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Did soon-to-be famous writers know as they drafted their novels that they were creating magic for readers? Maybe. Maybe not. And how can we choose the strong word instead the the weak, so that our sentence shines? Also, here are thoughts on how long our chapters should be, and how to make sure they are not too long and not too short.
Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.
Support the show
Buy the master class.
By James Thayer4.8
421421 ratings
Did soon-to-be famous writers know as they drafted their novels that they were creating magic for readers? Maybe. Maybe not. And how can we choose the strong word instead the the weak, so that our sentence shines? Also, here are thoughts on how long our chapters should be, and how to make sure they are not too long and not too short.
Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.
Support the show
Buy the master class.

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