On Documentary & Drama on Newstalk, producer Mary Lavery Carrig brings you into the life of Mistura Oyebanj, a Muslim woman in her mid-20s. In June 2024, Mistura stood as a candidate in the Local Elections for the Tralee municipal district area, in Co Kerry.

From her arrival as a refugee child, to losing her mother in a tragic car accident, to putting her name on the ballot paper as a candidate in 2024, this is a heartfelt story.

You will listen to the Mayor of Kerry and the Mayor of Derry & Strabane District, to her family and friends, and you will get to know Mistura herself, the central character.

Cian McGrath and Zahid Khan Ahmadzai are Senior Editor and Assistant Editor, music by Matt Griffin, and the producer, researcher and narrator is Mary Lavery Carrig.

This documentary was funded by Coimisiún na Meán with the Television License Fee.

First on Scene, Last to Heal: Emergency Workers and Fatal Collisions goes behind the scenes with the men and women of An Garda Síochána, the National Ambulance Service and the fire service as they share stories about fatal collisions on Ireland’s roads, and how that impacts their way of thinking. Produced and presented by Alex Rowley, a young journalism student from Wicklow and IMRO-nominated broadcaster, it’s inspired by the contrasting ways different members of the emergency services deal with their trauma. Some choose to open up to friends, while for others, it’s as if nothing bothers them.

Due to a spike in road deaths in recent years, the topic has been high up in the news agenda, and rightly so, but every bank holiday we hear appeals from high-ranking Gardaí, Government Ministers and the RSA. Rarely, do we hear from those who actually deal with these collisions and see the devastation firsthand.

In the documentary, Paramedics Clodagh Murphy and Paul Malone, based in Waterford, tell us about the trends they see in responding to collisions and why they’re always keeping their own family members in the back of their mind. The documentary also goes on patrol with Gardaí Leanne McCarthy and Ken Driscoll of the Roads Policing Unit in Abbeyfeale, Co. Limerick. Ken bravely opens up about how it feels to break the news of a death to a family, comparing it to handing someone an “explosive device”.

We also speak with Sub-Officer Stephen Connolly from Monasterevin Fire Brigade in Co. Kildare, who speaks of the challenges faced by on-call emergency workers, who service their local community first and foremost. All emergency workers in the documentary have pleaded with people to put down their mobile phones, put on their seatbelts, follow speed limits, and not take drugs or alcohol when using the roads this Bank Holiday Weekend.

Analysis from Clinical Psychologist, Dr. Malie Coyne, contextualises the issue, and further hammers home the importance of looking out for our frontline workers.

Producer James Wilson looks at the darkest chapter in European history - the murder of six million Jews by Nazi Germany. 

But what impact did this genocide have on Ireland?

In the Swastika’s Shadow: Ireland and the Holocaust explores how the Irish State dealt with Hitler, the Jewish community’s fight for survival and the heroism of the Irish people who resisted the Nazis. 

Containing interviews with three Holocaust survivors, film director Lenny Abrahamson and former Taoiseach Leo Varadkar, In the Swastika’s Shadow casts new light on this harrowing chapter in Irish history.

Music provided by celloist Patrick Dexter and the Amsterdam Sinfonietta orchestra. 

This documentary contains conversations that some listeners may find upsetting. 

‘Roving Out’ is a radio documentary that celebrates the burgeoning musical culture of Ireland, by focusing on musical artists Mohammad Syfkhan, Varo, Qbanaa and Wise Wolf, who have all made Ireland their home. Named after the traditional song, ‘As I Roved Out’, it explores how these musicians decided to leave their own countries, some due to war and persecution, others for adventure to seek a new life on this island.

All of the artists have managed to find a foothold in the Irish musical community, where they have met like-minded people and managed to combine their own culture with Irish musical forms. The artists all represent different countries including Syria, Italy, France, Cuba and Palestine and the scope of their music takes in many genres from traditional and folk to R n’ B, pop and hip hop.

Mohammad Syfkhan - a Kurdish/Syrian Singer and Bouzouki player has released his debut album ‘I am Kurdish’ on the Leitrim based record label Nyahh records. He has played many gigs around Ireland including a sold-out album launch at the Bello Bar in Dublin. He will be appearing on festival bills throughout the Summer.

Varo are singers and fiddle players Lucie Azconaga and Consuelo Nerea Breschi, who met in Dublin in 2015. They have recorded a soon to be released collaboration album featuring Ian Lynch (Lankum), John Francis Flynn, Anna Mieke, Slow Moving Clouds, Inni-K amongst others.

