And The Writer Is...with Ross Golan

Ep. 252 | How Murda Beatz Became a Generation's Favorite Producer


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Today's guest is the name behind a decade of names you already know by heart. Eight weeks at #1 with Drake. Over a billion streams off a single Travis Scott beat. A top-six Hot 100 record with Migos, Nicki Minaj, and Cardi B — all on one song. Nipsey Hussle. French Montana. A whole generation of trap and rap that doesn't sound the way it sounds without him. And here's the part that should annoy every producer alive: he made most of it in under 20 minutes, by himself.


And The Writer Is... Murda Beatz!


In this episode of And The Writer Is, we go deep on:


- Why doubt is important

- The principal who told him being a producer was "unrealistic" — and what he'd say to him now

- Making "Nice For What" in 20 minutes — and why it was never actually mixed

- Selling beats over Western Union for $50–$200 — until working with the Migos got him flagged for fraud

- DMing his way from a Canadian bedroom to Chief Keef, the Migos, and Nipsey Hussle

- The Migos teaching him to cook beats in 10 minutes: "you gotta be faster"

Losing his dad at 21 — and how he handles grief while the machine keeps running


and his new mixtape, 'Bando'


And much more...


Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.


Follow us on socials: @andthewriteris


A special thank you to our sponsors for making these conversations possible.

Our lead sponsor, NMPA — the National Music Publishers' Association. Your support means the world to us.

And @splice — the best sample library on the market. Period.


Chapters:


0:00 Intro

1:45 The best producer tag that isn't yours

2:32 The songs: "Nice For What," "Butterfly Effect," "MotorSport"

3:03 The plaque wall — and the one with "some crazy number"

4:29 When the label wouldn't put a producer's name on the plaque

7:00 Born in Niagara Falls, a town of 3,000 on the Buffalo border

8:33 A dad who played guitar, a left-handed kid on the drums

11:36 Why so many great musicians come from Canada

13:08 Trading the drum kit for trap beats

14:29 Digging for Lex Luger drum kits in Skype groups

16:25 "Murda Beatz on the track" — building a fanbase on Facebook and YouTube

19:38 The principal who said being a producer was "unrealistic"

21:51 "The doubt is important" — Michael Jordan and manufacturing motivation

24:50 How you go from YouTube to a $20,000 check

26:33 Learning his value — refusing to be a "sound producer"

27:26 Selling beats on Western Union, and getting flagged for fraud

33:00 Being a white kid making rap on Chicago's South Side

35:02 How he met the Migos on the internet

40:36 Making "Pipe It Up" — and learning to cook beats in 10 minutes

42:32 World #1s in 15–20 minutes: "Butterfly Effect" and "Nice For What"

45:35 Curating a beat pack — and remembering every beat by name

51:24 The crazy fact about "Butterfly Effect": it was never mixed

52:13 "MotorSport" hits #6 — sitting on it for four months

53:24 Making Nipsey Hussle's beat his first day in LA

56:55 "Nice For What" — made in Canada, #1 for eight weeks

62:10 Adjusting as hip-hop changes: "I made rap because I wanted to make rap"

63:42 Producer vs. featured artist — why go solo

68:17 Simplicity: 8–10 stems and nothing wasted

69:27 Losing his dad at 21, and how he deals with grief

70:14 The alone time that built everything

71:15 What's next: the "Bando" project, ten years after his first mixtape

73:02 Rapid fire: signature beat, Mount Rushmore of producers

77:25 Murda Melodies — the plugin that landed on a Bad Bunny record

80:28 Advice for upcoming producers

80:31 A message to his mom — and what he'd tell his dad


Credits:

Hosted by Ross Golan

Produced by Joe London & Jad Saad

Edited by Jad Saad

Post-Production VFX by Pratik Karki

Hosted on Acast. See acast.com/privacy for more information.

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