DISGRACELAND

Rehab, arrests, fights, hitting on Prince Harry, dramatic stage breakdowns, slagging off the press, Amy Winehouse was a rockstar’s rockstar and she was also one of the greatest musical talents of the past 20 years. Her voice was unlike any other. She modernized jazz. She gave weight to pop. When she was inspired, she was untouchable. Driven by her muse, haunted by her addictions, and harassed endlessly by the paparazzi, Amy Winehouse’s story is tragic and all too familiar, but her music and the way she expressed herself was entirely unique.

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This episode was originally published on May 15, 2019.

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XXXTentacion was one of Generation Z’s most talented hip hop stars but his ascent was marked by violence and drama; beatdowns, beefs (what’s up, Drake?) and abuse. XXXTentacion’s music quickly rose from Soundcloud to the top of the charts due in part to the relative loneliness and alienation he repped in his lyrics, sentiments his audience quickly latched onto. XXXTentacion’s connection to his audience was (and still is even in death) unique and powerful. Their connection via social media-fueled him, inspired him and ironically alienated him, just like his penchant for violence. What, if any of it, all led to his untimely demise?

For a full list of contributors, see the show notes at disgracelandpod.com

This episode was originally published on April 30, 2019.

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The Grateful Dead became one of the most influential bands of all time and propelled themselves with improvisation, LSD and an ethos of “freedom”. Through drug busts and CIA surveillance, they thrived and created one of the largest, most fervent and commercially consequential fan bases of all time. Freedom, LSD and improvised blues in the key of bummed the fuck out on this episode of Disgraceland.

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The Grateful Dead became one of the most influential bands of all time and propelled themselves with improvisation, LSD and an ethos of “freedom”. Through drug busts and CIA surveillance, they thrived and created one of the largest, most fervent and commercially consequential fan bases of all time. Freedom, LSD and improvised blues in the key of bummed the fuck out on this episode of Disgraceland.

For a full list of contributors, see the show notes at ⁠disgracelandpod.com⁠

This episode was originally published on April 16, 2019.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠.

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Ike Turner very well may have invented rock ‘n’ roll; Tina Turner is one of the most electrifying entertainers to ever take the stage. Together, the pair ascended to icon status through the music they made together. But the couple’s road to the top was anything but smooth. It was rough and violent. Ike Turner, for all of his talent as a musician, was abusive and heavily addicted to cocaine, and in the end did everything he could to bring his wife down with him. This is the story of the couple's rise, Ike’s ultimate demise, and Tina’s triumph.

For a full list of contributors, see the show notes at disgracelandpod.com

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Snoop Dogg, (AKA Calvin Broadus) has worn many hats: inmate, pimp, Martha Stewart’s BFF. In 1994, Snoop was the biggest name in hip hop, yet his career was about to be derailed just as it was taking off due to the murder of Philip Woldemariam, a murder that Snoop was being charged with. The streets that made Snoop, the streets he came up on and that infiltrated the raps he made and the smooth style he patented, were the very same streets he could not leave behind.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

This episode was originally published on March 26, 2019.

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Snoop Dogg, (AKA Calvin Broadus) has worn many hats: inmate, pimp, Martha Stewart’s BFF. In 1994, Snoop was the biggest name in hip hop, yet his career was about to be derailed just as it was taking off due to the murder of Philip Woldemariam, a murder that Snoop was being charged with. The streets that made Snoop, the streets he came up on and that infiltrated the raps he made and the smooth style he patented, were the very same streets he could not leave behind.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on March 26, 2019.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

Follow Jake and DISGRACELAND:

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See omnystudio.com/listener for privacy information.

Grunge, grief, the Grateful Dead and a “teenage whore.” Part 2 of the Kurt Cobain and Courtney Love story picks up with Courtney’s ascent and the couple’s heroin hazed pregnancy. An escape from rehab and a punk as f*ck group hug for Gen X.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

For a full list of contributors, visit disgracelandpod.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

Grunge, grief, the Grateful Dead and a “teenage whore.” Part 2 of the Kurt Cobain and Courtney Love story picks up with Courtney’s ascent and the couple’s heroin-hazed pregnancy. An escape from rehab and a punk as f*ck group hug for Gen X.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see a full list of contributors, visit disgracelandpod.com.

This episode was originally published on March 19, 2019.

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Kurt Cobain is a celebrated and defiant icon of Generation X. His wife, Courtney Love, was once the most hated woman in America. Courtney, like Kurt, was unapologetic, fierce, determined, ambitious, authentic, and a total hypocrite. They were both totally in love and for a minute shined brighter than most. They challenged gender norms and the music industry patriarchy and reluctantly played the roles of their generation’s John and Yoko by way of Sid and Nancy all while making great music, but only one of them would make it out of the nineties alive.

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