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None of it was accidental. This week we’re going deep into Midnights favorite “Mastermind.” After looking at this Taylor Swift song from the perspective of satire in our previous episode, we take another look to examine what Taylor is actually “mastermind”-ing. Is it a relationship? Or is it a nod to her many (many) easter eggs she leaves her fans? Maansi explores how Taylor weaves strategic language into the lyrics to reclaim the idea that she’s “calculating.” Jodi finds connections to The Odyssey, Oedipus Rex, and Greek mythology to bring this to an AP-level conversation. And Jenn shares more context about why “all the wisest women had to do it this way,” has deep roots in literature and history. Join us as we unpack this cryptic and potentially Machiavellian song!
Mentioned in this episode:
TIME Magazine December 7, 1981 “Crazy Over Cats”
TIME Magazine Person of the Year 2023
Phantom Thread
Mythology, Edith Hamilton
The Odyssey, Homer, Emily Wilson translation
Oedipus Rex, Sophocles
Guys and Dolls
Pride and Prejudice, Jane Austen
Hamilton
Founding Mothers, Cokie Roberts
RBG
Jackie
The Voices of Neims, Suzannah Lipscomb
Matilda, Roald Dahl
Harry Potter, JK Rowling
Broadway Sings
Mean Girls
The Woman in Me, Britney Spears
Jane Eyre, Charlotte Brontë
Gone Girl, Gillian Flynn
I Care A Lot
Looking for an audio book? Check out our Libro.fm playlist https://tidd.ly/47uhRVI
***
Episode Highlights:
[02:23] “And now you’re mine” - WHO?
[05:05] Mastermind: Benji’s Vision
[10:00] “The planets, and the fates…” Greek mythology
[16:26] “We were born to the the pawn in every lover’s game”
[26:44] “I’ve been scheming like a criminal ever since” The Bridge!
[33:40] “I’m only cryptic and Machiavellian cause I care”
[43:31] “Check Mate: I couldn’t lose”
[47:23] What is the purpose of this song?
Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe
Follow us on social!
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig akaScotty Z.
By AP Taylor Swift Podcast4.7
4646 ratings
None of it was accidental. This week we’re going deep into Midnights favorite “Mastermind.” After looking at this Taylor Swift song from the perspective of satire in our previous episode, we take another look to examine what Taylor is actually “mastermind”-ing. Is it a relationship? Or is it a nod to her many (many) easter eggs she leaves her fans? Maansi explores how Taylor weaves strategic language into the lyrics to reclaim the idea that she’s “calculating.” Jodi finds connections to The Odyssey, Oedipus Rex, and Greek mythology to bring this to an AP-level conversation. And Jenn shares more context about why “all the wisest women had to do it this way,” has deep roots in literature and history. Join us as we unpack this cryptic and potentially Machiavellian song!
Mentioned in this episode:
TIME Magazine December 7, 1981 “Crazy Over Cats”
TIME Magazine Person of the Year 2023
Phantom Thread
Mythology, Edith Hamilton
The Odyssey, Homer, Emily Wilson translation
Oedipus Rex, Sophocles
Guys and Dolls
Pride and Prejudice, Jane Austen
Hamilton
Founding Mothers, Cokie Roberts
RBG
Jackie
The Voices of Neims, Suzannah Lipscomb
Matilda, Roald Dahl
Harry Potter, JK Rowling
Broadway Sings
Mean Girls
The Woman in Me, Britney Spears
Jane Eyre, Charlotte Brontë
Gone Girl, Gillian Flynn
I Care A Lot
Looking for an audio book? Check out our Libro.fm playlist https://tidd.ly/47uhRVI
***
Episode Highlights:
[02:23] “And now you’re mine” - WHO?
[05:05] Mastermind: Benji’s Vision
[10:00] “The planets, and the fates…” Greek mythology
[16:26] “We were born to the the pawn in every lover’s game”
[26:44] “I’ve been scheming like a criminal ever since” The Bridge!
[33:40] “I’m only cryptic and Machiavellian cause I care”
[43:31] “Check Mate: I couldn’t lose”
[47:23] What is the purpose of this song?
Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe
Follow us on social!
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig akaScotty Z.

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