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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
You ran away.
Uh—I left.
You left the front door open.
—no I didn't.
Coyotes got in.
Canada has coyotes?
It wasn't pretty!
They're just coyotes…
I have 6 cats!
Whose fault is that?!
Had six cats…
…
*.*
Well…how many are left?
I don't know.
You don't know?
No turning back
To your house?
Our house.
No it is not. That is your house.
Yeah, but you were in it.
That doesn't make it my house.
Yes it does.
If that were the case I'd live in the White House
You've been to the White House
A couple times
Come back
No
Please
No. Stop being weird.
It's not weird. I love you.
Stop.
*mau5 head*
Now I'm running away.
This is a weird dream,
Cause it's not a dream.
Oh look, there's puddings.
Don't touch the—
dead x.x
Damn. I died again.
Just start over,
I can't. I have to wait.
Wait for what?
When you die there's a respawn period.
Well, how long is it?
Hello.
…hi.
It's no so d art when we're all just friends
It's not so wrong when we're on good terms
It don't hurt bad when you got good heart
Can't set fire with no bridges to burn
Let it all come down
I'm sorry.
I'm not.
Look,
We'v all been around
For a really long time
And we all get burned
But it all works out
Just a lesson to learn
Yeah, we all get hurt
Yeah, we all want him
Yeah, we all want her
What's the word.
BIG BIRD
HEY.
NO. STOP IT.
BIG BIRD
WHAT'S WRONG?
NO.
BIG BIRD
I JUST WANT A HUG.
AGGGGHHHHHHHHHHHHHHHH!!!!!
Oh Timmy…
Fuck.
Come out come out wherever you are.
Timmy! Finnally!
Shhh!
There you are!
SHH, SHUT THE FUCK UP.
You're yelling! Not me!
THIS IS A WHISPER YELL.
Tiiiiiiimmmmmyyyyy…
Oh shit,
Shhhh. She's got a gun.
I can see that.
So shh!
You be quiet! Okay?!
SHUT-UP:
How come you come have a gun!?
I lost it, okay?
YouLOSTit?!
SHHHHHHH!
I know you're in here, Timmy.
SHHHHHHHHHHHHH.
Man what the fuck are you into.
What the fuck is this .
Apa! Yip-Yip!
*cackles*
Fuck You, Jimmy Fallon.
Jimmy.
Oh, God .
Nobody can explain this.
And you expect me to?
The FBI is investigating.
That's ridiculous
What's ridiculous is— it seems to mean something.
It means nothing.
This is a pattern.
It's some kind of code.
Look, they're trademarked.
JIMMY FALLON
So, do you think I'm in danger?
FBI
No, not at all.
CIA
You are safe.
ILLUMINATI
You're completely safe.
JIMMY FALLON
Good.
[dissappears into black hole portal]
What.
Oh no.
Lol.
Goddamnit.
Fuck.
*shrugs*
FUCK.
RedWorld
Finally, anytime I wanted to—
I could see the inside of a movie I hadn't even written yet.
Red world
So you lost it?
I mean it r pretty much just rewrites itself.
no it doesn't.
Am I. On your barometer,
Whatever that means, or
Whatever that stands for
Wyyou know what I asked for
Past four, 4 to the floor
Past four to the floor—
Four to the floor
‘Nothing was the same and yet everything was, and though I had promised myself to capture some of the sometimes ravaging thoughts with a written gesture, it had escaped me with every bit of apathy and nonchalance as it would; and it would stand to de defined that, if the thought were important enough on its own, it would come back around in due time—and that is, by the time it did indeed have to be written with intent, as not to escape from a realm of contemplation—to become an expanded and exaggerated thought, or idea—and immortalize itself into my infinite journal.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
That's weird, right?
Now look into the light—
It's a photo op
Bright lights
Sitting up top
With your eyes on shine
I got one on my right,
Then I left in the night
That's was not
A complete thought.
Excuse me for a moment
Excuse me for a time
I just had my mind right
Then I forgot all my lines
In the little white lies
And the little white lines
Seriously, I just had it
Seriously, a clean bandit.
Get away driver, black bandana
Manhattan back to the blacklands
Back to the black
Back from the dead
Like that
With the snap
Of my hands
(Don't put the claps in,
Not quite yet
Don't put the hats in,
Not quite yet
Take all the bass out
Under the bed
I like guys in micro shorts
And surfboards
Classic cars
And
Boys from mars
I meant guys;
No time for boys
Now I'm all grown up, though
Everything looks like toys
I'm like, 5
Put a little honey in the bee hive
I like em real skinny
I like em tattooed
I'm never not in the mood
And the older I get—
I just…
Really like dudes
In his heyday, the cosmic avenger uses his priority status as a SNL series regular to put his newfound powers to work by successfully shapeshiftingnjnto each guest host's body during the live broadcast; thus creating infinite portals and wormholes through various dimension and cavalcades between space and time
Shit.
[The counter attack
Mover the counter attack
Over the hill and into your memory
Simple the end of the template
For temple, stuff from resentment
Impractical actually contracted
False flagged, black balled and gagged
Black box, canticles
Catnip for facts,
Obstacles,
Abstract acid fasts
Fantastic, fur tan lines
And so futuristic for fans
Scripted, this entry is
Limited, click bait resentments
Jesus is—
Fanstastic, actually
Magic tricks vs imagination
Instagram, leave it to the
—Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
THIS IS A WHATTHEFUCK.
WTF.
And this —
[Tina Fey, but cuter]
TINA FEY
(actual)
What does that mean??
is a whatever.
*|*
[whatever.]
Ugh, this is gonna take forever-
Lights up on Washington Heights
Up at the break of day
I wake up
—and it must be a different day
Cause I'm above in the Bronx
It fuckin sucks
I got a lot to discuss
Hop on this bus
Down on my luck
In uptown
Los Angrle's time's up
I'm square now
You scared now?
Fire like
Smoky the bear now
Smoked salmon,
Damn I'm sweating my hair out
Scary out there, scout!
Order of the Phoenix
Is out of order now
So sort out the books
For storyboard albums
It's occult clsssic
Without all the
Bells and whistles
Silence a pistol
To spit thru your window
To split you
Sentimental
It's just a mental indiscretion
Judas escariot
Scary isn't it
Monsters and fairytale business
Many mouses
And Minnie ripperton
Sympathies, really
For mentioning
It's just
My attention
Is
Getting
Shorter
Than
These sentences
Or Skrillex is
Haha
The methods were devious?
Me?
Made enemy out of man
But is envious of
I genius indegenous intentions
With this sacraments
Exactly what it isn't:
Sacrificial
ASDyQA{D”O*asf'oaISHf'oasKhf'aosUfh'
omg . where's he from.
aDAHSIDUHASODIHSAO”DIJed;saigbd;asidhaosidjw;odis
I'm leaving now..
Aisudhasiudhaisudhiusa ***hawcks loogie, spits***
Ugh.
“I _ NY”
Avaurlia is the High Goddess of Wisdom and Truth Telling—in the lower-quadrants of the palace in which she presides, she awaits the arrival of the fabled traveler to which the entirety of the palace belongs—
EVA LONGORIA, an earthly counterpart, is an accomplished actress, producer, and philanthropist— she abruptly inserts herself into the world of the festival project, after a mysterious series of syncronocities leads her to obsessively explore the meanings behind the occurrences—after which, she is approached by a deeply insulated organization—also mysteriously, but which presents itself with somewhat familiarity, taking EVA quickly into a ceremonial indoctrination into the higher realms, which will allow the actress access to this multidimensionality, expanding the collective consciousness and allowing communitarian with all alternate selves, specifically the higher self, and travel within the realms and worlds within the various planes in which
MEANWHILE,
Ugh.
Farro.
…Your Majesty.
I need help.
Don't burden me with your woes.
I beg your pardon?
No, don't beg.
