White noise has a very precise technical definition, but people use the term loosely, to describe all sorts of washes of sound—synthetic hums, or natural sounds like a rainstorm or crashing waves—that can be used to mask other sounds. Twenty years ago, if you’d told someone white noise was a regular part of your life, they would have found that unusual. Nowadays, it’s likely they use it themselves or know someone who does. The global white noise business is valued at $1.3 billion; TikTok is full of people trumpeting its powers; and Spotify users alone listen to three million hours of it daily. Far more of these sounds already exist than any one person could need—or use. And yet, more keep coming. 

Looking out at this uncanny ocean of seemingly indistinguishable noises, we wanted to see if it was possible to put a human face on it; to understand why there is so much of it, and what motivates the people trying to soothe our desperate ears with sounds you're not really supposed to hear.

In this episode, you’ll hear from Elan Ullendorff, who writes the illuminating Substack Escape the Algorithm; Stéphane Pigeon, founder of myNoise; Brandon Reed, who runs Dwellspring; and Mack Hagood, author of Hush: Media and Sonic Self-Control and host of the podcast Phantom Power.

We’d also like to thank Dan Berlau, Sarah Anderson, and Ashley Carman. 

This episode was written by Katie Shepherd, Evan Chung, and Willa Paskin. It was produced by Katie Shepherd. We produce Decoder Ring with Max Freedman, and Evan is also our supervising producer. Merritt Jacob is Senior Technical Director.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Sources for This Episode

Anderson, Sarah. The Lost Art of Silence: Reconnecting to the Power and Beauty of Quiet, Shambhala Publications, 2023.

Blum, Dani. “Can Brown Noise Turn Off Your Brain?” New York Times, Sep. 23, 2022.

Carman, Ashley. “Spotify Looked to Ban White Noise Podcasts to Become More Profitable,” Bloomberg, Aug. 17, 2023. 

Carman, Ashley. “Spotify to Cut Back Promotional Spending on White Noise Podcasts,” Bloomberg, Sep. 1, 2023.

Hagood, Mack. Hush: Media and Sonic Self-Control, Duke University Press, 2019.

Pickens, Thomas A., Sara P. Khan, and Daniel J. Berlau. “White noise as a possible therapeutic option for children with ADHD,” Complementary Therapies in Medicine, Feb. 2019.

Riva, Michele Augusto, Vincenzo Cimino, and Stefano Sanchirico. “Gian Lorenzo Bernini’s 17th century white noise machine,” The Lancet Neurology, Oct. 2017.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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This episode is a first for Decoder Ring: a live show, recorded at the WBUR Festival in Boston, Massachusetts. Given the setting, we decided to take on a Boston-based cultural mystery: namely, the “Boston movie.” Beginning in the late 1990s and early 2000s, Hollywood has churned out a whole cycle of films drenched in Beantown’s particularities, crimes, crops, class conflicts, and accents, from The Departed to The Town. Why does a city smaller than El Paso or Jacksonville loom so large in the cinematic imagination? Why does Boston have a movie subgenre all its own? What makes a Boston movie a Boston movie?

With the help of three guests—film critic Ty Burr; Lisa Simmons, founder of the Roxbury International Film Festival; and Boston University linguist Danny Erker—we look closely at the history and heyday of the Boston movie: how The Friends of Eddie Coyle set the template, Good Will Hunting shoved the door wide open, and Mystic River ushered in an imperial phase. We discuss the importance of race and class to the Boston movie and the city itself, the role of homegrown movie stars like Ben Affleck and Mark Wahlberg, and, of course, the best and worst of Boston accents on film.

This episode of Decoder Ring was produced by Willa Paskin and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is Slate’s Technical Director. 

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Films referenced in this episode:

The Thomas Crown Affair (1968)

Love Story (1970)

The Friends of Eddie Coyle (1973)

The Brink’s Job (1978)

The Verdict (1982)

Quiz Show (1994)

Good Will Hunting (1997)

Squeeze (1997)

Monument Ave. (1998)

The Boondock Saints (1999)

Southie (1999)

Lift (2001)

Blue Hill Avenue (2001)

Mystic River (2003)

Fever Pitch (2005)

The Departed (2006)

Gone Baby Gone (2007)

The Fighter (2010)

The Town (2010)

Ted (2012)

Ted 2 (2015)

Black Mass (2015)

Spotlight (2015)

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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Decoder Ring is marking its 100th episode this year. To celebrate, we’re revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology’s fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter.

