She brought a small town to its feet and a huge company to its knees – that’s right, this week we’re talking all things Erin Brockovich with the film’s screenwriter, Susannah Grant.

Susannah is a talent who, over an impressive three decade career, has gone from writing on the ‘90s teen TV drama Party of Five and conquering animation with Pocahontas to penning dramas like 28 Days, romcoms like In Her Shoes and science-fiction with The 5th Wave. She’s also a force to be reckoned with behind the camera: having made her directorial debut in 2006 with the comedy drama Catch and Release, Susannah wrote and directed episodes of the recent searing Netflix series Unbelievable, which took a scalpel to the problem of rape culture in America.

Erin Brockovich, though, remains one of her best-loved works. Her witty script for the Julia Roberts-starring, Steven Soderbergh-directed legal drama earned her an Oscar nomination on release in 2000, and it’s both a testament to her writing and an indictment about our society’s lack of progress that the film still feels so relevant today. The film told the true-life tale of a single mother who fought and won a landmark legal case against the Pacific Gas & Electric Company over contaminated water supplied to residents in the town of Hinkley, California. In order to secure justice for the hundreds of people made sick by PG&E’s malfeasance, the real-life Erin had to navigate misogyny, classism and the demands of parenthood. Susannah’s script captured all of that with poignancy and punch.

In the spoiler conversation you’re about to hear, Susannah tells us all about grabbing burgers with the real-life Erin Brockovich, the importance of David vs Goliath stories like this, the balance of fact versus fiction in the film – and the one line that had to change at Erin’s request.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

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