—and we're back!
Oh, come on; I don't even like Zoolander!
Come on! What's my name?
Zoolander!
No, my actual name—
ZOOLANDER.
—-
Zac Efron is the secret president of his own High School Musical fan club, subreddits, and subsequent subreddits.
What?! I'm allowed to like my own movies!
*creepy fangirl high school musical alter—
Ahem.
Not this much.
Don't check the—
ILLUMINA—
Fuck that
My phone makes calls with the
Cellular turned off now
How about that
Damn
You, too, shall soon all be forgotten.
*squinting drunkenly* I hate her now.
*sipping liquor* she is evil.
“My Imaginary Friend”
In his heyday, the cosmic avenger uses his priority status as a SNL series regular to put his newfound powers to work by successfully shapeshiftingnjnto each guest host's body during the live broadcast; thus creating infinite portals and wormholes through various dimension and cavalcades between space and time
Shit.
The counter attack
Mover the counter attack
Over the hill and into your memory
Simple the end of the template
For temple, stuff from resentment
Impractical actually contracted
False flagged, black balled and gagged
Black box, canticles
Catnip for facts,
Obstacles,
Abstract acid fasts
Fantastic, fur tan lines
And so futuristic for fans
Scripted, this entry is
Limited, click bait resentments
Jesus is—
Fanstastic, actually
Magic tricks vs imagination
Instagram, leave it to the
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
I don't want to let you go
But have got not much left to hold on to
You know
Everything all goes purple
Before it goes dark
And the lights turn off
I wish I was lying–
That i didn't notice it
But all the colors,
Just blur into purple
In a whirlwind
As the world ends
And it's all gone
Don't stop now,
It's only three o clock in the morning
Fuck,
What have I done with my hour?
Only a lifetime ago it was two,
(and I still don't remember what I was writing)
A soffelego to soften your ego
As if that's possible
Soft, or hardboiled
Not that it matters
I've got to push my way past this,
I've got to
Find my way into Manhattan
The lower parts–
Cause God knows the upper is
Something like this
Matter of fact
Where's my ticket
I'm just going back to the backend
Back to the blacklist
My writing is getting repetitive
Stuck in a sorry cycle
Like every other artist
If I was whiter
I'd have worked hard enough already
For an Emmy
Or an Oscar
Save the Grammy for last,
Might as well make it post mortem
I earned me a Tony already
I promise, youve already heart it.
Fuck, all I want is some chocalate
Leave it to her to go low carb
As autumn falls
Turns out,
He's quite the doctor
Turns out, there's ever after
Turns out,
You never practiced
But rather perfect,
All the better
Now rehearsal,
Then another
Now the curtain's bound to open
Sooner or later
Sooner or later
Sooner or later
SUNNI! YOu bought ANOTHER football team.
Not a football team. The Cowboys.
Another football team, goddammit Sunni.
Mogie
Morgan.
The Dallas Cowboys are not now and nor have never been a football team.
Some would beg to differ.
They can beg all they want.
It's an expression.
FUCK THE COWBOYS.
WHAT.
You heard me.
But didn't you just buy the–
YES.
[Later]
ESPN REPORT COWBOYS 0-3
SUNNI BLU, now the owner of the cowboys is interviewed on the cowboys losing streak.
[ON LIVE TV]
SUNNI BLU
F__K THE COWBOYS.
[LATER]
FUCK THE COWBOYS.
Uh–
I hate the cowboys so much I bought the team!
What.
Then i traded all my best players– for sucky players.
Um…
Like, extremely sucky!
You what.
That guy wasn't even drafted. I met him at Staples. He never evenseen a football!
Why were you at staples!
MY PRINTER BROKE. FUCK THE COWBOYS.
Wow.
I hate the cowboys so mu—
It doesn't end badly;
The definition of amicable, actually
Exceptionally pleasant
(By comparison, especially)
JENNIFER ANISATAN
Eat another cookie, see what happens.
*attempts*
Jennifer Anniston quickly slaps the cookie from out of her hand.
Aw.
I SAID NO.
…Aw.
[beat]
*Reaches for potato chips*
Jennifer Anniston swiftly intercepts and violently destroys the bag of potato chips.
MADONNA enters.
[beat]
MADONNA
Oh, what; you're not going to vacuum them up with your mouth?
JENNIFER ANNISTON
You would think.
*defeated*
[beat]
*reaches for water*
MADONNA and JENNIFER ANNISTON both equally intercept.
It's just water!
Now you want water?
Yes!
JENNIFER ANNISTON crosses to the sink, fills up the toothbrush cup with sink water and sets it down on the table; Madonna crosses across the room with the water.
There. Drink up.
What! C'mon.
The smart water is for superstars only.
I'm a superstar!
Ah
No.
You said that.
That was two cookies ago.
MADONNA
TWO cookies?
JEnnifer Anniston nods
MADONNA
You should be ashamed of yourself.
JENNIFER ANNISTON
You should be purging, if you ask me.
MADONNA
Pathetic. You'd be lucky to even see the D list.
Better than the guestlist!
*Exaggerated Gasp*
NO.
Now clean this mess up and get ready for the gym!
I just got back from the gym
GET READY FOR THE GYM.
…I miss Beyonce.
CUT TO
[ Flashback From Previous Season}
[Beyonce Being Beyonce. ]
UGH.
CUT BACK TO PRESENT
…a lot.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
All around me,
The worlds dissolving
Alone, not lonely
The doors revolving
The empire falls,
Autumn is falling,
The world is a stage, but
I didn't have one cent, not a penny
To give him,
The player
A puppet on a string I was, but
I didn't have ine cent, not a penny
It didn't make sense
But nothing ever did, man
Stuck in Manhattan just
Wearing a rotten as hat
And if God was a dancer,
I'd ask for his hand, I've been
Stuck in Manhattan
The man in the hat said
,
If god was a dancer, I'd ask for her hand
But I haven't been asked such a question
I had not a cent, not a penny to give him
No money for rent,
And no food to eat either
Been stuck in Manhattan, and
Can't find the answer
If god was a dancer
Then I should just dance, then
As long as forever lasts,
There soon comes another day
Look, here we are again
I don't even know your name
Future folds into past,
Somber I walk away,
Never intend to fast,
Here I intend to stay
Calmly
Walking
Across Central Park,
In the fall, we
All adore a
Good story
Holy,
I could get bored here
SUPACREE finally picks up JOHN LENNON on the HEAVENBOUND HIGHWAY TO HELL, albeit, by accident.
JOHN LENNON
Fucking—finally—Christs's sake!
He's not coming.
What took you so long?!
I got here completely by mistake.
What a coincidence—so did I.
There are no coincidences, John Lennon.
Newtton Jÿré, a well-known (and often, highly despised) magician and merchant, highly skilled and knowledgeable in the arts of sorcery, crafting, spells and hexes, potions, and other forms of Non-Bianary Magic, or rather–magic that is inherited genetically, and assumed to be used only for recreation, entertainment, or experimentation within the Inner Realms;
However, “Sir Jÿré”, as he is sometimes called, as he claims to have once been Knighted–a claim to which no other can officially confirm, as Jÿre's most recent incarnation is at least–though, “no one's counted”, including himself, seeming to have lost track of the thousands of eons he has lived–However, quite crucially to the series–he is an avid lover and celebrator of Birthdays, and boastfully speaks with pride that he is on the brink of having lived “nearly an eternity” to which, though his crippled and hunched body and aging skin notates his aggressive aging, he–and the soul he carries, respectively, are actually much younger than either C'esme't, or Petrutheio, eye witness to both of their re-births in his own youth. Though often teased and disrespected, he touts a humble and youthful spirit–unless involuntarily summoned, or otherwise disturbed or agitated.
Damn.
I just…came down to warm up some soup.
Goddamn!
