"Take me to the lakes where all the poets went to die." What's an AP class without a not-so-brief discussion about touching grass? In honor of Earth Day, we're exploring Transcendentalism — the 19th-century movement that said the divine lives in nature, not in dusty pews — and finding it everywhere in Taylor Swift's music. Jenn returns to "the lakes" (folklore, 2020) and pairs it with Ralph Waldo Emerson's foundational essay Nature to explore how Taylor's retreat from society mirrors the transcendentalist search for truth in the natural world. Maansi takes on "Bigger Than the Whole Sky" (Midnights, 2022), tracing its imagery and cosmic grief through themes of universal divinity and interconnectedness. And Jodi brings "Opalite" (The Life of a Showgirl, 2025) to pose a question: is this song an acceptance of transcendentalism — or a rejection of it? Dust off your Emerson, lace up your hiking boots, and get ready to go touch grass with us.

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Mentioned in this episode:

***

Episode Highlights:

[00:30] Introduction to Transcendentalism 

[08:29] "the lakes,” folklore

[18:28] "Bigger Than the Whole Sky," Midnights

[30:16] "Opalite” The Life of a Showgirl

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Take a deep breath and you walk through the doors. It's the morning of your very first day." This week, we're going line by line through "Fifteen.” From the significance of 15 as an age that rarely gets its pop culture moment, to Abigail and the quiet power of female friendship, to the devastating simplicity of "and we both cried," we unpack why this deceptively simple song keeps hitting harder with every passing year. We dig into who the "I" and the "you" really are, debate whether that night ends on a high or a heartbreak, and explore what it means to pay it forward to a generation of girls who are still walking through their very first doors. 

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

“Time won’t fly, it’s like I’m paralyzed by it.” What happens when you try to pin down something as slippery as time itself? This week’s episode gets philosophical as we explore how Taylor Swift uses time as a literary device—as narrative structure, as metaphor, as a way to measure how much we’ve changed. From flashbacks and tense shifts to nostalgia and the ache of looking back, we unpack how time shapes Taylor’s storytelling. Maansi traces the dramatic irony of “15” (Fearless, 2008), Jenn explores how “Timeless” (Speak Now (Taylor’s Version), 2023) removes time to reveal the purest form of love, and Jodi breaks down the stream-of-consciousness time travel of “All Too Well” (Red, 2012). Grab your clocks, calendars, and time-turners—class is in session.

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Mentioned in this episode:

***

Episode Highlights:

[01:12] Time as a literary device: structure, theme, and symbolism

[08:52] “Fifteen,” Fearless

[20:23] “Timeless,” Speak Now (Taylor’s Version)  

[31:39] “All Too Well,” (Red)

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

“I cry a lot but I am so productive, it’s an art.” This week, we’re doing a deep dive on “I Can Do It with a Broken Heart” (The Tortured Poets Department, 2024, Track 13), written by Taylor Swift and Jack Antonoff. A continuation of our Strong Women series, this episode goes line by line through one of Taylor’s most devastatingly relatable songs. We explore the rhetorical triangle of the I, the you, and the they; the “performative perkiness” of the chorus; why the poetry meter literally snaps to the beat of a performance; the crucial evidence hiding in drawers; and how dark humor becomes a coping mechanism. Whether you’re a Type A eldest daughter, a new mom, or anyone who has ever had to show up for work when their heart was broken, this one hits. Try and come for our job.

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Never be so kind, you forget to be clever; Never be so clever, you forget to be kind." We're celebrating Women's History Month the only way we know how: looking at strong women in Taylor Swift’s music. Jenn traces the wisdom and boldness Taylor inherited from her grandmother in "Marjorie" (evermore, 2020), Jodi unpacks the resilience hiding in plain sight throughout "I Can Do It with a Broken Heart" (The Tortured Poets Department, 2024), and Maansi makes the case that "Eldest Daughter" (The Life of a Showgirl, 2025) is basically the anthem of every firstborn girl who had to figure it out before anyone else did. Plus: why the Iceland women's strike of 1975 worked, and why Taylor Swift might be the only person capable of organizing a global one.

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Mentioned in this episode:

Episode Highlights:

[00:34] Introduction to strong women 

[05:59] "Marjorie," evermore (2020) 

[16:03] "I Can Do It with a Broken Heart," The Tortured Poets Department (2024) 

[23:42] "Eldest Daughter," The Life of a Showgirl (2025)

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

This week, we're going line by line through "Down Bad" from Taylor Swift's The Tortured Poets Department (2024). Jenn, Maansi, and Jodi unpack one of the album's most emotionally raw — and unexpectedly hilarious — songs, diving deep into its extended alien abduction metaphor, what it really means to be "down bad," and how Taylor uses sci-fi imagery to explore love bombing, power dynamics, and the messiest stages of heartbreak. We also discuss how this song connects to last week's Hero's Journey episode, why crying at the gym might be the most relatable lyric Taylor has ever written, and what the repetitive, fading outro says about the cycle of emotional abuse. Plus: cow mutilation, Kate McKinnon's SNL alien sketches, Thor and Natalie Portman, and The Other Boleyn Girl.

