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The podcast currently has 39 episodes available.
This episode dives into new flight options for flying into and back home from Egypt in more advantageous ways, as well as updated info on Egypt’s major – and new – airports to help you better plan your travel to and around Egypt.
This episode is also available on The Egypt Travel Video Podcast on The Egypt TravelChannel on YouTube. And as always, please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
The post Airports and Flights to and within Egypt appeared first on EgyptTravelBlog.com.
An enlightening sit-down interview with Dr. Bernard O’Kane, a distinguished professor of Islamic art and architecture at the American University in Cairo (AUC). I was so honored to reconnect with Dr. O’Kane, who is not only an expert on this topic, but also a former professor of mine when I was a student at AUC more than 20 years ago. In his characteristic easy-going style, Dr. O’Kane talks about the most spectacular mosques throughout Egypt as well as other impressive examples of Islamic fortresses, Ottoman palaces, and medieval mausoleum, as well as must-see museums in Cairo for connoisseurs of Islamic art.
The Mosques of Egypt
The Illustrated Guide to the Museum of Islamic Art in Cairo
Treasures of Islam: The Glories of Islamic Civilization
The Treasures of Islamic Art in the Museums of Cairo
The Civilization of the Islamic World
The post Interview with Dr. Bernard O’Kane on Islamic Art & Architecture in Egypt appeared first on EgyptTravelBlog.com.
What is Egypt’s local currency and what is it really worth compared to foreign currencies like the US Dollar, Euro, or British Pound? What’s a fair price to pay for various products and services in Egypt? How much cash should you bring to Egypt… or should you at all? Is it safe to use credit and debit cards across Egypt? How common are ATMs that work with foreign cards? All of these questions and so many more are not only answered, but discussed in depth in this episode.
This episode is also available on The Egypt Travel Video Podcast on The Egypt Travel Channel on YouTube. And as always, please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
The post All about Money and Currency in Egypt appeared first on EgyptTravelBlog.com.
Blindly following ChatGPT and new travel planning tools based on artificial intelligence (AI) might be ok for travel in places like North America and Western Europe, but this tactic can cause you to run into some big trouble on the ground in places like Egypt. In this episode, John reviews and talks through several Egypt itineraries that ChatGPT has spit out based on detailed prompts and explains what’s good about them, what won’t work for reasons ChatGPT can’t know, and what it tells you to do that’s downright dangerous. This is a good one! Enjoy.
This episode is also available on The Egypt Travel Video Podcast on The Egypt Travel Channel on YouTube. And as always, please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
Transcription in progress. Final transcript coming soon…
The post The Perils of Using ChatGPT and AI in Travel Planning appeared first on EgyptTravelBlog.com.
An announcement of the new video podcast episode that’s all about the latest updates on the Grand Egyptian Museum. The full video episode can be found at:
https://YouTube.com/@TheEgyptTravelChannel
And make sure you subscribe to this new YouTube channel, The Egypt Travel Channel – for more exclusive updates and new insider videos about travel to and around Egypt from John Navarre and The Egypt Travel Podcast.
Hi, everybody. It’s John Navarre here with… sort of a special announcement about an important announcement… or at least an important update.
I know that a new episode of the Egypt Travel Podcast with a comprehensive update about the current status of the Grand Egyptian Museum is long overdue… and I finally have that update ready for you.
In the 38th episode of the Egypt Travel Podcast, I do a deep dive into the latest updates on the GEM as of May and June of 2023, including detailed information on the GEM’s new limited trial visits program, what’s available to see and what’s off limits during these trial visits, and most importantly how to get trial visit tickets if you happen to be in Egypt before the GEM fully opens to the public.
And of course, I also give you an update on when that might be, according to the latest indications and estimates.
BUT… I’ve got a favor to ask of you in exchange for putting a lot of time and effort into researching, recording, producing, and editing this meaty and timely update about the GEM… a favor that I think you’ll really get a lot out of yourself, actually.
So this latest episode of the Egypt Travel Podcast about GEM updates for the summer of 2023 is actually another video podcast episode. And on top of that, I’ve transitioned the video podcasts – and all of the video work I’m going to be doing now moving forward, to the new YouTube channel I’ve launched.
It’s called The Egypt Travel Channel on YouTube, and the handle for it is @TheEgyptTravelChannel, which means that the easy-to-remember website address for it is www.TheEgyptTravelChannel.com.
So for now, if you’ll head over to YouTube.com/@TheEgyptTravelChannel or www.TheEgyptTravelChannel.com – and I’ll put a link in the show description here too – then you’ll be able to find the full video podcast episode that I just put out today with a LOT of substantive updates on the Grand Egyptian Museum.
