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Kit Israel | From Kan Kan to Folklore, Calypso with a K, and the Future of Caribbean Music
Kit Israel of AdvoKit Productions joins The Corie Sheppard Podcast for a deep dive into the music, culture, and vision that drive his work. The son of legendary musician and producer Roger Israel, Kit brings both heritage and innovation to the table — combining his degree in Mathematics with his passion for sound to approach music as both science and art.
As the producer behind the Kan Kan Riddim, the Folklore Riddim (Hello by Kes, Catching Feelings by Nadia Batson), and hits like Buss Head (Machel & Bunji), Ola (Olatunji), Drink & Party (Ding Dong), Take Me Home (Freetown Collective), and Anxiety (Patrice Roberts), Kit has shaped defining moments in modern soca and calypso.
We talk about his creative philosophy, why he chooses to “bust” new artists instead of relying only on the A-list, the business lessons behind owning your masters, and his bold cultural vision for “Calypso with a K.”
This episode blends artistry, business, and legacy — a must-listen for anyone invested in the future of Caribbean music.
By Corie Sheppard4.8
1818 ratings
Send us a text
Kit Israel | From Kan Kan to Folklore, Calypso with a K, and the Future of Caribbean Music
Kit Israel of AdvoKit Productions joins The Corie Sheppard Podcast for a deep dive into the music, culture, and vision that drive his work. The son of legendary musician and producer Roger Israel, Kit brings both heritage and innovation to the table — combining his degree in Mathematics with his passion for sound to approach music as both science and art.
As the producer behind the Kan Kan Riddim, the Folklore Riddim (Hello by Kes, Catching Feelings by Nadia Batson), and hits like Buss Head (Machel & Bunji), Ola (Olatunji), Drink & Party (Ding Dong), Take Me Home (Freetown Collective), and Anxiety (Patrice Roberts), Kit has shaped defining moments in modern soca and calypso.
We talk about his creative philosophy, why he chooses to “bust” new artists instead of relying only on the A-list, the business lessons behind owning your masters, and his bold cultural vision for “Calypso with a K.”
This episode blends artistry, business, and legacy — a must-listen for anyone invested in the future of Caribbean music.

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