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Cartoonist and illustrator Tom Gauld rejoins the show to celebrate the publication of his new book, Revenge of the Librarians (Drawn & Quarterly), a collection of his weekly literary humor comics for The Guardian. We get into his comics' three lives — in the paper, online, and in books — and the difference between seeing his work in print vs. onscreen, the decision to include lockdown-era strips in his new book, and how he manages to keep his comics fresh despite having two weekly deadlines (he also draws a comic for New Scientist). We also talk about his stylistic & structural experiments, how he grew more comfortable using color, the longform comics he'd love to make (if he could just find them halfway done before he got to work), and why Beckett & Austen are always great authors to fall back on for a gag. And we discuss what it's like going on a book tour again (and meeting at least one librarian at every event), being more fearless about his work when he was younger and having higher standards now, why it was important to him to make a children's book before his kids went to college, and more! Follow Tom on Twitter, Instagram, and . . . Tumblr?! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
By Gil Roth4.9
9595 ratings
Cartoonist and illustrator Tom Gauld rejoins the show to celebrate the publication of his new book, Revenge of the Librarians (Drawn & Quarterly), a collection of his weekly literary humor comics for The Guardian. We get into his comics' three lives — in the paper, online, and in books — and the difference between seeing his work in print vs. onscreen, the decision to include lockdown-era strips in his new book, and how he manages to keep his comics fresh despite having two weekly deadlines (he also draws a comic for New Scientist). We also talk about his stylistic & structural experiments, how he grew more comfortable using color, the longform comics he'd love to make (if he could just find them halfway done before he got to work), and why Beckett & Austen are always great authors to fall back on for a gag. And we discuss what it's like going on a book tour again (and meeting at least one librarian at every event), being more fearless about his work when he was younger and having higher standards now, why it was important to him to make a children's book before his kids went to college, and more! Follow Tom on Twitter, Instagram, and . . . Tumblr?! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

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