And while you’re there, please do me that huge favor and subscribe to the new channel on YouTube and click the little bell on the page so that you can get an automatic notification when I release a new audio or video episode of the Egypt Travel Podcast, which is also now being posted there on the new YouTube channel too.
So just to wrap up, here’s the favor I’m asking again for anyone interested in the latest video episode of the Egypt Travel Podcast about Spring and Summer updates on the Grand Egyptian Museum… go to YouTube.com/@TheEgyptTravelChannel or go to YouTube and search for The Egypt Travel Channel and you’ll find both the new YouTube channel that I just launched AND on that channel the latest video episode of this podcast, which is entitled May/June 2023 GEM Updates.
You’ll know it because you’ll see my face in the thumbnail there of the video.
Alright, I’ll leave you to it now to go watch that episode and subscribe to that channel so that you get notified of all of the new video episodes I’ve started recording and producing at my new recording studio here in the Egypt Elite office in Cairo.
And if anyone has questions for me, please please feel welcome to post them in the comments on the video and I’ll answer them immediately.
Ok, everyone. See you over on YouTube for this episode on May/June 2023 GEM Updates and a lot more soon.
Ma Salaama.
The post May/June 2023 GEM Updates appeared first on EgyptTravelBlog.com.
Prolific travel writer and globetrotter, Whitney O’Halek of www.QuickWhitTravel.com, and I sit down over lunch in Luxor to chat about her impressions of Egypt before and during her extensive first trip around the country with her husband, Steve. Whitney’s insights and observations about traveling around Egypt are particularly helpful given that this was her 59th country visited.
Visit www.QuickWhitTravel.com for all of Whitney’s detailed post-trip articles about traveling to and around Egypt in 2023. And please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
The post Interview with Travel Writer Whitney O’Halek from QuickWhitTravel.com appeared first on EgyptTravelBlog.com.
Ashely and her father just finished spending over 3 weeks in Egypt exploring nearly every corner of the country together. In this super detailed guest interview episode, Ashley talks about her pre-trip research and planning, their impressions of each place they visited, what surprised her and her dad after they arrived in Egypt, and along the way she gives LOTS of insightful and very practical advice for anyone considering visiting Egypt in the near future.
For more travel advice on trips to and around Egypt, check out all the other episodes of the Egypt Travel Podcast. And please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
The post Interview with Ashely on her 3-Week Father-Daughter Adventure appeared first on EgyptTravelBlog.com.
Did you know that “Egypt” wasn’t the real name of this country in ancient times, and it still isn’t even in modern times? Nope, that’s one of the many misconceptions about the country we call Egypt today (Can a country actually catfish people?). What else do we think is true about Egypt but really isn’t? That’s what John reveals in this episode of The Egypt Travel Podcast – conceptions and misconceptions of both modern and ancient Egypt (or whatever it’s actually called… find out in this episode!).
For more travel advice on trips to and around Egypt, check out all the other episodes of the Egypt Travel Podcast. And please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
Sabah el xheir, everyone. Greetings from sunny Aswan, Egypt where I’m recording this latest episode of the Egypt Travel Podcast while I’m here with 3 different sets of clients who are touring Egypt right now.
One of the clients in a small private group I have here right now suggested the other day that I should do a podcast episode covering common misconceptions of Egypt, and he did a great job of giving me a few starter ideas based on misconceptions that he, his sister, and his fiancé had about Egypt before they came. I met them for dinner in Luxor last week, and as they told me the things that they had assumed about Egypt but were surprised to find out were different once they arrived and began exploring the country, I realized that Michael, you were exactly right. This topic needs its own podcast episode, or maybe even a series of them.
Despite all the info out there (like this podcast, like EgyptTravelBlog.com, and all the other resources on Egypt that we and others put out), and despite the millions of tourists that visit Egypt every year and return home to talk about how wonderful and surprising the experience was, there are still hundreds of millions of people out there who have certain conceptions and misconceptions about Egypt. And I’m always amazed at how off people’s conceptions of Egypt are sometimes. Whether it’s in regards to ancient Egypt (which wasn’t even called Egypt, by the way) or the modern country (which also isn’t really called Egypt either, by the way), Egypt remains a land of contrasts, myths, misconceptions, and lots of surprises.
Let’s start with the name, since I probably just confused you on that topic by saying that wasn’t and isn’t the real name of the country. In ancient times, the place we know today as Egypt was called Kemet. Egypt as a name was a later Greek creation, Aigyptos, which was derived from the Egyptian name for the city of Memphis, which was also a Greek name we still use today for that ancient capital of Egypt, but which had a different name in the ancient Egyptian language too – Hwt-Ka-Ptah if anyone is interested, which meant Mansion of the Spirit of Ptah, an ancient god. So from Hwt-Ka-Ptah, the Greeks started staying Aigyptahhh, and of course they put “os” on the end of everything because, well they’re Greek. So we get Aigyptos, which then was picked up in Latin as Aegyptus after the Romans took Egypt from Greece, and then Egypte in old French, and now you can probably see where in English we get the word Egypt from.
