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BAST trainer and founder, Line Hilton, returns to the show, this time to discuss 'head voice' and some of the exercises that singing teachers can use when working with a student on this particular vocal register. As well as that, you’ll find out the vocal range covered by head voice, the importance of head voice and what actually goes on in your body when singing in head voice.
‘It could be loud and piercing or lighter but is distinct from falsetto’
RELEVANT LINKS & MENTIONS
ABOUT THE GUEST
Line Hilton is a distinguished voice, performance, and resilience coach with a rich background in nursing, jazz performance, and performing arts medicine. She uses her diverse expertise to help performers, professional voice users, and business professionals achieve their full potential by focusing on vocal health, mental resilience, and overcoming limiting beliefs.
Beginning her career as a nurse and transitioning into professional singing, Line eventually found her passion in coaching, where she merges her medical and creative knowledge to support healthy, high performance. She founded BAST Training, a program for aspiring singing teachers, and a frequent guest presenter and lecturer for industry events, and educational institutions such as UCL and the Royal Northern College of Music.
Line is dedicated to raising industry standards in vocal, mental, and physical well-being, empowering her clients to build confidence, resilience, and lasting success in their careers.
MSc Performing Arts Medicine, B. Mus Ed (Jazz), Cl. Hyp
Guest Website: linehilton.com
BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher.
"The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...more
basttraining.com | Subscribe | Email Us | FB Group
4.5
1414 ratings
BAST trainer and founder, Line Hilton, returns to the show, this time to discuss 'head voice' and some of the exercises that singing teachers can use when working with a student on this particular vocal register. As well as that, you’ll find out the vocal range covered by head voice, the importance of head voice and what actually goes on in your body when singing in head voice.
‘It could be loud and piercing or lighter but is distinct from falsetto’
RELEVANT LINKS & MENTIONS
ABOUT THE GUEST
Line Hilton is a distinguished voice, performance, and resilience coach with a rich background in nursing, jazz performance, and performing arts medicine. She uses her diverse expertise to help performers, professional voice users, and business professionals achieve their full potential by focusing on vocal health, mental resilience, and overcoming limiting beliefs.
Beginning her career as a nurse and transitioning into professional singing, Line eventually found her passion in coaching, where she merges her medical and creative knowledge to support healthy, high performance. She founded BAST Training, a program for aspiring singing teachers, and a frequent guest presenter and lecturer for industry events, and educational institutions such as UCL and the Royal Northern College of Music.
Line is dedicated to raising industry standards in vocal, mental, and physical well-being, empowering her clients to build confidence, resilience, and lasting success in their careers.
MSc Performing Arts Medicine, B. Mus Ed (Jazz), Cl. Hyp
Guest Website: linehilton.com
BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher.
"The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...more
basttraining.com | Subscribe | Email Us | FB Group
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