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This episode marks the final CG Garage podcast under the Chaos umbrella. The next chapter of the show will launch under a new banner, continuing the conversations that explore the art, craft, and future of filmmaking.
Armen Kevorkian joins Chris to reflect on his long career in visual effects, from his early start as an intern on Star Trek: Voyager and Deep Space Nine to becoming the president of Ingenuity Studios. He shares how mentorship in those formative years at Paramount shaped his career, his transition into supervising on shows like Invasion and The Flash, and the evolution of VFX in broadcast television, where tight deadlines and experimental techniques pushed his teams to innovate. Armen recalls being part of television milestones like scanning actors for digital doubles for the first time and watching the rise of superhero shows that paved the way for streaming-era ambitions.
The conversation dives into how the industry has shifted in the past 20 years, from the challenges of working through COVID and adapting to remote workflows, to the rise of generalists and the growing role of AI tools in concepting, roto, and plate prep. Armen reflects on invisible effects, the hidden craft of making audiences believe something was always there, and how facilities must adapt as filmmakers experiment with leaner, bespoke VFX pipelines. He also shares his vision for Ingenuity Studios, their recent work on projects like Untamed and Weapons, and his excitement about building tighter partnerships with filmmakers from the earliest stages of production.
By Monstrous Moonshine4.8
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This episode marks the final CG Garage podcast under the Chaos umbrella. The next chapter of the show will launch under a new banner, continuing the conversations that explore the art, craft, and future of filmmaking.
Armen Kevorkian joins Chris to reflect on his long career in visual effects, from his early start as an intern on Star Trek: Voyager and Deep Space Nine to becoming the president of Ingenuity Studios. He shares how mentorship in those formative years at Paramount shaped his career, his transition into supervising on shows like Invasion and The Flash, and the evolution of VFX in broadcast television, where tight deadlines and experimental techniques pushed his teams to innovate. Armen recalls being part of television milestones like scanning actors for digital doubles for the first time and watching the rise of superhero shows that paved the way for streaming-era ambitions.
The conversation dives into how the industry has shifted in the past 20 years, from the challenges of working through COVID and adapting to remote workflows, to the rise of generalists and the growing role of AI tools in concepting, roto, and plate prep. Armen reflects on invisible effects, the hidden craft of making audiences believe something was always there, and how facilities must adapt as filmmakers experiment with leaner, bespoke VFX pipelines. He also shares his vision for Ingenuity Studios, their recent work on projects like Untamed and Weapons, and his excitement about building tighter partnerships with filmmakers from the earliest stages of production.

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