Having spent her first year exploring a range of styles and genres, Cuban Irish artist Qbanaa returns in 2025 with the sound that may well come to define her. Qbanaa's forthcoming EP Elisa (her nickname in Cuba) containing snippets of found sounds, street recordings and conversations made in Cuba, poetic bilingual lyricism and immersive soundscapes makes for a collection of beautifully understated original music.

Talha AlAli, AKA Talha Wise Wolf, is a Palestinian psychotherapist, activist, hip-hop artist, and human rights defender. Since moving to Ireland in the 2010s, Talha has studied a Masters in Psychology and performed many gigs around the country.

The programme investigates the lives of these musicians before they moved to Ireland, their reasons for moving here, and how they have brought their unique musical cultures to boost the thriving music scene here. It celebrates the diversity of Ireland and its music, while also examining difficult subjects such as the circumstances that have caused some of the artists to migrate here, racism they have experienced and difficulties in integrating to Irish society at first.

For more, see Newstalk.com.

It's two years to the week since fighting broke out in Sudan, instigating what is now the world's worst humanitarian crisis. Reporter Sarah Madden visits Northern Bahr el Ghazal to see the fallout for herself, in 'Can You Hear Me? Dispatches From The World's Forgotten War'.

Telegram Tales from the Central Telegraph's Office, co-produced by Amandine Devine and Ellen McEvoy tells the story of the 24-hour thriving office that kept Ireland's communication on track during the 60s and 70s.

Nowadays we are all familiar with instant communication - e-mail, text, and social media, but there was a time when you had to send a telegram if you wanted to contact a person that didn’t have a telephone. The contributors Ann Duncan, Cormac O'Brien, Michael Confrey and Seán Creedon, document the history of the office, peppered with memories of their interactions with customers and colleagues. The backdrop is a growing Dublin City Centre and a period of huge change in Irish history from strikes to bombs, to marriages and christenings.

Telegram Tales is a nostalgic look at what was the communication of the 60s and 70s, such a necessity that many people had a full career in telegrams, which is a communication which has virtually been wiped out today.

Journalist Aisling Moloney brings us along on her move to Australia and tries to find out why thousands of young people from across Ireland are making the move Down Under.

The 28-year-old from Dungarvan in Co Waterford emigrated to Sydney in 2024, after several years of living and working in Dublin as a journalist with RTÉ and as Political Correspondent with the Irish Daily Mail.

At the beginning of her journey, she meets a busker at Byron Bay, born to Irish parents who left for Australia's sunny shores in the 1960s. Fintan, the musician grew up on a hippie commune. 

Aisling then speaks to young people on the Rainbow Walkway on Coogee Beach in Sydney about the draw of Australia and their experience of life in Sydney.

After hearing about how living so far away from home can be hard for many, she speaks to Central Coast GAA Club and visits 'The Doss House' and 'Frank Macs' where Irish gather in search of that feeling of home.

She then makes the trip to Perth to visit her sister Eimear, who has lived there for 13 years and is married with three children.

In the second part of this documentary, Aisling hears about some of the more difficult aspects of Australia, which include the experience of regional work and the difficulty of finding work in general.

She also hears some stories of reinvention, how some people make the move to earn big bucks, and how people deal with bereavement while living so far away from home.

We also get a taste of that lifestyle that people love in Australia, and come along to two of Aisling's favourite activities since arriving in Sydney, swimming and beach yoga.

"Home or Away - Living the Irish Australian Dream with Aisling Moloney" is presented and produced by Aisling Moloney. Editor and Executive Producer is Aoife Kearns.

Groundbreakers Series Two: Three documentaries that chart the life and work of older women who did not just live through a changing Ireland but who were the changemakers.

Three groundbreaking women have made positive changes in academia, engineering, the environment, and social justice. These women are known and highly regarded and loved within their area of expertise, but they are not known by the general public. We listen to their story, to celebrate them, to thank them for making Ireland a better place for us all.

Their lives tell the story of Ireland’s progression and change. One women’s story that brings us on an audio journey through the changes, over the last decades, to the issues she dedicated her life to. In Groundbreaker: Anita Hayes we explore the issues of seed sovereignty and biodiversity, in Groundbreaker: Mary Crilly we examine sexual violence and exploitation in Ireland and in Groundbreaker: Jane Grimson, we look at women in engineering and genderism in the workforce.

Warning: some readers/listeners may find this content upsetting

Mary Crilly is approaching her 40th year at the forefront of the Sexual Violence Centre Cork (SVCC). Her story traces the slowly changing attitude towards sexual violence against men and women in Ireland.