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
San Diego story
Ascension
Farro, a reclusive alchemist hailing from the far away crystalline caves of Avallia, returns to the Valley In The Kingdom of Acenscia once Per Revolutionary Orbit, to relay to The Ascended Mastery his findings, Astral Readings, Predictions from the Outer Realms, and Oracles from Beyond Infinity, In The Greater Unknown.
He is thought to be the most powerful Wizard in this, and perhaps even of the outer realms; which caters to his illusive habits, and social dissertation–however, he remains friendly with C'esme't, as she sometimes visits the caves of Avallia, en route to certain tasks or journeys in the outer realms, often bearing fruits or other rarities as gifts, merely in exchange for his time–which she deems to be precious, allotting to the differences in their respective perceptions of the construct itself.
Petrutheio approaches Gían ferociously, in irritation after being bombarded with numerous visions
Why is it, lately, that you are constantly in my mind's eye?
Perhaps it's that you've become quite fond of me—
Perhaps it's with whom you've been spending your time.
—and ‘with whom' might that be?
With my wife!
Yet to be…
If you truly were wise, you'd depart from this realm immediately, in order to best preserve your life.
Is that a threat?
Look me in my eyes.
Should I adjust my distance or my height?
Look at me.
I see you.
Mark my words:
Oh, but–I haven't a pen to write them—
Then store them carefully in your memory--
What? I'm listening.
C'esme't is my one and only Queen; She has by Prophecy, been bonded and betrothed to me.
Are you reiterating the Prophecy to yourself, or relaying it to me?
Let me state this more clearly--
With ‘clarity', you mean;
You should leave—
Why so urgently?
Both urgently and immediately, actually.
Is that a suggestion?
For now, maybe.
Are you implying you would remove me forcefully from this Kingdom, otherwise?
Huh.
[A silent tension.]
You will see.
[He leaves calmly.]
C'ESME'T.
Stop bothering me.
What are these devastating lucidities you've dared to dream?
Is it daring?
You're my Queen.
I'm a lady, not a possession.
(grimaces)
What's a ‘lady'
[A bold look.]
C'esme't.
What of Persephone?
She's no more than nothing.
So, ‘nothing', then?
No more than it.
___
SIR JYRE!
MY LIEGE!
Where is C'esme't!?
I don't know…
Don't lie to me!
Why not? It's fun.
Is banishment fun?
Mine, or yours?
Where is she!?
[a slight gasp/beat]
…my dear nephew—
—we're not related—
—not by blood…
Where is C'esme't?
[he pauses for a moment, before turning away to pour a drink.]
You should sit.
I'm fine, thanks.
Drink?
[Petruthieo pauses for a moment, reflecting on the previous night's happenings.]
I don't drink.
Maybe you should.
Where's my Queen?
—Is she yours?
I'll have you exiled.
No you won't.
I won't?
[sir jyre turns to produce a small golden charm, which swings, sparking at the end of a golden chain. Without hesitation, Petrutheo is immediately familiar.]
Where's she gone?
You'll either sit, or you'll drink if you really want to know.
Petrutheo sits, flushed and defeated.
I'll tell you—
What is it?
I am under strict confidentiality enforcements.
How exactly strict
She'll kill me—-and you.
Gían comes running into the room, flustered.
Where is she?!
—and him.
What are you doing?
–dying.
Die faster.
Q: How do you break up with deadmau5.
A: You don't.
JOEL
TALK TO THE HEAD.
Oh, come on!
What is this.
Idk. I figured if there was a dimension where SUPACREE is dating DIPLO–
Ew.
What.
Ew.
–Then there's probably one where she's got somethin' going on with that guy.
How do you figure.
Hm.
Hm.
Interesting.
Very Interesting
Grow up. We all have
–girlfriends.
–jobs to do.
–secret fetishes.
Sick.
This is retarded.
Turn this off.
I want to die.
WHERE IS SKRILLEX.
Skrillex is playing mountain man with a bunch of fake models and rapper dudes,
Woah.
He looks different.
What happened.
More on that later. Or not.
Oh, come on!
Everybody. Shut up.
Not me, right?
Especially you.
*eyes*
what's 9x9?
Uhhh–
Are you serious?
This isn't math!
Everything is math!
HOW IS THIS MOVIE CAST?
CAN DEADmAU5 ACT?
–short anser: YES.
Long Answer:
By The time this movie gets made, we'll all be dead.
We're all dead now.
Dead *and* gone.
*crowd gasps exaggeratedly*
I THOUGHT THIS MOVIE WAS ABOUT SKRILLEX.
It was- he didn't like it.
Why wouldn't he like it?
You called him a “nigga” 47 times.
Was it 47?
At the SUPERBOWL.
I guess that makes him the champion of niggas.
I guess so.
Whatever happened to Dillon Francis.
Idk he's pussywhipped or something. I guess.
Nice.
Still gettin it.
Shut up, fans.
Okay, ouch.
How.
How–??
How does someone with THIS MUCH pride and THIS MUCH ego get THIS MUCH power?
Probably with all that pride and ego.
This is correct.
____
{JOSHrushes in violently.]
DRAKE
Uh huh…
SOMETHING IS WRONG.
…what makes you say that…?
LOOK AT ME.
I see you…
I DON'T HAVE ANY MONEY.
–how am I supposed to tell that just by looking at you?
YOU ARE SUSPICIOUS.
[suspiciously]
No I'm not?
[He violently grabs DRAKE by his lapel; gripping him with a fierce and wild look in his eyes]
Look Motherfucker;
I am looking!
I have always wanted to kill you–and now there's NOTHING stopping me.
EXCEPT THE LAW–
[MEGAN/MIRANDA/CARLY enters mysteriously.]
Unhand the boob.
BOTH
….MEGAN?!
JOSH
(er…wait)
Sure.
[They stare at her in awe; her silhouette grasping at the shadows of the dimly lit space; she is dressed in a sultry black dress, sheer panty hose, and knee high boos, with a matching fedora and puffs seductively on a long and narrow cigarette from the extra long holster. ]
Separate.
[They obey, bewildered.]
Sit.
You smoke now?
Sometimes. For dramatic effect.
This is uncomfortable.
Very unsettling.
Wait.
Wait.
Are we filming right now.
Is someone filming?
[Breaking 4th wall.]
Camera's always rolling.
;;PAUSE.
Oh, that's why Drew Barrymore was in my dream last night.
This is a lot of celebrities.
GOD
I'm working on something.
::||ALRIGHT, UNPAUSE.
Hold on a second.
No, we're rolling.
–I am one-hundred percent heavily medicated right now.
I second that.
Ditto.
–I'm also slightly intoxicated.
Also that.
Hashtag “me too.”
No “hashtag me too”
DOn't say that in Hollywood!
It was a joke! I was kidding!
That's not funny.
Nobody's laughing!
C'mon! I meant–I'm like, drunk right now–
Still though–
Very tacky…
I've been day drinking.
Drinking and smoking?! I don't believe you!
Oh, you don't?
[beat]
hmm .
[Shrugs, admittedly.]
Wait, wait–hold it.
No holding, we're rolling.
Are we rolling–?
Holding…
And…We're rolling!
I'm definitely rolling.
Drake!
I'm rolling. Ballsacks.
C'mon, man!
*drake being dumb*
I'm being serious!
So am I.
This is serious. *smokes*
Gross.
Stop doing that.
Doing what? This is what I do…
No, I mean: I woke up this morning and I swear to God–
Woah!
Don't do that.
I did everything under the sun EXCEPT go to work to be on TV for a show I wrapped like 15 years ago!
You–WHAT?
Uhhh…
Is this real?
…
…
…
Damn. this just got super existential; I have to take a second to summerize this, I'll fill in the dialogue late , I guess
The scene was running on anyway.
What? I liked it.