You can read more in Willa’s article “The Man Who Perfected the Laugh Track” in Slate.

Links and further reading on some of the things we discussed on the show:

Interview with Ben Glenn II on the history of the laugh track in McSweeney’s

See a Charlie Douglas Laff Box on Antiques Roadshow

More of Paul Iverson’s work restoring laugh tracks and inserting them into new shows

The sitcom One Day at a Time

Friends without a Laugh Track by Sboss

“The Okeh Laughing Record”

Tommy Schlamme and Aaron Sorkin’s Sports Night

This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung.

If you have any cultural mysteries you want us to decode, email us at [email protected], or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. 

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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Something seems to have happened to car headlights. In the last few years, many people have become convinced that they are much brighter than they used to be—and it’s driving them to the point of rage. Headlight glare is now Americans’ number one complaint on the road. The story of how and why we got here is illuminating and confounding. It’s what happens when an incredible technological breakthrough meets market forces, regulatory failure, and human foibles.

So if you feel like everyone’s driving around with their high beams on all the time, it’s not your imagination. What once seemed like an obscure technical concern has gone mainstream. But can the movement to reduce glare actually do something about the problem?

In this episode, you’ll hear from Nate Rogers, who wrote about the “headlight brightness wars” for The Ringer; Daniel Stern, automotive lighting expert and editor of Driving Vision News; and Paul Gatto, moderator of r/fuckyourheadlights.

This episode of Decoder Ring was written by Willa Paskin and Olivia Briley, and produced by Olivia Briley and Max Freedman. Our team also includes Katie Shepherd and supervising producer Evan Chung. Merritt Jacob is our Senior Technical Director.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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Products often tell you exactly how they’re intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children’s electrolyte solution Pedialyte that many adults swear by as a hangover cure.

You’ll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man’s Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany.

Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring’s supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Sources for This Episode

Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man’s Quest for the Cure, Penguin, 2018.

Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017.

Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017.

Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010.

Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015.

Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016.

Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999.

Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017.

Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016.

Russel, Ruth. “Hangover Remedies? I’ll Drink to That!,” Idaho Statesman, Jan. 1, 1978.

Sloan, Kate. Making Magic, 2024.

Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018.

Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990.

Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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Chicken Soup for the Soul was the brainchild of two motivational speakers who preach the New Thought belief system known as the Law of Attraction. For more than 30 years, the self-help series has compiled reader-submitted stories about kindness, courage, and perseverance into easily digestible books aimed at almost every conceivable demographic: Chicken Soup for the Teenage Soul, Chicken Soup for the Grandma’s Soul, Chicken Soup for the Golfer’s Soul, and on and on. Since 1993, these books have sold more than 500 million copies worldwide, becoming the best-selling non-fiction book series of all time.

But in recent years, the company has become many other things that seem lightyears away from inspirational publishing: a line of packaged foods, a DVD kiosk retailer, and a meme stock. In this episode, with the help of journalist Amanda Chicago Lewis, we tell the story of how this feel-good brand went from comfort food to junk.

This episode was written by Willa Paskin and Max Freedman and produced by Max. It was edited by Evan Chung, Decoder Ring’s supervising producer. Our show is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. Special thanks to Rachel Strom.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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The infamous annual ritual of spring break—where thousands of college students head to the same warm location and go crazy—can seem like it’s always been here. But it hasn’t. The spring break phenomenon is a holdover from midcentury teen culture that has endured by changing, just enough, to be passed from one generation to the next. In this episode we’re going from the beaches of Fort Lauderdale to Daytona, from the movie screen to the TV set, from MTV to Instagram reels, from its start to its surprisingly recognizable present, as we follow the evolving, self-reinforcing rite that is spring break.

You’ll hear from former MTV staffers Doug Herzog, Salli Frattini, Alan Hunter, and Joe Davola, along with John Laurie, Kaylee Morris, and Slate writer Scaachi Koul.

This episode was written by Willa Paskin and Katie Shepherd and produced by Katie. It was edited by Evan Chung, Decoder Ring’s supervising producer. Our show is also produced by Max Freedman. Merritt Jacob is Senior Technical Director.

