What happens when a hard-headed young filmmaker butts heads with anonymous studio executives who hate his movie? In 1983 you'd get something like The Keep, which is half a mess and half a pretty damn good horror movie with a cool setting, some memorable music, and a very curious cast. Joining me for this discussion is filmmaker / DVD producer Charles de Lauzirika (@Lauzirika), and this is a man who knows a thing or two about reconstructing problematic movies. (Looking at you, Alien 3!)

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