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Here are ways to show with action and dialogue what our character is thinking so we can avoid visiting the character's mind for interior monologue, usually the least interesting element of a story. And we visit Somerset Maugham, Truman Capote, and Herman Melville.
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By James Thayer4.8
406406 ratings
Here are ways to show with action and dialogue what our character is thinking so we can avoid visiting the character's mind for interior monologue, usually the least interesting element of a story. And we visit Somerset Maugham, Truman Capote, and Herman Melville.
Support the show

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