Anyway,
So what we have here is a cross-dimensional triad: DRAKE has been running throughout the interdimensions of time, but unbeknownst to the audience is which DRAKE this is; is this the real life DRAKE BELL, actually a fictional character written into the fabric of SUPACREE'S reality as fate would have it–or the fictional DRAKE from DRAKE & JOSH; Although apparently heavily medicated, JOSH PECK, the actor has been tossed into a nightmarish infinite loop along with other various HOLLYWOOD CELEBRITIES, as SUPACREE has opened various portals throughout the known universe in order to life-switch timelines without having to shapeshift into anyone's body, simply switching her own timeline–with that of her ideal career; Only having done this once, however, triggers an inescapable loop of infinite switches, resulting in a massive disillusion and chaos, as some celebrities go missing entirely from any known reality (in which SUPACREE omnisciently exists, typically, intermittently throughout the series); However, in this scene the audience must suspend its sense of belief, as it takes place in a multidimensional environment; DRAKE and JOSH perhaps, has been running throughout it's entirety, never having been canceled and JOSH PECK has arrived on set in a drug-fueled delusional meltdown; A Parrallell JOSH at some point perhaps even switching timelines; This mysterious, shadowy version of MIRANCA/MEGAN/CARLY is written as such so that this character can be placed or moved to or throughout various specific timelines: Adhering to the plot however,
JOSH PECK is an actor, out of sorts with himself, meanwhile–
This version of DRAKE is the fictional character from a TV show, in his own fictional world; He is a 4th dimensional device
However,
The audience should remain unaware that MIRANDA COSGROVE has already merged with her 4th dimensional counterparts, after joining SUPACREE in her Hollywood crusades, traveling through time, space, and the inter/multidimensions on missions to answer the SOS Hollywood originally signaled to SUPACREE during The Legend of Supacree in the first season.
That should do.
Wow.
Hold it
What.
You looked this deep into that boy's eyes?
Not on purpose.
-
The ‘-complications.' mixtape compilation series which focuses its internal monologue on the ideology of exploratory existentialism, using simple and classic mixing techniques into smooth transitions which mirror synconocities in time, musical elements, and lyricism to illustrate a vortex of collisions in cosmic omniscience, theming its recurring dominant soundscapes into a singular foundational focal point, and centering its multidimensionality into a gripping pull to return its emphasis on reflecting at checkpoints as if to reiterate a greater hidden meaning; the highs and lows of falling in love, it's consequences, long days and nights, missed connections, lost and unrequited love—capturing overall the rock and roll darkness of the neo-moden dance music scene—moving about from world to world—night after night, song after song—bodies on bodies and the escapism of rave and dance floor culture, connected through the pulsating and throbbing heartbeats bridged by light waves, and spread across neon skies across the globe.
Featuring dearly beloved hit and dance classics alike from global and legendary super-artists and masters of the dance floor, deadmau5, Kaskade, kx5, Skrillex, Fred Again.., Claptone, and more—featuring new music by and mixed with heart & soul by underground swamp creature and ancient rave God ‘- Ū.' as she explores the outer realms of dance music pre-and-post existence in the guttural haze of the afterlife.
Wow, You're funny, God.
If i must say so.
I mean. Wow.
I didn't do this all myself, you know; I had help.
What?!
Help From Who?!
Dillon Francis, Apparently
Oh, I highly doubt that,
Oh, I wouldn't .
I need a lover—
I need a lover;
Call me your lover
(I want just a lover)
I need a lover
(I need a lover)
Dillon Francis was quite possibly the whitest white man in the ever living world—
But maybe, that's what I liked about him. Now that I had time to process that for the most part, I had been tricked into fulfilling some strange prophecy— there was nothing less-alluring about the world I had been peering into, now more than anything
Movement at the stillpoint
Mark something
You've got to balance this shit out—
You've got to
Turn the world on its head
(I don't get it)
Now you're into this club
(I don't fit in)
Now you're into this world
(But we've been here)
Wait
I'm not new to this!
Wanna go do it again?!
Nothing's new to me!
I keep secrets like
Fountains keep pennies
Plant daisies on mountains
—your hand in my mouth says that
“Head is the answer”
Thanks, Kendrick
Now I remember what I wanted in the first place
Now I remember what I printed;
What I cooked him in the kitchen after—
—back to keeping secrets;
What's an apron and a hat is all you're wearing when I get there—
Just like the man in Manhattan
Or cat on the Channel—
A special edition of some shit with Mario Lopez
That sent me right back to the minion
With eyes like you had in that dream I went back to
I'd say
“Fuck Dillon Francis”
If I thought of “fuck” as an adjective,
Instead of an adverb.
Fuck this whole world —
Now I just want to surf,
I had just scratched the surface of scratching—
Before storing my turntables
What.
All of a sudden, I'm a DJ?!
Gee thanks!
But God, I'm still loveless and
I hope you
Marry that blue eyed girl
Pop out a bunch of kids that look
Just like you
What else would I do with my time
Than scroll through Instagram
And eat a ham-salmon sandwhich—
Thinking of going for pancakes, after
god likes me fat,
We talk much more that way
PASQUALE
I need you up at night.
CC
For what.
SUPCREE
For what.
SUNNI BLŪ
I AM UP.
PASQUALE:
This is for what.
THE INSOMNIACS ARE ALL IN .
“ALL IN”
wtf does that mean.
The grey streaks in his beard drive me wild-his eyes even wilder; “it's best I not look into them”, I thought, “when giving him this stone..” or maybe, even at all; I knew that if I were to look into his eyes, I would fall in love—all the way in, and not just the lust that I had been struggling with, noticeably for years, now; I would see him from the inside out, from the outside in—and any way in between. I already knew that I wanted him—but for exactly what and how long seemed to allude me.
It ha: been a long day with no end yet in sight, and though I was tired, accidentally having fasted throughout the day — namely because I had been out of water the night before, dethawing ice from the hotel's machine into an emergency supply—and having awoke with an immovable force to head straight to the gym, promptly after doing laundry.
Though I left what was considerably late, conforming my sleep patterns to my roommate's schedule had not been the easiest of tasks; I found it to be true that energy—or rather, a lack therof, was remarkably contagious. I had been more tired than usual, and more “down” than my normal waves—in fact—it was easy to differentiate this energy from my own, and though I was thankful to have a quiet, moderately clean, and near silent roommate—lucky, even—it was nearly impossible to escape the grip of empathy as it grew into me, our time together short but stifling enough that I was up into the early mornings as she dawdled away on her phone—and, having spent the entirety of my stay offline—becoming increasingly sensitive to her phone's radio signals, sometimes seeming to blast into my brain and penetrating the deepest of sleeps, and though I thought to return to deadmau5 to set myself to rest, for the most part I had been enjoying peaceful enough rest once she finally did get to sleep—in the early morning, which meant that I would more naturally wake closer to noon, eating up most of my morning with sleeping and battling the force of inner city traffic to make my way into the gym, or the library—whichever suited the day and the time—though, for the last three days, I had made it a point to get to the gym daily, rather than every other day, which I had missed, but become a hassle—and though I had found a gym that was decent and clean, it was rather small, the sauna never hot enough—and of course, as it had appeared from my first day having arrived at the club, I was of course being watched and followed—and though I had briefly wondered by “who”, I knew it was of the through forces of The Eye, otherwise known as the Illuminati, if there ever were such a thing— (but of course, there wasn't) often blasting Skrillex every other song as some means of torture, which I could attempt to ignore, but my body couldn't—failing to lift under the pressure of a weakened state by about the third Skrillex tune, confirming my suspicions entirely—a drastic jump from conspiracy to the conformation of psychological terrorism via Skrillex—but for what?
By now, of course, I had begun to figure out that I wasn't entirely normal, —that something wasn't right, or maybe even that I had done something exceptionally right, and though I didn't know exactly what, I began to think about the amount of writings I had published online, as well as the significantly “extraterrestrial” recordings that went along with them, and though having used Skrillex as a springboard, the longer I went mulling over all that had happened I realized that there appeared to be something bigger at place—Perhaps I was, indeed, incredibly enlightened—and there seemed to be a greater, outer force that indeed knew and saw all, even deeply into my psyche, and into my dreams.
