The No Film School Podcast

Don’t Sacrifice Creative: ‘A House is Not A Disco’ DP & Editor Share Tools on Staying Lean, Nimble


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You don’t have to have high-end tech or complicated processes to create your film. You just need an open mind and a passion for the story you are telling, as we’ll learn from this week’s episode from the DP and editor of A House Is Not a Disco.


In today’s episode, No Film School’s GG Hawkins speaks with cinematographer Eric Schleicher and editor Blake Pruitt to discuss:

  • How Eric and Blake landed on this film
  • Why the sound designer had to create sound effects 
  • Having everything outlined and organized in a Google Doc
  • What gave the film a kaleidoscopic structure 
  • Asking for consent to film party scenes 
  • Keeping the operating team small during production
  • Matchframing - what it is and why it’s so helpful in the edit
  • Challenges during the shoot and the edit
  • The beauty of not having a production company fund the film
  • Making the space to do projects you’re interested in


  • Memorable Quotes

    • “I’m not one to kill myself for a job. Even a dream project, I don’t want to work more than 8 hours a day on this.” [10:24]
    • “It's more PBS doc than this high-end streamer doc that is out there right now.” [16:22]
    • “You got an idea? Grab your camera. Shoot what you need.” [39:27]
    • “Be open to unexpected things happening, but also have boundaries.” [45:47]


    • Mentioned

      A House Is Not a Disco

      Fire Island

        


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