It wasn’t the name of the country, but the Romans and the French and the English have been so globally dominant for the past 2000 years sailing around everywhere telling everyone about this great country called Egypt, so the people here just rolled with it and still do. They’re just like – sure, call us whatever you want, as long as you come see the Pyramids and stuff.
Similarly, when the Arab tribes from present-day Saudi Arabia invaded Egypt in the 600s and brought both the Islamic religion and the Arabic language to the area, they called the country Masr. Masr remains the country’s name today in the actual native language of the people here… not the indigenous language, but at least the current native language.
So Egypt – that’s basically the pan-European version of the country’s name. Masr that’s the native Arabic version of the country’s name. And Kemet is the original indigenous ancient Egyptian name for this country.
Related to that is another misconception about Egypt. Many of the people here, especially in northern Egypt, aren’t the same as the ancient Egyptians who built pyramids and empires here thousands of years ago. Many modern-day people here are Arabs descended form the tribes across the Red Sea in the Arabian peninsula or Turkish tribes to the north who came and settled during the long Ottoman occupation period. In fact, in the Delta region of Egypt in the north you can see many people who are very very light skinned, almost white, because they are of Turkish descent from Anatolia in modern-day Turkey or the Balkans in Europe or the Caucuses region, where the word Caucasion even originated.
In fact, Egypt’s last royal family was ethnically Albanian. They were from the European part of the Ottoman Empire and became governors here when the Ottomans ruled Egypt and then kings of Egypt when they broke away from Ottoman control. And the last famous royal family before that, of which the Cleopatra was a member, was Greek and Macedonian… they were from Europe too!
Which is actually really funny because in the new remake of the famous film about Cleopatra, the Israeli actress Gal Gidot was cast to star as Cleopatra, and all these idiots in the West were screaming online about how dare they cast a non-African to play an African queen? But guess what… the irony is that these uneducated people who think they’re so worldly and knowledgeable about Africa and Egypt were completely ignorant of this place’s history. They were imposing their own assumptions and misconceptions onto Egypt and then screaming at others who were actually getting it right.
Cleopatra wasn’t African; she was of European descent from the Balkans. And Gal Gidot, actually being from the Middle East herself, was way more ethnically diverse than Cleopatra ever was.
Only in the very far south of Egypt in what we call Upper Egypt or Lower Nubia do you see what are likely continuous lines of truly indigenous ancient Egyptians still inhabiting Egypt today, although some would argue that the Coptic families in Egypt are very likely the next most closely related to the ancients because they didn’t mix and marry with the invading Arab tribes from Saudi that took over the country after the Muslim conquest in the 600s.
Ok, so in sum here, Egypt is a foreign word used to refer to ancient Kemet, in the original Egyptian language, and modern Masr, in the Arabic language. But Egypt is the commonly accepted word in English for the country, so Egyptian themselves accept and embrace it as well, at least in other languages. And modern Egyptians are a mix of Arabs, Ottomans, Nubians, and more, in addition to indigenous Kemites or Kemetese or whatever adjective the ancient citizens of Kemet would have called themselves.
So now let’s go back nearly 5000 years to ancient Kemet and talk about one of modern Egypt’s greatest monuments – the pyramids. First, we honestly still don’t truly know how they were built. There are theories, but they are just that. Most likely the ancients used either long or winding mud-brick ramps, but they just as easily could have used a material or technique that we haven’t yet imagined and which isn’t currently referred to or spelled out in any surviving pictorials or records.
Second, the pyramids were most likely not built by slaves, but instead by local workers who were taking turns performing a period of national service to the state (i.e., the Pharaoh). Since they didn’t have an IRS or currency back then to collect taxes and the Pharaoh didn’t really need to collect a percentage of crops or meat that could spoil, the ancient Egyptian state often took taxes in the form of labor, and some of that labor was put to work building the final resting places of the god-kings who ruled absolutely.
How do we know this? Well, the best evidence comes from the ruins of the accommodations provided for the workers around the pyramid building sites and the remains of the food that they were fed in these areas. For example, precious meat would not have been wasted on slaves, yet remnants of massive amounts of meat have been found amid the workers’ villages surrounding pyramid construction sites. So it’s more likely that the builders of the pyramids were more of a national service corps that was conscripted to work for the Pharaoh for a period of time in exchange for the protection, both physical and divine, that he was thought to have provided them and for sustenance in the form of decent meat, bread, and beer.