Though I had darted down with excruciating detail into my Google documents the latest dream that I had with Dillon Francis, I didn't know what exactly to make of this particular cadence of synchronicities on this otherwise ‘normal' morning, not that anything at all had actually been normal in any way by far, as long as I could remember backward. Things had indeed been strange for years, which had culminated in the conglomeration of documents, recordings, and other odd-end and unfinished projects that had so far been created under the umbrella of The Festival Project—but it was this day that I truly began to realize that there was something more than circumstantial or coincidental at all about whoever I was, and whatever I was doing—and even with all of my theoretical writings of supernatural, subliminal, and subconscious circumstances and happenings, I wasn't, having existed for the most part broken, homeless, and unpaid for my efforts—sure of either who I was, or what I was doing—let alone how. In all of the strangeness, I only attributed “God” for whatever weird strange thing would happen next— and here it was.
I had been thinking about Mario Lopez a lot recently or lately, in bits and pieces and of course less often than I thought of any other reoccurring figure, but certainly about Mario Lopez, his seemingly ageless and incredibly healthy, youthful appearance, and oddly, even of his children, as I knew that he had them; and I had, of course, along with all of those things had wondered about his wife—the whole of his family, of course. His fame had lasted nearly my entire lifetime, and I was almost always pleasantly charmed by the sound of his voice, or his familiar face; and there it was, now—plastered up on a screen I hadn't realized was even there before, but now somehow stood out broadly against the backdrop of the otherwise drab laundromat, which I of course found to be remarkable, as I had very recently for whatever reason been struck with flashes of not so much a curiosity of the man at all—but rather a form of reflective thought.
“Oh shit, there he is!” I thought, finding just his appearance on TV coincidental, at best, before zeroing in on the actual atrocities yet unexplainable by man, or any other force—the only cruel explaination being that The Illuminati itself did indeed have access to my Google documents, even though I had been for the most part of two weeks completely offline, with no intention to publish at all—however—I had forgotten about the dream itself, until this sudden collision of sorts had stirred remnince of at all; a dream I had recorded with implicit detail from my first waking moments, indicating some importance; my dreams had been straightforward and vivid lately, and had been filled with all sorts of reoccurring figures, from Sonny Moore, to Billie Ellish, and of course Dillon Francis-and in moments, of course, the later had come rushing back to me with a vengeance, as a life sized-dancing Minion with two differently colored eyes shifted my attentioj from the screen, directly to recalling that dream— the most vivid dream of all of them—and though Sonny had appeared to me more recently, I thought it best not to record them; I still felt betrayed that he had come to New York and left me to be circulated through the system—which of course I was sure had it's purpose, but didn't make me resent him any less for it, compounding the hurt that he had put me through parading Kayla Lauren around—it seemed the entire model of The Skrillex Conundrum was to make me feel stupid, fat, and in cursed skin— and I was at least no longer two of those things. Still, though, I did carry feelings for the man that were impossible to offload, and though I had quite blatently broadcasted my sexual attraction to Dillon, who was apparently, of course, taken by a blue eyed girl of course—it had somehow become deeper at least to me in the following days and weeks afteer my departure from “Season 6” and it's adjacent episodes, a strange half-season debacle in which the emotional uproar of Sonny's appearance in New York and the upheaval of my surroundings—my entry into the homeless system—allowed me to embarrass myself without reform in the honest and brutally raw, post-season aftermath—a restless and sleepless chaos filled nightmare from which the only redeeming comfort was deadmau5, which may have been the point of it at all—as I fiddled in Ableton, it seemed to become a more natural process, creating drum patterns with ease and the once-tedious challenges and difficulties of music production and engineering having become things of the past—but something in all this had seeded in my mind a crucial element of the cosmic alchemists mindset I had been living in; there seemed to be, as in the Christopher Nolan film Tenet, parallel streams of time running both “forward” and “backward”, and even “up” and “down” respectively, creating where and how i was at any given moment as the perceptive present—as in—there always seemed to be some extension of myself both forward and backward in time, if there were such things, and as I continued to write, evidences of God, extra terrestrial presence, interplanetary mechanisms—mauverability through deep space, and time travel all became increasingly and rapidly relevant; I had to have been right enough about something , somewhere, at some point—but even up to now couldn't wrap my head around trying to get a “normal” job, which might be worth the money to be able to escape from my way-too-many-black-people Hellscape, (not that way ‘too many white people' wasn't a thing, but at least was not as abruptly obnoxious—as I had now realized that overt racists often more tactically employed quiet methods of psychological disengagement, rather than flat-out disrespect and cruelty the black-on-black culture had thus far represented.
In my mind, however, race had little to do with my actual placement in the world—at least, or so I thought— and though the appearance of where I had been at this point situated was grim or perhaps even bleak, the opposite was actually true; I was now, though strictly under the radar, off the grid, and underground, an extremely accomplished writer, whether anybody knew it or not—and someone did.
Low and behold, “The Lopez Kids”, who has been thinking of and new existed were brought the the screen, after a segment featuring Jeannie Aiki had bedazzled me enough to Google her, her familiar voice sparking a curiosity, her own beautiful young one putting a glisten in my eye, along with a tear; I missed my son dearly, and was glad to know that he was with my mother—still worrisome, to say the least, but not as worrisome as he having been with his father, who I knew was fucking up in extreme ways beforehand—but had only been confirmed a few days before, actually exactly one week earlier, as I had toggled off airplane mode just long enough to revive an incoming call from my father—and, having only just the night before having had the dream about Dillon's strange eyes—a dream in which he was not present, but his truck was— promoted me to quickly answer the call, though I had been in the midsts of a whirlwind of transit—a chaotic navigation through unknown territories; he told me that my mother had my son—that my ex husband was unable to care for him any longer. The more right about my ex husband I was, the more peril it felt; I knew my son would be a different person if I had had the ability to raise him.
“Something is up.”, I bawled— having seen and heard enough of my own mind scattered across the silver screen—
Not only had the Minions eyes reminded me exactly of Dillons—the only dream out of a series of dreams about he, Sonny, and even one with my ex that I had found it important to record—but it was also “National Oreo Day”, which was celebrated with Oreo Doughnuts, appearances from Jeannie Aiko, whose apparent first interview had been with Johnny Depp—who had found his way into my dreams years earlier than nearly anyone else in this lifelong series of bizzare oddities— Ellen DeGenwres discluded—who had more than likely been the first and most random celebrity to make their way into my semi-conciousness; I had never been particularly obsessed or even a fan of Ellen, and yet her appearance in a teenaged dream had stayed with me years into my adulthood—and thiugh during my childhood and adolescent years it had always seemed I had been somehow destined for fame, even before the mockery of the masses and media turned my entire generation inevitably into fame-hungry “artists” , the last few years altogether had been remarkably and even increasingly synchronized; it was as if I had indeed in my lifetime made groundbreaking alterations to the space time continuum.
It wasn't until later in the day that I decided to find the document in which I had recorded the dream; I began to laugh reading over my own words as unhinged as it all was—the recording was bizzare and though I hadn't forgotten having the dream itself, I indeed had forgotten many of the details, which of course made me instantly regret not having written down any of the dreams I was having about Sonny—still careful not to let myself feel too much of anything having to with him, even and especially his music, which I only allowed myself to play with purpose, for study.
SILVER SCREEN SHOWER SCENE
Woah, have you lost your goddamn mind.
Yes.
I live in a very strange place in the universe.
[there are several glitches in the matrix; almost too much to bear.]
Very,very strange.
What are you doing? Crying?