When Mary started the centre, Ireland was a place where a man could legally rape his wife, where domestic violence was often treated as a time-wasting nuisance and where any form of sexual assault or rape, no matter the victim’s age, status, or condition, was usually viewed as the woman’s fault. Marital rape only became a crime here in 1990; until then a husband could not be found guilty of the rape of his wife.

When they opened the centre, they were meet with hostility. Back then, what they were doing in the centre was not really accepted, they were told by many to pack up and stop what they were doing. But they held on and now 40 years on Mary would consider that they have made great progress in bringing sexual violence into the open, though she would reflect there is still a long way to go when it comes to victim blaming and protecting perpetrators. Crilly’s end goal is to work towards a society that does not tolerate sexual violence in any capacity.Mary’s mission is to keep the conversation going, because without this change will not happen.

If you have been affected by this, you can contact the Rape Crisis Centre on freephone 24-Hour National Helpline at 1800 77 8888.

Groundbreakers Series Two: Three documentaries that chart the life and work of older women who did not just live through a changing Ireland but who were the changemakers.

Three groundbreaking women have made positive changes in academia, engineering, the environment, and social justice. These women are known and highly regarded and loved within their area of expertise, but they are not known by the general public. We listen to their story, to celebrate them, to thank them for making Ireland a better place for us all.

Jane was the first female graduate in engineering in Trinity College Dublin (TCD). Being the only woman in the class, she was never expected to last. This was the 1960s, at a time when female engineers were almost unheard of, not just in Ireland but worldwide. Even now Engineering and STEM (Science, Technology, Engineering and Maths) struggle with gender bias. But in the 1960s, as a young woman, Jane sat as the lone female in a class of engineering students. But it never deterred her.

Jane went on to obtain a first-class honours degree and a Masters and PhD degrees in Computer Science in 1971 and 1981 respectively. She then went on to become Dean of Engineering and of Research. Throughout Professor Jane Grimson’s extraordinary career as an engineer she has achieved much and received many accolades. However, perhaps one of Jane’s most lasting legacies will be the hugely important role she has played as an advocate for women in engineering, science, and academia. She has mentored a generation of female engineers and is passionate about promoting the recruitment, retention, and advancement of women in STEM. As Provost and President of Trinity College Dublin Linda Doyle said ‘I would not be here without her”.

Their lives tell the story of Ireland’s progression and change. One women’s story that brings us on an audio journey through the changes, over the last decades, to the issues she dedicated her life to. In Groundbreaker: Anita Hayes we explore the issues of seed sovereignty and biodiversity, in Groundbreaker: Mary Crilly we examine sexual violence and exploitation in Ireland and in Groundbreaker: Jane Grimson, we look at women in engineering and genderism in the workforce.

Groundbreakers Series Two: Three documentaries that chart the life and work of older women who did not just live through a changing Ireland but who were the changemakers.

Three groundbreaking women have made positive changes in academia, engineering, the environment, and social justice. These women are known and highly regarded and loved within their area of expertise, but they are not known by the general public. We listen to their story, to celebrate them, to thank them for making Ireland a better place for us all.

Ground Breaker Anita Hayes centres on the life's work of Anita Hayes, who established Irish Seed Savers. She dedicated her life’s work to safeguard our future food crops by preserving the rich genetic diversity of the past, by creating a community of Seed Savers all over Ireland.

Anita founded the Irish Seed Savers in 1991 on a small farm in Co. Carlow. In 1996 the project moved to its present site in Scarriff and in 1997 a FAS community employment scheme secured a site and employment for many staff. It is now home to a seed bank containing more than 600 rare and endangered vegetable varieties, a native broadleaf woodland, and wildlife sanctuary. This provides a home for a thriving colony of heritage Irish black bees. Irish Seed Savers hold the national collection of Irish heritage apple trees in their orchards, numbering over 180+ varieties, as well as an orchard of over 33 self-rooting varieties of apple trees that require no grafting for propagation, the largest collection of this type of apple trees in the world. The genius of Irish Seed Savers is that the living ark of heritage crops is a much better way to preserve our horticultural heritage than in static seed banks, frozen in time and wrapped in cotton wool. The yearly renewed cultivation of these crops exposes them to the realities of climate change, to the evolution of circumstances in pest and diseases, and strengthens them to compete and thrive in the modern world and with them their heritage and stories.

Their lives tell the story of Ireland’s progression and change. One women’s story that brings us on an audio journey through the changes, over the last decades, to the issues she dedicated her life to. In Groundbreaker: Anita Hayes we explore the issues of seed sovereignty and biodiversity, in Groundbreaker: Mary Crilly we examine sexual violence and exploitation in Ireland and in Groundbreaker: Jane Grimson, we look at women in engineering and genderism in the workforce.