What about the aliens though, you may be thinking? Why would the History Channel and Discovery Channel and Clickbait Channel have all of these tv shows about ancient aliens building things like the pyramids if there ins’t any potential merit to these theories? Well, you can probably guess the answer to that yourself. Theories and shows like these are fascinating, enthralling, and they get you to click links and watch shows for hours on end late at night when you can’t sleep.
However, there isn’t any evidence of anything supernatural in the building of Egypt’s ancient monuments. All of them can plausibly have been built with ancient tools and sufficient manpower. And nothing unexplainable has been found at these sites. There are no radiation burn marks on the walls or non-earthly metals integrated into anything. If extraterrestrials had anything to do with it, you would expect to find some sort of evidence of inexplicable phenomena. But instead, all we find is evidence of immense hard work, careful planning, and grand ambitions.
Some people also mistakenly believe that the pyramids can’t possibly be solid all the way through. There would have to be more than 2.3 million of these stones that weigh an average of 2.5 tons each for the largest of them, the Great Pyramid of Khufu, to be solid all the way through. Well guess what… it is. And they all are, except for the very small open burial and storage chambers inside of them. How do we know? Well the simple answer here is because we can go inside of them and see for ourselves.
That, by the way, is another misconception about Egypt and the pyramids. Many people think you can’t go inside of them. You can. Several of Egypt’s most famous pyramids, including the Great Pyramid, are continuously open for visitors to go into. In fact, you can walk through a narrow corridor all the way to the center of the pyramids and see the actual burial chambers in the middle of them.
It would have been much harder for the ancients to have only filled in the huge stone blocks around the tunnels and burial chambers inside of the pyramids and then also on the exterior of the structure and then left the rest empty just to intentionally fool the conspiracy theorists watching the History Channel at 4am in the 21st century. We also know that the pyramids are solid structures because there are over a hundred of them left standing, and most of them are in states of collapse such that we can see what’s inside of them now because the insides are exposed. And guess what… the ones that are collapsing and falling apart are revealing their interiors to be solid stone all the way though.
Another misconception about the pyramids is that the reward for duck-walking through a hot and stuffy narrow tunnel all the way to the king’s burial chamber in the center will be some spectacular scenes like out of some movie. But in reality, the pyramids are blank inside – and outside for that matter. Their magnificence is in their scale and size and the fact that the Egyptians of the Old Kingdom period were building these enormous structures 4,500 years ago while Europeans and North Americans were still living in caves and hunting and gathering. The fabulous colorful artwork on tomb and temple walls didn’t come until later. One client of Egypt Elite here with us recently described it as if you’re seeing the ancient world in sepia tones instead of in vivid color.
With that said, however, another misconception is that all of the ancient monuments in Egypt are in sepia without any of the original color or artwork. That’s not true either once you get down to the tombs and temples in Luxor. The dry air, lack of rainfall, and protection from wind damage by being underground has preserved most of the original vivid colors of the tombs of Egypt’s greatest New Kingdom pharaohs in the Valley of the Kings and the Valley of the Queens in Luxor. And even though the above-ground temples in Luxor were exposed to the elements for thousands of years, the areas that were least exposed, such as the underside of the temple roofs, still have a lot of original vivid color that has survived to the present day.
So when you’re touring Karnak Temple, for example, at first you’re admiring the massive walls of the pylons and the columns of the hypostyle hall and the huge obelisks as you make your way back through the temple complex. But if you also look up while you’re walking through, you’ll see the temple more like its original builders and users saw it – awash in bright colors that really made the walls and columns pop back in the day.
And finally, let’s talk about the big elephant in the room… or at least in some rooms. For anyone who has been to Egypt now, we find it hard to believe that people still in this day and age, in 2022, would think that Egypt is not safe. That’s such old-school thinking by those who either a) remember when the whole Middle East used to be a powder keg in the 1960s and 70s (but so was the USA at that time), or b) think that because something dicey is going on elsewhere in the region that it must somehow make Egypt, a completely different country, unsafe too, as if drug violence in Mexico (part of North America) somehow makes Quebec, Canada (also in North America) dangerous and doggy. No one would ever say, “I’m not visiting Vancouver because there was a shooting in Miami.” But that’s what people sounds like when they say they think Egypt is unsafe because they heard on their favorite click-bait website or for-profit news channel that something sketchy was happening in another country where they also happen to speak Arabic far away.
Similarly, Egyptians came out into the streets and demonstrated in crowds in 2011 and toppled their government, which we now in retrospect call the Egyptian Revolution. But the same thing happened in the USA last year though, and those trying to overthrow the American government actually succeeded in storming and occupying the legislature and five Americans were killed. No one ever stormed government buildings in Egypt during their revolution and no Americans or other foreigners were killed or even hurt. Yet much worse has happened in the US now. The US even has more people who have died from Coronavirus than the total number of people in all of Egypt who have even gotten the sniffles from it.