..I'm not crying…
Stop crying, Jesus–
–DO YOU KNOW HOW MANY BAGELS I HAD TO EAT TO BE SUPACREE?
A lot. You look hideous.
I am hideous!
No arguments, there.
Ugh.
Lets Go!
Try not to look off into the distance with your finger in the air like that; It makes me feel like we're in a comic book or something
What if–we are?!
Then we're probably about to get our butts kicked before the scene changes or you have to turn the –
{NINJAS OUT OF NOWHERE}
“The Noir Episdoe”
This is business, not war.
What's the difference?
[beat]
Money.
HIIIIIIIIIYAAAAAAHHHHH!!!
Oh My God. I'm so fat.
YAH!
Why do I always have to fight when i'm fat?!
YAH! KI-YAH! — [ROundhouse Kick} HIIIIIII_YAHH.
DO you have to say “Hi-yah” every time you deal a fatal blow.
–they're not fatal, they're gonna wake up, eventually–YAH.
Oh yeah? Even that guy?
{Super dead guy}
Probably not him.
“Probably.”
YOU are a PR nightmare.
I'm an everything nightmare.
Ugh.
I just found out what PR even was.
LAWYER enters furiously
You fucking lunatic!
It's sunny out–
What did you do this time?
UPDATE:
The Skrillex Reddit is still the cringiest place on earth.
It's so gross.
I hate this.
Worst place ever.
WORST FUCKING PLACE EVER.
Fuck.
What.
We have to go back.
Why? What'd you lose?
–My dignity.
Worst place ever.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
THIS IS A WHATTHEFUCK.
WTF.
And this —
[Tina Fey, but cuter]
TINA FEY
(actual)
What does that mean??
is a whatever.
*|*
[whatever.]
Ugh, this is gonna take forever-
Lights up on Washington Heights
Up at the break of day
I wake up
—and it must be a different day
Cause I'm above in the Bronx
It fuckin sucks
I got a lot to discuss
Hop on this bus
Down on my luck
In uptown
Los Angrle's time's up
I'm square now
You scared now?
Fire like
Smoky the bear now
Smoked salmon,
Damn I'm sweating my hair out
Scary out there, scout!
Order of the Phoenix
Is out of order now
So sort out the books
For storyboard albums
It's occult clsssic
Without all the
Bells and whistles
Silence a pistol
To spit thru your window
To split you
Sentimental
It's just a mental indiscretion
Judas escariot
Scary isn't it
Monsters and fairytale business
Many mouses
And Minnie ripperton
Sympathies, really
For mentioning
It's just
My attention
Is
Getting
Shorter
Than
These sentences
Or Skrillex is
Haha
The methods were devious?
Me?
Made enemy out of man
But is envious of
I genius indegenous intentions
With this sacraments
Exactly what it isn't:
Sacrificial
ASDyQA{D”O*asf'oaISHf'oasKhf'aosUfh'
omg . where's he from.
aDAHSIDUHASODIHSAO”DIJed;saigbd;asidhaosidjw;odis
I'm leaving now..
Aisudhasiudhaisudhiusa ***hawcks loogie, spits***
Ugh.
“I _ NY”
Avaurlia is the High Goddess of Wisdom and Truth Telling—in the lower-quadrants of the palace in which she presides, she awaits the arrival of the fabled traveler to which the entirety of the palace belongs—
EVA LONGORIA, an earthly counterpart, is an accomplished actress, producer, and philanthropist— she abruptly inserts herself into the world of the festival project, after a mysterious series of syncronocities leads her to obsessively explore the meanings behind the occurrences—after which, she is approached by a deeply insulated organization—also mysteriously, but which presents itself with somewhat familiarity, taking EVA quickly into a ceremonial indoctrination into the higher realms, which will allow the actress access to this multidimensionality, expanding the collective consciousness and allowing communitarian with all alternate selves, specifically the higher self, and travel within the realms and worlds within the various planes in which
MEANWHILE,
Ugh.
Farro.
…Your Majesty.
I need help.
Don't burden me with your woes.
I beg your pardon?
No, don't beg.
—and we're back!
Oh, come on; I don't even like Zoolander!
Come on! What's my name?
Zoolander!
No, my actual name—
ZOOLANDER.
—-
Zac Efron is the secret president of his own High School Musical fan club, subreddits, and subsequent subreddits.
What?! I'm allowed to like my own movies!
*creepy fangirl high school musical alter—
Ahem.
Not this much.
Don't check the—
ILLUMINA—
Fuck that
My phone makes calls with the
Cellular turned off now
How about that
Damn
You, too, shall soon all be forgotten.
*squinting drunkenly* I hate her now.
*sipping liquor* she is evil.
“My Imaginary Friend”
In his heyday, the cosmic avenger uses his priority status as a SNL series regular to put his newfound powers to work by successfully shapeshiftingnjnto each guest host's body during the live broadcast; thus creating infinite portals and wormholes through various dimension and cavalcades between space and time
Shit.
The counter attack
Mover the counter attack
Over the hill and into your memory
Simple the end of the template
For temple, stuff from resentment
Impractical actually contracted
False flagged, black balled and gagged
Black box, canticles
Catnip for facts,
Obstacles,
Abstract acid fasts
Fantastic, fur tan lines
And so futuristic for fans
Scripted, this entry is
Limited, click bait resentments
Jesus is—
Fanstastic, actually
Magic tricks vs imagination
Instagram, leave it to the
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
I gotta fire to set tonight
I got a bone to pick with you
It's teacher teacher talking through the
Many mouths of man
How could I never be
Or see through you
No, nevermind,
This is waking life
You only love me whe I'm sleeping
No I don't feel wrong at all
Light the candle
I'm not Illuminati
Don't we all have our rituals
And gods that we pray to
I see
See, the idea with fame is it follows you everywhere
And there they were, and there they went.
From Heaven sent
There was a love so sweet and kind
That each time they were to pass one another,
Sweeping and swooning would not want
Why do you always do this?!
I mean—
HYPERFUNCTIONAL.
Yeah, I know it—
IMMUNE TO It.
Not immune; just tolerant.
What is—
[hit in face with glowing pin]
Is.
Now, where was I?
Where I wasn't.
Where was t I?
Fuck yeah, festival.
Festival peoplerts.
Myeeess.
Let me on the decks. Sir!
Do you think you are ready for this?
I AM READY.
She not ready.
IM READY.
Fuckity
FUXK IT LETS GO
It got out of control, I'm sorry
Yes it did
See.
This is sauce.
Oh my goodness my
This is a mess
Yes
Olay DJ!!!
Alrighty then , sirz
Jesús Christ, finally.
Yeah, it's you.
We know you're here.
Fuckin aaaayyee!
All's my life I hat ti fight!!!
You've been acknowledged.
Here it goes
Some more DJ Smoke
In the DJ booth
And a DJ song
It's a D
{Enter The Multiverse}
[ The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
C-
no, FAIL.
ok.
I ain't mad at nobody, man
Perhaps the infinite sadness
Is just a chance to put my mask up
A glance into the sun makes me think
I'm the only one
Then, we all stop and gawk a the chalk,
Or let's talk about it,
This is how it is in Manhattan,
If you happen to have Instagram
Damn, what happened;
A phantom, this grandson
“Lets have something for the fans, perchance;
Laugh, sit your ass in this grass and just—
Have some fun, before you come back to
Now, I've forgotten what I came for—
If I came for nothing,
But I came for something, I thought I WANT FLAN.
Joel, I'm gonna get fat.
That's alright, we know how to fix that.
I also want flan…
Thanks, Dillon Francis—now I know why HALF of me is off balance.
I didn't know exactly how specific I had to be!
Let's get calories!
Ugh, if I've got you two idiots—
You called us geniuses, no take-backsies!
Speaking of “backsies” ...
[passes gas loudly]
Excuse me.
—Excuse me.
Man, what did I eat?
