MC5 embodied revolution in a way most bands only pay lip service to. The Detroit cops sent riot squads and even a tank to break up their shows, and even raided their house. They were the only band to play at the infamous protest outside the 1968 Democratic National Convention. Their radical manager, John Sinclair, wrote manifestos allying with the Black Panthers and declaring rock ‘n’ roll THE vehicle for revolution. But by the 1970s, all that idealism curdled into the classic story of broken record deals, drugs, crime, and jail, with redemption only possible through personal, not political, revolution.

To view the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on April 11, 2023.

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Jake's been listening to guitar greatness and has some classic recs to share. But first, he's fielding your recs in a packed mailbag of Disgo texts, VMs and DMs. We're talking the Mets, we're talking Lou Reed and Badlands get some fan love, and a whole lot of you are talking about your Top 5 Movies lists.

Hit Jake with your own message at 617-906-6638 or on socials @disgracelandpod and come join the After Party!

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At the end of the 1960s, Sly Stone was at the center of a groundbreaking musical movement that intended to break down barriers of race and genre, all in the service of making people happy. But at the dawn of the 1970s, Sly Stone suddenly was not happy. His L.A. mansion was overrun with cocaine, PCP, guns, and bodyguards. He was strongarmed by the Black Panthers. He thought his own bass player hired someone to kill him. He drew the attention of local law enforcement. Before long, he was crossing paths with cops from coast to coast, busted time and again for drug offenses – including when he went on the lam under a false name and was declared a fugitive from justice.

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At the end of the 1960s, Sly Stone was at the center of a groundbreaking musical movement that intended to break down barriers of race and genre, all in the service of making people happy. But at the dawn of the 1970s, Sly Stone suddenly was not happy. His L.A. mansion was overrun with cocaine, PCP, guns, and bodyguards. He was strongarmed by the Black Panthers. He thought his own bass player hired someone to kill him. He drew the attention of local law enforcement. Before long, he was crossing paths with cops from coast to coast, busted time and again for drug offenses – including when he went on the lam under a false name and was declared a fugitive from justice.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on April 4, 2023.

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Jake dives under the hood of the unique, new 2-part Lou Reed episode. He teases the over-the-top insanity of the Bjork stalker story, now available for your eyes to binge over on our YouTube channel, @disgracelandpod. And your calls texts and e-mails cover everything from great spring albums to Top 5 Movies and episode requests. Leave your own message for Jake to reply to at 617-906-6638 and come join the After Party.

This episode is sponsored by Microdose Gummies. To learn more about microdosing THC, go to Microdose.com and use code DISGRACELAND to get free shipping and thirty percent off your first order. 

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Lou Reed blurred the lines between fact and fiction when it came to his past. To him, it was all a walk on the wild side anyway. After exploring his life in Part 1 through his lyrics for the Velvet Underground songs “The Gift”, “Waiting For My Man”, “Heroin” and “The Murder Mystery”, Part 2 continues through the songs “Rock And Roll”, “Sweet Jane”, “Run, Run, Run”, “Venus In Furs”, and “I’ll Be Your Mirror,” because tall tales and music led Lou all the way home.

For a full list of contributors, see the show notes at disgracelandpod.com.

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Lou Reed is one of the greatest rock ‘n’ roll characters of all time, one known to lie and exaggerate his own mythology during interviews about his past. In this special 2-part episode, Lou’s origin story with the Velvet Underground runs straight through Manhattan transgressions, murder mysteries, drug abuse, and all the other crimes, criminals, and antisocial behavior depicted in Lou’s legendary lyrics.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Spring is here and Jake is listening to his all-time springtime records. Peter Tosh and Keith Richards are out on YouTube @disgracelandpod. And a dedicated Disgo comes through with our first submission for the Recommendations Part theme music! Leave your own messages for Jake to respond to at 617-906-6638 and come join the After Party.

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Rocka Rolla Disgos. It's been a wild week. Jake is riding high off a win for the show at the Ambies in Vegas, a trip to Maine, and yes, your listener messages. Not to mention Mick Jagger assassination attempts, All Quiet's Oscar wins, and the greatness of 90s movies. Hit up 617-906-6638 to join the after party and hear from Jake yourself.

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Otis Redding was nearly shot by James Brown while performing at an after hours club. He played sweet soul music to crowds of KKK sympathizers. He took the stage in his hometown despite a threat on his life. But as the former VP of Stax Records once said, Otis was an overcomer. He overcame danger, violence, and fear, in order to focus his sights on unprecedented commercial success. But in his great quest to jump from R&B to pop, Otis Redding crossed over in more ways than one.

For a full list of contributors, see the show notes at disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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