If you’re seriously concerned about your safety, you’re much better off getting on a plane, leaving the USA, and coming to Egypt. You’re much safer in Egypt than you are in your home country. Crime against foreigners is virtually unheard of here. The penalties for it are so severe that people don’t even think of hurting a foreigner in Egypt. But in the US, there are many crimes against you in many places across country that the local government intentionally does not prosecute because they are so common that they would overwhelm the courts there.
In other words, it’s practically legal for people in your own country to attack or harm you without repercussions, whereas in Egypt the punishment for even looking at a foreigner the wrong way is so severe that you’re treated like a god-king pharaoh here.
The absolute worst thing that will happen to you here in Egypt as a visiting tourist is that someone will try to rip you off when you buy something. They may charge you double what it should really cost, and someone who brought you there may take half of that as a kickback. That’s the worst that will happen, and even that will only happen if you book your trip to and around Egypt with a scammy company and if you don’t listen to the Egypt Travel Podcast episodes about these practices and read the many articles on EgyptTravelBlog.com about all of these scams to avoid.
So on that note, I’ll bid you all farewell again until the next episode of the Egypt Travel Podcast. Ma’salaama everyone.
The post Common Misconceptions about Egypt appeared first on EgyptTravelBlog.com.
No one in the West has quite the iconic stature that singer Umm Kulthum has across the Arab World. To compare her to only one of the most famous Western singers in history is to drastically underestimate her star power both in the past and in the present. In this culturally focused episode, John presents the legendary “Star of the East” – Umm Kulthum.
For more travel advice on trips to and around Egypt, check out all the other episodes of the Egypt Travel Podcast. And please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
Welcome back everybody to the Egypt Travel Podcast. I have a really special episode for you this time that doesn’t fit neatly into the travel advice category nor into the ancient history category that I’ve been weaving into the show a bit lately. Instead, this one relates to more modern Egyptian history and culture and highlights a figure in Egyptian society whose importance, influence, and legacy simply cannot be overstated.
Her hame is Um Kulthum, and if you’re going to visit Egypt then you absolutely must know who she is and how important she is for Egyptians both young and old.
So here in this 32nd episode of the Egypt Travel Podcast… I give you the singer, the legend, and indeed the icon who truly transcends time in the Arab world – Um Kulthum.
Music
While ranked among the likes of Elvis Presley, Frank Sinatra, Aretha Franklin, Barbara Streisand, Ella Fitzgerald, and Celine Dion, Umm Kulthum is a name virtually unknown in the West. But in the Arab World, however, she isn’t just a singing superstar more famous than all of the previously named Western icons combined; rather, she was and is seen as the personification of Egypt and the wider Arab region – someone who nostalgically represented local values amid a lingering legacy of colonialism and increasing Westernization and modernization.
In this episode of The Egypt Travel Podcast – the story of Umm Kulthum, whose powerful voice once made waves across Egypt and the Middle East. To this day, she remains a beloved cultural icon, with tens of millions of people frequently continuing to listen to her extraordinary performances nearly five decades after her death.
Known as “Kawkab as-Sharq” or “Star of the East” in Arabic, Umm Kulthum led a dazzlingly colorful life. She was born on May 4, 1904, in the village of Tummāy az-Zahāyrah in Egypt and was the daughter of an imam, who supported his family by singing traditional religious songs at celebrations and festivals.
From a young age, Umm Kulthum had a distinct, powerful singing voice, which caught her father’s attention. He began bringing her along whenever he was working, dressing her as a boy since he would have been criticized for showing off his daughter to the public. This was because, at the time, most Egyptians regarded professional singing as scandalous, especially if the performer was female.
Thanks to her incredible voice, Umm Kulthum quickly became an in-demand talent, performing in towns and villages across northern Egypt’s Nile Delta region. Her family was quick to realize her potential and in 1923, they moved to Cairo, which , even back then, was already the entertainment capital of the entire entire Middle East.
When she first arrived, Umm Kulthum was regarded as old-fashioned and unsophisticated by those in Cairo’s cosmopolitan circles. They were particularly critical of her voice, which didn’t have the melodic subtleties and nuances that Egyptian music of the time called for.
To improve her reputation, she began studying music, poetry, and literature from some of the city’s top performers and scholars. Her teachers included the renowned poet Ahmad Rami, who taught her literary Arabic. She also studied the wealthy women who invited her to their homes to perform, mimicking their behavior and mannerisms.
Before long, she had made a name for herself in the homes and salons of Cairo’s wealthiest residents. In the mid-1920s, she began making commercial recordings that sold by the thousands, with many listeners praising her powerful notes and unique performing style.