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Episode Highlights:

Follow AP Taylor Swift podcast on social!

Contact us at [email protected]

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Libro.fm — Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here: tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

This week, we're giving you a taste of something brand new: our full album deep dive series, starting at the very beginning with Taylor Swift's self-titled debut (2006). In this preview, we dig into the cover art, the context, and what it meant to introduce yourself to the world as a 16-year-old girl in a genre that had never really made room for one. Want the full track-by-track breakdown — from Tim McGraw through Tied Together with a Smile — and everything we unpack about ambition, identity, and the thesis statement Taylor locked in before she could legally drive. 

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🔒 Subscribe on Substack to hear the full episode, including:

Album Cover Art and Cultural Context

Track 1: Tim McGraw — the strategy behind Taylor's very first single

Track 2: Picture to Burn — Taylor's first revenge song and a hard pivot from track one

Track 3: Teardrops on My Guitar — unrequited love and everyone's origin story

Track 4: A Place in This World — the career song that closed the Eras Tour

Track 5: Cold as You — track five energy arrives right on schedule

Track 6: The Outside — what "outsider" really meant for a girl from Pennsylvania in Nashville

Track 7: Tied Together with a Smile — and why it still hits at any age

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

"She had a marvelous time ruining everything" This week, we're doing a Show and Tell episode on one of literature's most enduring narrative structures: the Hero's Journey. We explore three songs through the Hero's Journey lens: Maansi unpacks the cross-generational dual hero's story in "The Last Great American Dynasty" (Folklore, 2020), Jenn applies the framework to "Down Bad" (The Tortured Poets Department, 2024),and Jodi walks us through how "The Life of a Showgirl" (The Life of a Showgirl, 2025) follows every classic beat, from the call to adventure to the triumphant (and pithy) return. Plus: the Hunger Games, Harry Potter, Lord of the Rings, Hindu goddess Kali, The Traitors, and why Jodi thinks the bridge of "The Life of a Showgirl" might be Taylor's greatest bridge of all time.

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Mentioned in This Episode:

Episode Highlights

00:36 Welcome and intro — what is the Hero's Journey (the Monomyth)?

17:43 The Last Great American Dynasty: Multiple hero's journeys in one song

31:57 Down Bad: The Hero's Journey when you're sent home against your will

43:56 The Life of a Showgirl: A textbook Hero's Journey

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Your faithless love's the only hoax I believe in." This week, we're deep diving "hoax" from folklore (2020), written by Taylor Swift and Aaron Dessner. As a continuation of last week's Wuthering Heights episode, we go line by line through one of Taylor's most quietly devastating songs. We unpack the definition of "hoax" itself—humorous or malicious?—and find that the answer might be both. Along the way, we debate who's holding the twisted knife, trace religious undertones from the Lord's Prayer through "faithless love," connect Robert Burns and Of Mice and Men to Taylor's "best laid plan," and sit with the devastating wordplay of "my broken drum, you have beaten my heart." This is a song about betrayal by someone who knew exactly where it would hurt most—and the confusing, adult reality of choosing to stay anyway.

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Stay up to date at aptaylorswift.com 

Mentioned in this episode:

Episode Highlights:

[00:25] Introduction to "hoax" and the definition of a hoax

[02:11] "My only one, my smoking gun, my eclipsed sun"

[08:48] "Stood on the cliffside screaming, give me a reason"

[13:36] "Don't want no other shade of blue but you"

[18:14] "My barren land, I am ash from your fire"

[22:32] "You knew the hero died, so what's the movie for?"

[29:23] "My kingdom come undone"

[34:24] Purpose: vulnerability weaponized, betrayal by someone who knew you best

[39:10] The Wuthering Heights of it all

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Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Trust me, I can handle me a dangerous man" Can obsessive love survive across social classes, death, and generations? This week, we're diving into Emily Brontë's 1847 Gothic masterpiece, “Wuthering Heights,” to explore themes of revenge, class struggle, and the illusion of choice in a society that offered women precious few options. We connect three Taylor Swift songs to this brutal, beautiful tale of Catherine and Heathcliff's destructive passion and its ripple effects on the next generation. From unrequited longing to toxic attempts at redemption to the devastating reality of betrayal, we unpack why this novel feels both deeply romantic and disturbingly amoral.

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Mentioned in this episode: 

Episode Highlights

[01:14] “Wuthering Heights” Intro

[10:52] “Foolish One,” Fearless (Taylor’s Version)

[21:36] “Hoax,” Evermore

[29:14] “I Can Fix Him (No Really I Can),” The Tortured Poet’s Department

Follow AP Taylor Swift podcast on social! 

Contact us at [email protected] 

Affiliate Codes: 

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! 

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.