Like Martin Scorsese, Quentin Tarantino and Danny Boyle, Edgar Wright is one of those filmmakers who's become synonymous with an expert use of music in his work.

As well as having collaborated with composers such as Nigel Godrich, Stephen Price and David Arnold, he's also deployed source cues to maximum effect in every single one of his projects - from offbeat comedy classic Spaced to the ridiculously entertaining Cornetto Trilogy.

It's thus an absolute delight to welcome him to Soundtracking - a weekly podcast in which directors, writers, actors and musicians discuss the sounds of the screen.

Edgar's new film Baby Driver recently premiered at South By Southwest in Texas to great acclaim, but we'll invite him back to talk more about that in August when it gets a general release. Suffice to say, the soundtrack features in excess of 35 songs ...

In the meantime, we're going to reflect upon a CV that includes Shaun of The Dead, Hot Fuzz, World's End and Scott Pilgrim - not to mention Spaced - the wonderfully postmodern TV show with which he made his name ...