AP Taylor Swift

"I’d be a fearless leader, I’d be an alpha type." This week we're going line-by-line through Taylor Swift's "The Man" (Lover, 2019), written by Taylor Swift and Joel Little, in a literary analysis deep dive on masculinity and the gender double standard. We pick apart the conditional mood, the alpha wolf myth, the "they" who write the narrative, and how a woman's personal life gets tangled up with her professional reputation. Then we compare the music video with the Eras Tour staging and share our purposes for the song.

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[00:00] Welcome to "The Man" (Lover, 2019), and the title: She's the Man and Beyoncé's "If I Were a Boy"

[05:14] I would be complex, I would be cool: the conditional mood, "conquest," and who the "they" are

[12:25] I'd be a fearless leader, I'd be an alpha type: personal life vs. professional reputation, and the alpha wolf myth

[21:38] When everyone believes you, what's that like? and the chorus, I'm so sick of running as fast as I can

[33:38] What I was wearing, if I was rude: verse two and the hustle double standard

[42:40] I'd be just like Leo in Saint-Tropez: Leonardo DiCaprio and "let the players play"

[47:48] It's okay if you're mad: the bridge

[55:58] The satirical music video vs. the Eras Tour performance

[1:05:28] Our purposes: permission to be mad, the personal-professional blur, and the "they"

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Contact us at [email protected]

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Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

I’ll be your father figure. In this Show and Tell episode, Jenn, Jodi, and Maansi unpack masculinity as a cultural construct, from powdered wigs and heels in 18th century France to Travis Kelce happily playing the less famous partner on New Heights.

Jenn kicks things off with Better Man, flipping every one of the ex's flaws to sketch the man Taylor actually wants (grateful, consistent, kind, and secure enough not to talk down to anyone). Jodi brings The Man and gets real about the double standards that turn a woman's "edge" into a man's ambition, plus why leaning in never quite worked. Maansi closes with Father Figure, tracing every Jaguar, chateau, and glass of brown liquor back to the patriarch. (And yes, she researched the history of dick measuring contests. For science.)

Along the way, the hosts map R.W. Connell's hegemonic masculinity, Aragorn versus Commodus, the Byronic hero, Hemingway's code hero, and the colonial baggage packed into a single word like "conquest." Pour yourself a whiskey (or don't, it tastes like fire) and press play.

Browse every book we've mentioned at our Bookshop.org storefront.

Find us at @APTaylorSwift everywhere. 

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Intro music by Scott Zadig aka Scotty Z.

AP Taylor Swift is an independent podcast and is not affiliated with, endorsed by, or sponsored by Taylor Swift, her management, or her record labels.

"I took your matches before fire could catch me" This week we're going line-by-line through Taylor Swift's "Dear John" (Speak Now, 2010). We go through the WWII-era history behind the title, the epistolary letter form, and how a breakup letter becomes an act of reclaiming her own story. And surprisingly, we walk away realizing (spoiler alert) maybe this song isn’t as sad as we thought!

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episode

Stay up to date at aptaylorswift.com

Mentioned in this episode:

Episode Highlights:

[01:19] Why "Dear John" is such a track five 

[01:42] What a Dear John letter actually is — the WWII-era origin of the phrase 

[05:55] "Long were the nights" 

[10:39] "You paint me a blue sky and go back and turn it to rain" 

[17:48] "don't you think I was too young to be messed with" 

[36:33] "I took your matches before fire could catch me" 

[45:53] The turn from "I should have known" to "you should have known" 

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Contact us at [email protected]

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

I wanna be your end game. Roll the dice, pick your teams, and pull up a chair, because this week is all about games (decidedly not sports). Taylor reaches for game metaphors constantly, and once you start looking, you find chess boards, poker hands, and team rosters all over her catalog.

Jenn kicks things off with the big thinkers of play, from Johan Huizinga’s magic circle to Roger Caillois’s four types of play to game theory, the field that treats every board game as a tiny model of human decision making. Then Jodi takes us inside the chess game of “Dear John,” where somebody else keeps changing the rules. Jenn lays her cards on the table with “Foolish One” and explains why showing your hand first is a classic game theory mistake (hello, sucker’s payoff). Maansi closes with “End Game,” tracing “end game,” “first string,” and “A-Team” back to chess, medieval archery, and the US Army, and landing on a very different kind of game where both players finally sit on the same side of the board.

Along the way we detour through Jumanji, Lord of the Flies, Alice in Wonderland, The Queen’s Gambit, a Garry Kasparov masterclass, and the ancient Indian roots of chess. Grab your game pieces and play along!

Browse all our picks at bookshop.org/shop/apts

Rate, review, and subscribe wherever you listen, and tell us your favorite game reference in the comments!

We barely scratched the surface on games (we didn’t even get to video games). Find more extra credit on our Substack at aptaylorswift.substack.com, and join After School, our paid tier, for bonus content from all three of us.

Intro music by Scott Zadig aka Scotty Z.

AP Taylor Swift is an independent podcast and is not affiliated with or endorsed by Taylor Swift, her team, or her record labels.

"They say the road gets hard, and you get lost when you're led by blind faith." This week we're going line-by-line through "False God" (Lover, 2019). We trace the blind faith, the confession and forgiveness, and the New York City vs. West Village metaphor to figure out who's the deity and who's the devotee in this relationship.