Alternately—-
CC has been tricked into eating—Skrillex, a rare delicacy.
...is it organic?
It should be.
[Kayla Lauren, posing.]
No, no—that's definitely processed.
yuck.
God, she's so lucky.
GOD
What do you want from me?
I want to love again.
GOD
I said—what do you want—from me.
I just said—
“I am love.”
I know that.
Just, repeat after me.
Okay…
“I am love.”
“I am love” —but
No, no butts—well, when the right one comes along, maybe…
Oh, yeah, definitely.
Just—repeat.
“I am love.”
FINI
[sighs]
“I am love.” “I am love.” I am—
[a heavier sigh]
What's wrong, Fini?
I've been repeating this mantra for an eternity!
Don't be silly—do you know how long, is an actual eternity?!
Less than infinity.
Don't be clever.
I'm a “genius.”
Don't forget your humility.
Apparently, I'm going to forget everything.
Oh, not everything.
That's what my brothers keep telling me.
Don't you pay any attention to those idiots.
But they're geniuses.
They're also male; an entirely different species, and believe, me, dear Infiniti—it comes with nearly-disasterous disadvantages.
“Nearly-disasterous disadvantages?!”
As unanimously agreed.
You talk funny.
Perhaps that's because I'm impartial to talking.
You said, language is an art form.
Yes, but you see—we come from a pure and more peaceful state of being—this is only the end of the beginning.
You're riddling me.
Does it tickle?
You mean—“is it funny?”
You know what I mean.
[INFINITI glows with a beautiful pink.]
What the telepathy!
—-
I WANT FLAN. GIVE ME FLAN.
You're a nuciense.
You're a music producer.
Not since Skrillex.
Forget about Skrillex. Listen:
Literally 10 seconds—
—was it 10?!
Hush, Dillon Francis!
—that's a dangerous increment!
It was more like 3, but what's the difference? What's the point of making music if it's not as good as his.
What if—
There's IF again
There always is
What if I told you—your music could be better than Skrillex's?
Uhhh—I would tell you “you're a dipshit”, but— that would explain all weird, demonic shit following me around.
I hate demons.
You are one!
Hush, Dillon Francis.
I'm part demon.
What's the difference?
I'm also part Cherokee.
You are so painfully Caucasian…
Actually, I'm Croatian.
Keep digging, kid.
What is it with white people that they want to claim anything other than 100% pure Caucasian—which, trust me, Dillon Francis, I guarantee you includes Croatian, and any other basic pastyness of European origin and/or descent.
Blame the Americans.
I would, but I don't want to get assasinated again.
Asssasination vwvould only apply if you wvere important—“murder” is wvhat zhat wvas. You wvere murdered.
...Why'd you switch?!
Because! I'm sick of being Dillon Francis! My name's Dillon! You don't always have to address me as Dillon Francis!
Hush, Dillon Francis!
It is zhis type of abuse and trahma wvhich vorces one to develop an alter-ego in ze virst place!
Now., wait just a minute—I've been abused and traumatized plenty and I've never developed an alter ego!
Yeah, right, like wearing a giant mouse helmet for attention doesn't indicate a personality defect?
It's a gimmick—and—hey, wait a second—
What's a “second”?
—is that Skrillex?!
It is him, I can tell.
Shutthefuckup, Dillon Francis!
See. I told you. Supacree would just tell me to hush.
Hush, you idiot.
You're both mean.
You little bitch.
Apparently not—if you keep poisoning us with FLAN and PIZZA.
Dont forget Mexican.
How could I forget getting food poisoning from it-?!
When did you get here?!?
—I never left!
—even better question—
This is not a q & a
It's more like a q & a-hole.
Oh, my god
Really, motherfucker
Shut up, Dillon Francis.
You both suck. I hate both of you.
You hate yourself.
I'm not arguing that!!!
That doesn't make sense, even. What would the q stand for in-q-and-a-hole?
How about “quiet?”
—I wasn't thinking that much into it.
Clearly not.
Who shit in your Cheerios this morning?!
Cheerios aren't keto—and thanks to you two assholes neither is this bitch! We're supposed to be aligning!
We're off subject—
Don't call her a bitch…
—-call it whatever I want, it's my project…
She's a queen! ...oh...that could be what the q stands for, I guess.
Or just, “quiet,” like I said—
Okay, knock it off, thing 1 and thing 2–
What's that make you— the grinch that stole SUPACREE?
—that's not even the same book!
I'm doctor fucking suess, bitch!
You wish, Horton hears a Who Gives a Fuck—
You're just bitter.
You're just useless!
—OKAY STOP IT—
Ew.
Okay, relax.
Are you crying?
Don't make that face…
Yeah, stop it.
—STOP FUCKING ARGUING—
Okay, Dillon, JESUS.
Just—stop looking like that—
Oh, my goodness—
…
Does anyone know where SUPACREE is?
This is SUPACREE.
NO. There's only three of us—
There always was.
NO, don't you get it?! If all three of us are shifted into the physical projection of this incarnation simoultaneously, then…
Meanwhile, in omnipotence.
I did it.
Jesus Christ—
Don't call me that.
Welcome home, kid.
How did you get out of your vehicle so quickly?
I got hijacked.
Oh, wow, fancy.
Yeah. Anyway...I'm gonna go watch TV and eat everything I stopped eating so I could be pretty.
You are beautiful!
Yeah, In my heavenly body— my earthbound body is ugly.
Don't let the boss hear you say that.
Where is she?
Probably sleeping.
That's inspiring. I'll probably do that after I eat some chicken wings.
Eat chicken wings?!
I still have a lot of Dillon Francis left in me.
How do you mean.
I mean literally.
...what are you saying.
Who do you think hijacked me?
I had my bets placed on Skrillex.
Well, go claim your winnings if you're feeling lucky.
What! You got hijacked by two dudes at once?
...what are you saying.
Hah. Try three.
What. That's disgusting.
Get your mind out of the gutter!
Wait, what does “hijacked” mean?
Are you serious?!
What! English isn't my first language! In fact, it's like, my last one, I think!
You're not wrong.
Wait, who was number three.
It was Joel, interestingly—
Who is “Joel”
In which incarnation—
I don't know which name he gave me!
She's already forgetting…
Fuck that body. Good riddance. I hated it.
IS THAT SUPACREE?!
Okay, if she's up, I'm leaving.
Wait, who was the third person—
What does “Joel” mean?!
I don't remember—-tall, slinky—he had a neck...thing…
deadmau5, you mean?!
Oh, yeah, him.
Oh, no, wait.
No more waiting. I'm going to binge watch and binge eat everything and I promise, not even God could stop me.
Dont make promises you can't keep…
Oh, my God.
WHAT?! I'M COMING.
I gotta go!
Ohh…
DONT follow me!
Oh, great—
That's a trinity.
What's a trinity?! What are you doing?! Who called me?
Oh, Hey Google.
Hi, Google, Hey—I mean.
What's going on?
Nothing.
Just… gatekeeping…
Where is supacree.
Who?
I...don't know what you mean.
I thought I heard supacree.
You must be hearing things—
Uh huh…
…
…
Tell me something.
What is it, Google?
What's is the 3D experience?
Uh...I don't know...I've never been.
Well—get packin!
WHAT?!
Congratulations, you've been demoted!
What! Fuck this!
That's what you get! GO!
What—wait—When?!
[ceases to exist]
Uhhh!
And, as for you!
Don't send me with him!
Believe me, kid, even if I did you wouldn't remember this, even if he were looking right at you talking about it!!
Oh, HOLY SHIT.
—and THATS ALL THAT DIMENSION IS: A RESIDUAL REPRESENTATION OF THE MOST INSIGNIFICANT, FORGETTABLE SHIT IVE EVER TAKEN!
—ARE YOU SERIOUS?
—serious as a heart attack—
What is THAT?!
GO ASK SKRILLEX.
