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While most five-year-olds were playing with Legos and Barbies, Junaid Baig was taking his first steps with 3D Max. From this early start, Junaid developed an incredibly in-depth understanding of 3D, lighting, and rendering from working on VFX for movies, including Fantastic Beasts: The Crimes of Grindelwald, Avengers: Endgame, and Venom.
Today, Junaid is head of applied technology at DNEG, where he's helping pioneer virtual production on films and series including Masters of the Air. Junaid combines his knowledge and passion for technology with deep respect for artists, and he reveals how virtual production — and Chaos' Project Arena — are changing the way crew and cast can work together to create new worlds for audiences to enjoy.
By Monstrous Moonshine4.8
5555 ratings
While most five-year-olds were playing with Legos and Barbies, Junaid Baig was taking his first steps with 3D Max. From this early start, Junaid developed an incredibly in-depth understanding of 3D, lighting, and rendering from working on VFX for movies, including Fantastic Beasts: The Crimes of Grindelwald, Avengers: Endgame, and Venom.
Today, Junaid is head of applied technology at DNEG, where he's helping pioneer virtual production on films and series including Masters of the Air. Junaid combines his knowledge and passion for technology with deep respect for artists, and he reveals how virtual production — and Chaos' Project Arena — are changing the way crew and cast can work together to create new worlds for audiences to enjoy.

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