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Our story should be like a state fair: one thing after another. Here are some ideas on state fair plotting. Plus: settings shouldn't be inert locations in our novel or short story but rather should work for our story. Here's how to get the most from our settings. Also: my experiment with AI proofreading.
Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.
Support the show
Buy the master class.
By James Thayer4.8
421421 ratings
Our story should be like a state fair: one thing after another. Here are some ideas on state fair plotting. Plus: settings shouldn't be inert locations in our novel or short story but rather should work for our story. Here's how to get the most from our settings. Also: my experiment with AI proofreading.
Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.
Support the show
Buy the master class.

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