This week on Script Apart, the writers behind Pixar’s latest heartwarming spectacle take us down to Element City where the tree people are green and the Vivisteria Flowers are pretty. Yes, today we’re joined by Kat Likkel and John Hoberg, the husband-and-wife duo whose script for Elemental – co-written with Brenda Hsueh and director Pete Sohn – has been enchanting audiences all summer.

The film a hugely affecting tale whose premise, on first glance, looked to have a certain shared DNA with past Pixar hits. One popular internet theory suggests that the studio’s best-known films all ask variations of the same question: “What if X abstract concept – toys, cars, monsters, rats – had feelings?” Elemental, though, is more than a movie about elements with emotions. It’s a family drama about parental expectation. It’s an immigrant tale, about the struggle to assimilate into a new society while keeping your own culture alive. It’s a romantic comedy – When Harry Met Sally with fire and water. And it’s also a disaster movie that takes side-swipes at how structural racism leads to minority communities being put in harm’s way.

In this week’s episode, Kat and John join us to discuss an early draft of the movie, in which Elemental was shaping up to be Pixar’s answer to Chinatown. The finished film follows fire element Ember as she fights to save her father’s shop from closure, with the help of Wade, a water element working as a city inspector. Along the way, they uncover a leak in the city's canals emanating from a problem with a nearby dam, neglected by authorities. In the spoiler conversation you’re about to hear, however, John and Kat explain how Wade’s mother was initially intended to be the film’s shock antagonist, orchestrating an evil cover-up. We talk about how Ember was originally written with much more of a Disney princess vibe before being retooled as an older, more streetwise character. And we uncover the meaning and power of “the bow” – a motif in the movie that ends up becoming one of Elemental’s final, most emotionally devastating shots. Get fired up – this is a fun and fascinating deep dive into one of the year’s best animations.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

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