In an article for Harvard Magazine, musicologist Virginia Danielson wrote, quote, “In that cosmopolitan city, according to historian Husayn Fawzi, one could hear adaptations of the latest French plays, European operas, Sousa marches, and ‘Way Down Upon the Swanee River.’ Umm Kulthum confronted this international array with a cultivated Egyptian-Arab style of song, informed by new sounds and instruments from the West, but essentially local.” End quote.
This one-of-a-kind approach to music took Cairo by storm and by the end of the decade, Umm Kulthum had become one of the top performers in the city.
In 1934, Egyptian Radio was established, which led to Umm Kulthum’s fame skyrocketing as hundreds of thousands of people across the country began blasting her songs, no matter the time of the day. Two years later, she decided to expand her career into film acting and took on the title role in “Wedad,” a romantic musical inspired by the classic “One Thousand and One Nights” – a collection of Arabic folk tales attributed to the Persian poet Omar Khayyam.
The following year, Umm Kulthum negotiated a deal to have all her performances broadcast live on Egyptian Radio. Practically everyone – from the wealthiest families of Cairo to the villagers of the countryside – tuned in to hear her sing.
By this time, Umm Kulthum had transitioned from singing religious songs to more popular ones, often with a small orchestra playing in the background. She became known for her passionate renditions of works created by Egypt’s top composers at the time, such as the poets Ahmad Shawqī and Bayrām al-Tūnisī.
But it was in the 1940s when Umm Kulthum’s career really took off. According to Virginia Danielson, quote, “…she sang songs for which she would be remembered for the rest of the century, especially colloquial love songs echoing the language and music of working-class people. She also sang elegant and sophisticated poetry in literary Arabic, laden with historic and religious images.” End quote.
Many of Umm Kulthum’s renditions – particularly those composed for her by the neoclassicist Riyad al-Sunbati – had political overtones, such as subtle messages that hinted at social justice and support for Egyptian self-rule.
Umm Kulthum insisted on being more in control of her career as it skyrocketed. Not only did she produce her own concerts but she also chose which orchestras would accompany her performances, as well as which actors and technicians would work with her on her films. She became a member of the Listening Committee – which was responsible for deciding what songs would be broadcast on radio – and was also elected president of the musicians’ union.
Apart from being one of the country’s top performers, Umm Kulthum also became known for her political activism, which she ramped up after the 1952 Egyptian Revolution. She began singing songs that called for Egyptian independence, such as “Nashīd al-Gāmi’ah” or “The University Anthem” and “Sa’alu Qalbī” or “Ask My Heart,” as well as those that supported President Gamal Abdel Nasser, who had helped overthrow the monarchy.
Given that she herself had come from humble beginnings, Umm Kulthum used her fame and fortune to help her impoverished countrymen. After Egypt was defeated in the 1967 Six-Day War, she set off on a tour of the Arab World and donated its proceeds – which came to about two million dollars – to the government. She also spoke passionately about her own rise from poverty and helped raise awareness for the country’s less-fortunate populations.
For many, Umm Kulthum was authentically Egyptian – which was a challenging feat in those times due to increasing Westernization. She was also praised for her evocative renditions, with admirers saying that she didn’t just sing songs, but she infused them with meaning.
According to Havard Magazine, quote, “Standing before her audiences, [Umm Kulthum] repeated phrases and sections at their behest; people said she never sang a line the same way twice. With virtuosic command of the historic Arabic melodic system and hundreds of vocal colors and ornaments, she stretched twenty-minute compositions into two-hour performances. Crowds roared their approval; listeners at home shouted acclamations to each other.” End quote.
Before long, Umm Kulthum became regarded as a cultural symbol of Egypt – someone who represented distinctly local values despite the powerful forces of foreign influences. She skillfully navigated the political turmoil of her time, coming out stronger, better, and even more famous and beloved.
Unfortunately for Umm Kulthum and her loyal fan base across Egypt and the Middle East, she was plagued by a wide variety of ailments later in life, and her declining health soon forced her to limit her performances. She even traveled to Europe and the United States multiple times to receive medical treatments for an undisclosed kidney condition.
In her later years, Umm Kulthum wore dark, heavy sunglasses to shield her eyes after they reportedly became weak from over-exposure to stage lights. This was just one of the many health issues that she had to put up with for most of her life.
On February 3, 1975, Umm Kulthum suffered from a kidney attack, which ultimately killed her. By then, she had become such a beloved cultural icon that her funeral was declared a national event, with the three-hour-long procession attended by four million mourners in the streets of Cairo.