Thank you to Bob Friedman and Allan Cohen, producers of Spring Broke; David Cohn, Derreck Johnson, and Ivylise Simones.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

Sources for This Episode

Koul, Scaachi. “From ‘Girls Gone Wild’ to ‘Your Body, My Choice’,” Slate, Dec. 13, 2024.

Laurie, John. “Spring Break: The Economic, Socio-Cultural and Public Governance Impacts of College Students on Spring Break Host Locations,” University of New Orleans Dissertation, Dec. 19, 2008.

Mormino, Gary R. Land of Sunshine, State of Dreams: A Social History of Modern Florida, University Press of Florida, 2008.

Schiltz, James. “Time to Grow Up: The Rise and Fall of Spring Break in Fort Lauderdale,” The Florida Historical Quarterly, Fall 2014.

Spring Broke, dir. Alison Ellwood, Bungalow Media + Entertainment, 2016.

Thompson, Derek. “2,000 Years of Partying: The Brief History and Economics of Spring Break,” The Atlantic, March 26, 2013.

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Look in the nonfiction section of any bookstore and you’ll find dozens of history books making the same bold claim: that their narrow, unexpected subject somehow changed the world. Potatoes, kudzu, soccer, coffee, Iceland, bees, oak trees, sand, chickens—there are books about all of them, and many more besides, with the phrase “changed the world” or something similarly grandiose right there in the title. These books are sometimes called “microhistories” or “thing biographies” and they’ve been a trope in publishing for decades. In this episode, we establish where this trend came from, figure out why it’s been so persistent, and then we put a bunch of authors on the spot, asking them to make the case for why their subjects changed the world.

The writers you’ll hear from include: 

This episode was written by Willa Paskin and produced by Evan Chung, Decoder Ring’s supervising producer. Katie Shepherd and Max Freedman also produce our show. Merritt Jacob is Senior Technical Director.

Thank you to Joshua Specht, author of Red Meat Republic: A Hoof-to-Table History of How Beef Changed America; Dan Koeppel, author of Banana: The Fate of the Fruit That Changed the World; Tina Lupton; Dan Kois; and Nancy Miller.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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Truck Nutz is a brand name for the dangling plastic testicles some people affix to the bumpers or hitches of their vehicles. Also sold as Bulls Balls, Your Nutz, and other brand names, these plastic novelties have a powerful symbolic charge and are often associated with a crass, macho, red state audience. But truck nuts are a surprisingly complicated signifier whose symbolic power is increasingly divorced from their real-world usage.

On this episode, we talk to owners and users of truck nuts, investigate the origins of the accessories, and deconstruct the meaning of these oft-joked-about symbols. We’ll also take a tour of other novelty testicle products, including Bike Balls (testicular bike lights), Gunsticles (plastic testicles for guns), and Neuticles (prosthetic testicles for neutered pets), to better understand the maligned symbolism of truck nuts.

Links and further reading on some of the things we discussed on the show:

This episode was written by Willa Paskin and edited and produced by Benjamin Frisch. Decoder Ring is produced by Katie Shepherd and Max Freedman. Evan Chung is our supervising producer.

If you have any cultural mysteries you want us to decode, email us at [email protected]. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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In 1972, Jerry Lewis—the actor and filmmaker known for slapstick comedies like The Nutty Professor—took the biggest risk of his career when he decided to make a drama called The Day The Clown Cried, about a circus clown who ends up in Auschwitz. This could have been a landmark as one of the first portrayals of the Holocaust in American cinema. Instead, it became a different kind of landmark: allegedly, one of the worst movies ever.

The Day The Clown Cried was never released, and only a handful of people have ever seen it. But the unbelievable concept alone has been enough to make this lost movie a holy grail for curious film buffs. In this episode of Decoder Ring, producer Max Freedman traces how The Day The Clown Cried became such a legendary disaster, why it’s impossible to see, and whether it actually deserves its rotten reputation.

You’ll hear from comedian Patton Oswalt; Shawn Levy, author of King of Comedy: The Life and Art of Jerry Lewis; Henry Gonshak, author of Hollywood and the Holocaust; Chuck Denton, whose father Charles co-wrote The Day The Clown Cried; and Jean-Michel Frodon, film critic at slate.fr.

If you have any cultural mysteries you want us to decode, email us at [email protected]. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We’d love to hear any and all of your ideas for the show.

Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.

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