lights for the boat set (18:09)
• Ensuring continuous shots serve the story (35:35)
• Wide framing in BELFAST (49:28)
• Camera package for Belfast (58:39)
• And more!

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Show Links

• DEATH ON THE NILE IMDb
• DEATH ON THE NILE trailer
• BELFAST IMDb
• BELFAST trailer

Follow Our Guest

• Haris Zambarloukos’ IMDb
• Haris Zambarloukos’ Instagram
• Haris Zambarloukos’ website

Follow Ben Consoli

• BC Media Productions
• BenConsoli.com
• Twitter
• Instagram 

Follow Connor Crosby (producer)

• Ignition Visuals' website
• Ignition Visuals' Instagram

Follow Dave Siegel (sound mixer)

• Dave Siegel's website