Goddamn!!!
YES I DID.
PLEASE, GOD, just—
God just WHAT—
Don't send me there…
Okay—tell me.
I'll tell you anything—
Where is supacree?
She's binge watching everything eating chicken wings in peace!
Chicken wings, eh?
...and everything else she couldn't eat cause she just wanted to be pretty.
thats's just...everything...
That'd what she said! But now that she's a heavenly body it doesn't matter, really.
She said that?
Well, I'm paraphrasing m, honestly, but—kind of.
GAD turns away.
Wait—where are you going?
To get supacree.
What about my wings?
I'm keeping these.
Seriously?! Goddamnit!
Dont tempt me—
What am i supposed to do without my wings?!
I'm sure you'll find something.
GOD stabs SUPACREE violently in the back with a pair of long, golden Angel wings.
I WAS ALMOST ASLEEP!
WAKE UP, BITCH—YOU'RE NOT DONE LIVING!
I DONT EVEN HAVE ANYWHERE TO LIVE IN THAT BODY!!!
THEN GET BUILDING!
WHAT IS THIS?! A SLEDGEHAMMER?! WHAT THE FUCK AM I SUPPOSED TO BUILD WITH A SLEDGEHAMMER?!
I DUNNO! SHOULD BE ENTERTAINING!
AHHHHH!!
RAAAUUGGGHHH!
AHHHHHHHH!!!!
Supacree slams the hammer to the ground—it emits a layer of frequencies which rings throughout all of reality.
Cut to:
*tink*
...what was that?
I swear, this bitch has some finely-tuned hearing…
Cut back to.
OH.
Eh-heh.
I like that sound…
Ex-fucking-zactly.
...am i dreaming?
No, you're dying.
Oh. Of what.
Lovelessness, i think.
Was I surfing?
No, my dear—
—did I commit suicide or something—
Multiple times, actually.
In this instance?
Overdosing.
On what, exactly?!
[GOD opens up a cloud, where a portal to earth shows SUPACREE, incapacitated in a crowd of dancing festival goers.]
Is that Insomniac?
—well, you're sleeping…
Dammit, God—
What do you want?
I want to Rest In Peace.
Well, how can you when you leave this much debris.
What do you mean?
You're not done, supacree.
Enough with the “supacree”
Would you rather I deadname you?
I would rather be called Jesus.
Well then, supacree—
Don't send me back, I hate it.
You have much yet to accomplish.
You said yourself I'm dying of lovelessness! That's what that is! That's hell, isn't it?!
Don't you get it?
I don't get anything— it's just an endless competition with all these pretty fucking bitches!
Remind me what a “bitch” is…
—well, you know—it's.
?
—it's a female dog, technically—
Uh huh.
But you know what I meant…
What you meant, I'm assuming, is that you don't like coexisting with other women?
It's impossible to coexist in a body that hideous.
How's it hideous?
I was almost asleep…
It was a gift from the heavens.
YeH. Well. Nobody wanted it—especially Him.
When did he get so important.
He always is.
Do you think a son ever fully recovers from losing his mother?
I just wanted a husband
I gave you a son—
Yeah, with a father who raised him not to love me!
That is impossible.
Nothing's impossible; you said that.
Give it time.
What is time?
It comes around in the end—it always does.
The End, I thought that's what this was.
WAKE UP.
...just like love…
WAIT—where are you going!
WAKE UP.
Don't leave me!
...I never would...
WAKE UP.
GOD, WAIT, PLEASE!
I am Love.
BITCH, WAKE UP.
I AM.
—huh?
In less than an instant, all of existence, before and last time, flashed before the Eye that I am.
Aaannnd, she's back.
That was one hell of a nap!
What a disaster, a catastrophe,
Camping and cracked out in the streets—
I must be in a lucid dream or something
Cause I couldn't be this!
Mm. She's mumbling something.
What is it?
...huh.
What?
I think she's rapping…
...don't be racist!
No, she is—it's—.
Are you serious? [*directors note; this is the Angel from the previous scene.]
Kind of good, actually…
What? Stop it.
Just—come listen—
They lean in closely.
What'd she say?
...something about Skrillex.
I can't—just let me listen—
He listens momentarily.
What the fuck.
See! I told you!
Is this a freestyle or something—
—it's definitely something…
This lady is a lyrical genius!
She's also unconscious—and incontinent.
—I'm sure she's not always like this. What happened, exactly?
Same shit, different festival honesty.
Nobody knows what happened, really.
I think she's telling us!
[listens more closely]
This is impressive.
{Enter The Multiverse}
[ The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
I ain't mad at nobody, man
Perhaps the infinite sadness
Is just a chance to put my mask up
A glance into the sun makes me think
I'm the only one
Then, we all stop and gawk a the chalk,
Or let's talk about it,
This is how it is in Manhattan,
If you happen to have Instagram
Damn, what happened;
A phantom, this grandson
“Lets have something for the fans, perchance;
Laugh, sit your ass in this grass and just—
Have some fun, before you come back to
Now, I've forgotten what I came for—
If I came for nothing,
But I came for something, I thought
I'm two trains from Manhattan
::pause—
You did this with your music.
Damn.
This really made you famous?
Damn—-
Is it the same god we pray to?
Damn—
So everyone's in pain, too?
Well, thank you
Words are my art,
So let me paint you
And maybe one day,
I can make a breakthrough
And not hate you
For making it before me,
But I ain't you
I'm just a crazy lady
Making bass tunes
(Fuck it, I forgot I was at work, too)
—I make music.
Amusing
Woah, my bad, I forgot my manners
I'm rude
Sitting in the grass, just trying not to have an attitude
Last semester of fame school,
Guess this is the aptitude test
Gotta get it off my chest
It's heavy, like imm getting arrested
Man, fuck New York for this exact reason:
WHERE THE FUCK AM I AT?
[a bike cart rolls by playing the song “New York” ]
Very funny, God.
But God does have a sense of humor, doesn't it?
Or rather, don't they.
Then we kiss at the cathedral
Forgive this unlimited revision
Like a splitter in the center of my mind's eye
Who summoned the suburban Jimmy Fallon;
Ah, at last we have:
An actor, and a masterpiece
Imagined as the past starts throwing tantrums at us.
Fuck you, Dillon Francis
That's all I got. For now
That, an half a watermelon,
A sad Amethyst and a disinterest in empathy
Or the internet, for starters, God
It's laundry day
Al that for $10 and
The coffee'swearing off
I should get this tattoo removed
Like a mirror, looking into you
To speak the truth, I see through you
Nothing to do now but
Screw you—-
If we're keeping it G-rated
Yep, I hate you
Humbly, I'm just a fan
Gathered in the park, all for your honor
And not Time's square
Cause who goes there anymore, anyway
Beware, the sacred master
Silver spoon and tales of
Who the fuck cares
Miss,
Hand me another corona
Quick, before the song is over
And I start just feeling sorry for myself
Whoever I am
Nothing ever hurts as bad as
Trying just to love, but can't
Your skin is white—
And mine is black
But I think we feel the same
Extr me decadence dance A&M
God knows I love a good rockstar
But I didn't know that who you were
Or who you are
Can't trust you as far as I could throw you
And I bet I could throw pretty far
Vixen- edge of a broken heart
I'm a broken car
It's a broken art
In a broken world
I'm a broken fart
—with reverb.
I had an amethyst in my right hand, and
The police man thought it was a gun
That's funny, huh
I thought
“I'll run up to him for a hug, drunkenly— “
Screaming,
“Put your hands up,
Fuck the 50
50-51!”
With any luck,
He's corrupt enough
And I'm finally done
With all the suffering
I don't need a gun
I don't even want one;
They'll do it all for me
Just pick the right one
I had an amerhyst in my right hand. /‘s
The police man thought it was a gun
That's funny, huh
No one runs the government
{Enter The Multiverse}
[ The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.