Today, Umm Kulthum remains enormously popular in Egypt and the Middle East. Several monuments have also been erected in her honor, as well as a museum dedicated to her life and career on the grounds of Monasterly Palace in Cairo that was opened in 2001. Among the many exhibits that can be found there are many of the elaborate and elegant dresses in which she performed, national commendations from leaders all over the Arab world, photographs of her throughout her life, pages from her personal diary, and of course recordings of her most famous performances.
It’s difficult to put into words the legacy that Umm Kulthum left behind. While there are superstars in Western culture who we say defined generations, Um Kulthum defined a century and transcends generations. To this day, you can still hear her voice playing softly in the background as you ride in a taxi through the streets of Cairo or on a small television or radio in the back of a shop. You see her iconic image hanging in cafes and coffee shops, and her silhouette adorns t-shirts sold by urban artists and ornaments in the Khan el Khalili.
Whether in Egypt, other countries throughout the Middle East, or in the Arab diaspora around the world, she is still known and loved by people young and old, rich and poor, progressive and conservative, modern and traditional.
Whether in the past or today, there is simply no single person to which she compares in the entire Western world. Perhaps Virginia Danielson put it best when she wrote, quote, “Imagine a singer with the virtuosity of Joan Sutherland or Ella Fitzgerald, the public persona of Eleanor Roosevelt, and the audience of Elvis, and you have Umm Kulthum – the most accomplished singer of her century in the Arab World.”
The post Who was Umm Kulthum? appeared first on EgyptTravelBlog.com.
On the heels of Egypt’s latest globally televised cultural spectacle in Luxor for the opening of the Avenue of the Sphinxes, John dives into the history and significance of Egypt’s newest open-air monument to re-pen to the public.
For more travel advice on trips to and around Egypt, check out all the other episodes of the Egypt Travel Podcast. And please feel welcome to go to www.EgyptElite.com for help planning your trip to Egypt, and we’ll be delighted to help you make it a reality.
Hey, everybody. And marhaban bikum to another episode of the Egypt Travel Podcast. In this 31st episode of the show, we’re going to continue on the new theme of weaving both some ancient history and modern culture into the feed.
Don’t worry though. I’ve still got lots of fresh, new, and highly practical travel advice episodes coming your way too. But for this episode, I want to give you a little background on something both ancient and current.
You may have heard something in the news not long ago about the unveiling of the Avenue of the Sphinxes in Luxor. And although this was very much a major news event in Egypt, the Avenue of the Sphinxes itself is by no means new.
So I wanted to provide some historical background and context for this new attraction that was recently unveiled in Luxor in spectacular fashion, and which you’ll surely see when you finally visit – or revisit – Luxor in the near future. Let’s go.
Ancient Egypt was known for its countless celebrations, but perhaps none was as significant as the annual Opet Festival, which began in the 18th dynasty of the New Kingdom period and continued until well into the ancient Egyptian civilization’s final days.
Apart from dancing and huge feasts, the Opet Festival also featured a procession held along the Avenue of the Sphinxes – a ceremonial road lined with sphinxes that connected the temple complexes of Karnak and Luxor.
Egypt may no longer celebrate these festivities for religious purposes, but thanks to the country’s dedication to continuously unearthing its ancient heritage, the magic and majesty of the Avenue of the Sphinxes can finally be seen and appreciated again by visitors to Egypt.
In this episode of The Egypt Travel Podcast – the story of the Avenue of the Sphinxes, a processional road that held great significance for ancient Egyptians. Unfortunately, it fell into disuse and was eventually lost under layers of earthen fill and modern urbanization. But thanks to painstaking excavation and conservation efforts that spanned decades, this incredible ancient site has reemerged as a centerpiece of the historical landscape of Luxor.
Located in the ancient capital city of Thebes in southern Egypt, the Avenue of the Sphinxes once connected the massive religious complexes of Karnak Temple and Luxor Temple. The avenue was said to have been used only once a year – specifically on the day of the Opet Festival, which was held in the second month of the “Akhet season” – the time of year when the Nile floods and brings a fresh supply of fertile soil to the Nile Valley.
One of the highlights of the festival, according to some ancient sources, was a procession held along the road between Karnak and Luxor temples wherein participants carried the statues of “Amun,” the god of the air,” and his wife “Mut,” the goddess of the sky. Once they arrived at the temple in Luxor, Amun was transformed into Min, the god of fertility and harvest whom the ancient Egyptians regarded as the “Lord of the Eastern Desert.”
However, other sources claim that what the priests escorted down the route were actually statues of the Holy Trinity of Thebes: Amun, Mut, and Khonsu, the god of the Moon. These were said to have been carried in sacred vessels that looked like boats, with onlookers extending their arms and cheering in reverence as these deities passed by them while traveling from temple to temple.
