DISGRACELAND

In the 1970s, The Eagles made taking off into the upper stratosphere of the charts look easy. Their near decade-long reign of rock afforded them hobbies like dismantling hotel rooms with chainsaws, playing chicken with private jets, and joining delirious drug dealers on high-speed Corvette rides. But after nearly a solid decade of stadium sell-outs, No. 1 singles, top-selling albums and enough cocaine, sex and tension to make even the hardest, wildest, ’70s rock ‘n’ rollers cry uncle, the Eagles had burned out. They were at the top of their game in a decade that they owned, yet somehow, the greatness they sought had destroyed them.

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In the 1970s, The Eagles made taking off into the upper stratosphere of the charts look easy. Their near decade-long reign of rock afforded them hobbies like dismantling hotel rooms with chainsaws, playing chicken with private jets, and joining delirious drug dealers on high-speed Corvette rides. But after nearly a solid decade of stadium sell-outs, No. 1 singles, top-selling albums and enough cocaine, sex and tension to make even the hardest, wildest, ’70s rock ‘n’ rollers cry uncle, the Eagles had burned out. They were at the top of their game in a decade that they owned, yet somehow, the greatness they sought had destroyed them.

For the full list of contributors, visit disgracelandpod.com

This episode was originally published on March 29, 2022.

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From games of chicken on private planes to one member surviving a private plane crash, the Eagles as a group very narrowly survived themselves. During their early days, they dosed out on Peyote and reimagined and reconfigured a new FM sound for the ages that would result in unimaginable success and excess. When their debut record was released on Geffen Records in 1972, America couldn’t have been more ready for their breezy, countrified Southern California sound. Yet something else came with their that heady, golden age of California in the 1970s, that era of endless cocaine, groupies, money, and excess beyond anyone’s wildest dreams. As the Eagles would soon learn, that “peaceful easy feeling” they were peddling wasn’t built to last.

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This episode was originally published on March 8, 2022.

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This week Jake talks the inspiration and background behind this week's brand-new DISGRACELAND episode on Anthony Bourdain, plus your emails, voicemails, texts, and DMs. What did you think of the Bourdain episode? What other icons should we cover this year? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

Enter the new DISGRACELAND contest to win exclusive prizes and unlock rewards. Visit DISGRACELANDCONTEST.COM

Hurry, the contest ends on March 6th, 2024!

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

For the full list of contributors, visit disgracelandpod.com

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

This episode was originally published on February 22, 2022.

For the full list of contributors, visit disgracelandpod.com

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

This episode was originally published on February 22, 2022.

For the full list of contributors, visit ⁠disgracelandpod.com⁠

To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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With their newfangled ska-punk, Sublime preached the gospel of Long Beach’s seedy shores unlike any band before them. They also incited a riot at the first show, vandalized their record label’s headquarters, and did unspeakable deeds to a Dennys kitchen with their mobile home’s septic tank. The group’s musical legacy is inseparable from their reputation as hoodlums and hedonists, in part because those are precisely the people Sublime wrote about. Sublime was born in California, raised in California, but before they could get much farther, Sublime died in California, too.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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When a mystery arsonist set Tom Petty’s house on fire in the late 1980s, he barely escaped with his life. But there was another danger looming around the corner — a heroin addiction that drove him into a pit of isolation from his family, his fame, and his bandmates. Petty barely hoisted himself of it. The Heartbreakers’ bass player, Howie Epstein, wasn't so lucky. After the first phase of Tom Petty’s career burned to the ground, the stage was set for a descent into depression, dependency, and a triumphant turn-of-the-century return. 

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on January 25, 2022.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Taylor Swift has a list of stalkers longer than her stadium tour setlists. One drove over 900 miles to hand-deliver his “love” letters to her then-record-label, Big Machine Records. Others have showed up to her homes bearing rope, lock picks, and tools to break her windows. The threats on her life have become so persistent that her security team once installed facial recognition software at the venues she performed in, specifically to distinguish her stalkers from her fans. While making some of the most recognizable pop songs in music history, Taylor Swift also became one of the most recognizable women in the celebrity sphere – a title that on many occasions has nearly cost her life.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking and sexual assault.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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