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Maxx Burman was destined for a career in the film industry — but how he got there is surprising. His grandfather and parents were practical effects artists, creating the groundbreaking makeup for The Wolfman and The Planet of the Apes, respectively.
Helping his parents out on all-nighters gave Maxx a strong worth ethic, and a hard-earned knowledge of what happens behind the scenes in Hollywood. But an early viewing of The Matrix inspired him to carve out his own career path in the less-messy world of VFX.
After establishing himself as a freelance matte painter and VFX supervisor, Maxx's entrepreneurial spirit kicked in. His most recent venture is Kitbash3D, a handy online repository of professional, optimized 3D models of different styles of architecture, from "Victorian" to "Neo Tokyo," ready to be "bashed" into backdrops, matte paintings and 3D environments. It takes the guesswork, and hard work, out of creating believable cityscapes.
As Maxx reveals in this podcast, that's not all he's working on. He's creating a game for Nintendo, still working as a freelance matte artist, and even starting a company to manage all his endeavours. He and Chris talk about adventures in Digital Domain's keyboard graveyard, how Maxx has gone from artist to businessman, and how he ensures his projects succeed.
By Monstrous Moonshine4.8
5555 ratings
Maxx Burman was destined for a career in the film industry — but how he got there is surprising. His grandfather and parents were practical effects artists, creating the groundbreaking makeup for The Wolfman and The Planet of the Apes, respectively.
Helping his parents out on all-nighters gave Maxx a strong worth ethic, and a hard-earned knowledge of what happens behind the scenes in Hollywood. But an early viewing of The Matrix inspired him to carve out his own career path in the less-messy world of VFX.
After establishing himself as a freelance matte painter and VFX supervisor, Maxx's entrepreneurial spirit kicked in. His most recent venture is Kitbash3D, a handy online repository of professional, optimized 3D models of different styles of architecture, from "Victorian" to "Neo Tokyo," ready to be "bashed" into backdrops, matte paintings and 3D environments. It takes the guesswork, and hard work, out of creating believable cityscapes.
As Maxx reveals in this podcast, that's not all he's working on. He's creating a game for Nintendo, still working as a freelance matte artist, and even starting a company to manage all his endeavours. He and Chris talk about adventures in Digital Domain's keyboard graveyard, how Maxx has gone from artist to businessman, and how he ensures his projects succeed.

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