Emerging from a web of poststructuralist philosophy and electronic fetishism, France’s Heldon -- whose name is derived from Norman Spinrad novel, The Iron Dream -- functioned from 1974–1979 as a vehicle for Richard Pinhas’ wildest aural fantasies. The group’s first six albums work through an esoteric maze of analog synthesis and post-Fripp guitar histrionics, from the curiously pastoral second album, Allez Téia, to the cryptic violence of 1977’s Interface. This episode, however, trains its gaze on the last album of the band’s original run, 1979’s singular and masterful Stand By. Here, Pinhas, abetted by principal confidantes, Patrick Gauthier and Francois Auger, offers up the most confident set of arrangements of his career. Stand By harnesses the tactile synth textures of previous albums and binds them to songs that anticipate techno, home-listening electronica, doom rock, and other future sounds. Underrated at best, but mostly unheard altogether, Radical Research looks to settle the score and give these Gaulic Goliaths their proper due.

Note III:

Music cited, in order of appearance:

Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.