“Once the flight had flown…” Taylor Swift is a master storyteller, but how does she tell those stories? In this week’s Show & Tell episode, we’re talking all about Narratology. We break down the structure behind the storytelling, unpacking flashbacks, fast forwards, stream of consciousness, and first-person limited narration through three brilliant Swift tracks. From fairy tale distortion in “Is It Over Now?”, a murder mystery arc in “No Body, No Crime,” to the heart-tugging Bildungsroman of “You’re On Your Own, Kid,” this episode explores the how behind the heartbreaks, twists, and self-discoveries. Whether you're into literary theory, folklore, or just love a well-crafted bridge, you’ll leave this episode with a deeper appreciation for Taylor’s evolving narrative toolkit—and maybe a few English class flashbacks of your own.
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Mentioned in this episode:
E51: All Too Well (10 Minute Version)
Mrs. Dalloway, Virginia Woolf
The Lord of the Rings, J.R.R. Tolkien
E78: Tim McGraw Deep Dive
Great Expectations, Charles Dickens
Jane Eyre, Charlotte Brontë
[01:13] Intro to narratology
[05:25] “Is It Over Now?” 1989 (Taylor’s Version) (From the Vault)
[19:34] “No body, no crime” evermore
[32:20] “You’re on You’re Own, Kid” Midnights
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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.