The Opet Festival was incredibly significant for the ancient Egyptians, and this fact wasn’t lost on the subsequent foreign empires that came to conquer Egypt.
In a piece for National Geographic, Egyptologist Dr. Marina Escolano-Poveda wrote, “Opet’s fusion of majesty and popular merry-making helped forge a powerful bond between the people and their pharaoh during the New Kingdom. Centuries later – after Alexander the Great’s conquest of Egypt in 332 B.C. – the conqueror’s agents in Thebes observed how the festival’s symbolic power could be adapted to confer divine legitimacy upon Alexander’s control of the region. Alexander built his own chapel in the Temple of Luxor and decorated the walls with his likeness in the presence of Amun-Re.”
Experts estimate that appropriately 1,350 human-headed sphinxes once lined the ancient processional route, and alongside them were small chapels where people could place their offerings. Each one had a specific function and role to play during the annual procession – for instance, one was dedicated to receiving the beauty of Amun, while another was for cooling the boat oars that he used.
Scholars believe that many of these chapels were built on the orders of Queen Hatshepsut, the daughter of the charismatic King Thutmose I, who – despite her gender – rose to become one of the greatest leaders that ancient Egypt had ever seen. Her reign was remarkable – a time of peace, wealth, and prosperity that gave rise to some of the most phenomenal art and building projects to have come out of that period.
Queen Hatshepsut was known for spearheading many ambitious architectural endeavors. During the first few years of her reign, she commissioned a pair of hundred-foot-tall obelisks, which were ultimately placed at the entrance of the great temple complex at Karnak. Each one weighed approximately 450 tons and was towed down the Nile River by a total of 27 ships that were steered by more than 800 oarsmen.
Archaeologists believe that the ancient Egyptians began constructing the Avenue of the Sphinxes sometime during the New Kingdom – a period characterized by an increased devotion to the national god “Ra of Heliopolis,” who was also referred to as “Amon-Ra.” During this time, the once-fledgling northeast African river valley civilization became a powerful regional empire, with its rulers expanding its borders to cover parts of Western Asia in the Levant.
Due to its complex and incredibly detailed design, the Avenue of the Sphinxes was only finished during the rule of Nectanebo I – the first king of the 30th dynasty of ancient Egypt. Much like his predecessors, he commissioned a number of architectural projects too, particularly on the island of Philae and in the city of Edfu. However, his most notable achievement was his successful repulsion of the Persian Empire, which had tried to reimpose their rule on Egypt during his reign.
To commemorate this victory, every single statue on the Avenue of the Sphinxes was inscribed with the name “Nectanebo I,” whether they were originally intended to represent him or not.
Despite the religious significance of the Avenue of the Sphinxes, it fell into disuse as the centuries passed, with some of the statues even being destroyed. When parts of the road started becoming covered by sand, locals began building housing and neighborhoods on top of the newly created land.
Because of this, the Avenue of the Sphinxes eventually became lost to history. It only resurfaced in the middle of the 20th century, when excavations being carried out in front of the Luxor Temple by archaeologists including Zakaria Ghonaim and Mohamed Abdel Kadir began unearthing parts of the road.
Since its rediscovery, both excavation and conservation efforts have been ongoing at the Avenue of the Sphinxes. However, the project was halted twice – first in 2005 and then again in 2011, when the Arab Spring sent many archaeological projects throughout the entire region into an extended pause.
In order to unearth the ancient road, thousands of more “modern” – in the context of Egypt – homes and shops built over this ancient site had to be demolished and their owners and inhabitants relocated at a cost of over 40 million dollars.
Mustafa al-Saghier, the General Supervisor of the renovation project, noted that excavation efforts on the Avenue of the Sphinxes also unearthed other previously unknown artifacts, including parts of a wall that experts believe dates back to the Roman period.
On November 25, 2021 – the government of Egypt held a lavish televised ceremony to unveil the newly-restored and reopened Avenue of the Sphinxes. The ceremony featured fireworks over the Nile, modern and classical musical performances, elaborately choreographed dances created to celebrate the country’s ancient heritage, and a symbolic procession along the avenue much like the one performed annually during the Opet Festival of ancient times.
In a speech held during the event, Dr. Khaled El-Enany, Minister of Tourism and Antiquities, said, “Tonight is an artistic celebration of the ancient Opet Festival. One of the most important festivals in Ancient Egypt, it happened on the second month of the flood every year. Its name is also the name of the second month in the Coptic calendar. So, we are all part of one fabric throughout thousands of years.”
With his words in mind, it’s clear that the cultural and historical significance of the Avenue of the Sphinxes hasn’t been lost to history. It continues to resonate with us more than three thousand years after this ancient road was first built and used.
The post The Avenue of the Sphinxes appeared first on EgyptTravelBlog.com.
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