Check out more at aptaylorswift.com 

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

Episode Highlights:

[00:15] What is a “false god”?

[08:29] "Like I'm not your favorite town... I'm New York City" 

[15:38] "You get lost when you're led by blind faith" 

[25:46] "Even if it's a false god, we'd still worship this love"

[40:09] "Heaven's a thing... hell is when I fight with you" 

[46:18] "You're the West Village"

Follow AP Taylor Swift podcast on social!

Contact us at [email protected]

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

And the God's honest truth is that the pain was heaven" This week we're looking at Taylor Swift's lyrics through the lens of God as a literary symbol — the ultimate judge, the absent silent one, and the lover. Maansi brings in "Soon You'll Get Better" (Lover, 2019), Jodi covers "False God" (Lover, 2019), and Jenn digs into "Would've, Could've, Should've" (Midnights, 2022).

Two ways to get more of AP Taylor Swift:

Mentioned in this episode:

Episode Highlights:

Follow AP Taylor Swift podcast on social!

Contact us at [email protected]

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"I was there when you said, forever and always." In this deep dive, we crack open why "Forever and Always" is a bait and switch song, tracing how Taylor takes a romantic idiom and flips it into a play by play of a relationship falling apart in real time. We trace the whole arc: the extraordinary to ordinary swap in that first "I believe it was a Tuesday" line, the low-key violence hiding inside a single word ("caught"), and the moment a few lines in when she stops calling it a relationship and starts calling it "this thing." By the bridge, even the chorus gets rewritten. So what actually happened between them? All three of us landed somewhere different, and that's kind of the whole point of a deep dive.

Stay up to date at aptaylorswift.com

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Episode Highlights:

[02:16] What "forever and always" actually means, and why the title uses it ironically

[08:54] "Caught" versus "hold": the violence and the comfort hiding in her word choice

[25:30] The chorus hits: "I stare at the phone"

[41:14] The universal ache of not knowing what you did wrong

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Dear Reader, If it feels like a trap, you're already in one." This week we're kicking off Season 4 by looking at Taylor Swift's lyrics through reader-response theory. The framework, pioneered by Stanley Fish, argues meaning isn't fixed in a text but created in the act of reading—or in our case, listening! Jodi digs into "Forever and Always" (Fearless, 2008), Maansi takes on "Peace" (folklore, 2020), and Jenn closes it out with "Dear Reader" (Midnights, 2022) — a song that's basically begging for this exact analysis. Listen and learn why Swifties are the epitome of an interpretive community.

Learn more at aptaylorswift.com

Two ways to get more of AP Taylor Swift:

Mentioned in this episode:

Episode Highlights:

Follow AP Taylor Swift podcast on social!

Contact us at [email protected]

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

“Fatefully, I tried to pick my battles 'til the battle picked me” This week, we're diving into the timeless influence of Greek mythology in Taylor Swift's music by exploring connections between Taylor's songs and classic Greek myths. Jodi finds links between Demeter and Persephone’s sorrow in The Hymn to Demeter and the Folklore song "My Tears Ricochet.” Maansi shows us how  "Long Story Short” sounds like Odysseus recounting his epic journey as he returns home. And Jenn gets into the ancient story of the Labyrinth and how it reflects themes of self-discovery and transformation in "Labyrinth." Is Taylor Swift a modern-day Homer? Listen and find out! 

Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe

Stay up to date: www.aptaylorswift.com 

Mentioned in this episode: 

Mythology, Edith Hamilton

The Iliad, Homer

The Odyssey, Homer

Metamorphoses, Ovid

Percy Jackson series by Rick Riordan

E44: Metaphors + “The Tortured Poets Department”

E22: Mastermind 

Homeric Hymns 

The Hymn to Demeter

Hadestown (musical)

Hercules (Disney animated film)

E54: One Year Anniversary of AP Taylor Swift

Circe, Madeline Miller

Fantasyland by Kurt Andersen

The Hero with a Thousand Faces by Joseph Campbell

Stephen Fry’s Mythos, Heroes, and Troy 

Episode Highlights: 

Introduction to Greek Mythology

Follow us! 

Contact us at [email protected]

Affiliate Codes: 

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! 

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

“And I was catching my breath, barefoot in the wildest winter…” What happens when a 21st-century American poet meets a 19th-century one? In this Show & Tell episode, we explore the literary lineage between Taylor Swift and Emily Dickinson. Each of us brings a favorite Dickinson poem paired with a Swift song that touch on shared motifs such as separation, isolation, and hope. Tune in to find out which modern-day Taylor tracks sound like 19th-century poetry—and why we think Emily might vibe with Evermore.

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode: 

The Letters of Emily Dickinson

The Complete Poems of Emily Dickinson

Hope is the Thing with Feathers

They Put Us Far Apart (Poem 474)

It Was Not Death, for I Stood Up (Poem 355)

Message in a Bottle – Taylor Swift

Evermore – Taylor Swift

Taylor Swift by the Book

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Episode Highlights: 

[6:26] “Message in a Bottle” + they put us far apart

[16:03] “Evermore” + It was not death, for I stood up 

[29:31] “Karma” + Hope is a thing with feathers

Follow AP Taylor Swift podcast on social! 

Contact us at [email protected] 

Affiliate Codes: 

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! 

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.