Today on the show, we’re overjoyed to be joined by the talented Hossein Amini, writer of 2011's cult smash thriller Drive. Based on the 2004 James Sallis novel of the same name, and directed by Nicolas Winding Refn, Drive told the story of a stuntman by day and getaway driver by night, whose dual lives collide after he strikes up a friendship with his neighbour, Irene (Carey Mulligan). From there, Hossein’s screenplay submerged audiences in a dangerous, hyper-stylised LA criminal underworld, strapping viewers into the passenger seat next to a captivatingly unknowable protagonist, simply named the Driver (Ryan Gosling).

If you’ve read the novel, you’ll know that Hossein had quite a task taking the lyrical, very interior prose and plot of the book, and turning it into a movie. Luckily, the Iranian-born storyteller is a bit of a master when it comes to adaptation: from 1997’s The Wings of the Dove to his 2014 directorial debut The Two Faces of January, Hossein relishes the task of taking a story from page to screen, adding a subtle sprinkle of his personality and past to the recipe along the way.

Across an engrossing chat, Hossein explains why Drive is in fact a fairy tale. We talk about what the film expresses about our culture of violence, why an early draft of the film featured the death of Irene, and how his storytelling habits were shaped by a childhood in the shadow of his parent’s divorce and the Iranian revolution. We also get into the meaning of The Driver’s Scorpion jacket, how the film’s iconic elevator sequence came to be, and the writer’s dark, gritty vision for the upcoming Obi Wan Kenobi TV series that he worked on briefly before stepping away from the project.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

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