February 02, 2023

Episode 92 – Last Crack: The Best of All Our Burning Time

1 hour 16 minutes

Rarely can a rock or metal band be described in terms of open-heartedness, nostalgia, or compassion. But the subject of Radical Research’s 92nd episode defies convention in nearly every way. Madison, Wisconsin’s Last Crack was a band that seemed on the brink of breakout success but, ultimately, condemned to wander the corridors of obscurity. They recorded their second album at Eldorado Studios in Hollywood, and released the results via Roadracer/Roadrunner in 1991. To our ears, Burning Time is a masterpiece of left-field hard rock/metal. A mesh of razor-sharp guitars, a deft rhythm section, and the magisterial wailings of the group’s master of ceremony, Buddo, Burning Time embraces the listener and brings us into its enchanted Midwestern fantasia.

Note I:

Our apologies to Last Crack: ”Mini Toboggan” deserves so much better than some kind of crass comparison to a ridiculously-titled Cannibal Corpse song. We were feeling plucky on this night. But seriously, we do so love this song to the utter ends of our lives, whether we grew up sledding (Jeff) or not (Hunter).

Note II:

Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast

We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked:

http://www.radicalresearch.org/shop/

Music cited in order of appearance:

All songs from Burning Time, 1991:

“Wicked Sandbox”

“Mini Toboggan”

“Energy Mind”

“My Burning Time”

“Precious Human Stress”

“Love, Craig”

“Kiss a the Cold”

“Love or Surrender”

“Mack Bolasses”

“Blue Fly, Fish Sky”

“Papa Mugaya”

“Down Beat Dirt Messiah”

“Oooh”

Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

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