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In today's Books with Hooks segment, Carly and CeCe discuss leaning into specificity; concerns over white saviorism and teachable moments; dialogue needing to sound exactly like the character would speak; requiring drama outside of parallelism; starting with character and putting the reader in someone’s head right away; how multi-POV books should be pitched; and focusing on plot rather than feelings.
After which, Bianca chats with author of The Family Plot, Megan Collins, about writing limited omniscient third person; getting approval from your publisher; the immediacy of present tense; how every story will tell you what it needs; bringing poetry into any genre of writing; how you should choose your POV character; and coming up with secondary characters based on the purpose you need them to serve.
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In today's Books with Hooks segment, Carly and CeCe discuss leaning into specificity; concerns over white saviorism and teachable moments; dialogue needing to sound exactly like the character would speak; requiring drama outside of parallelism; starting with character and putting the reader in someone’s head right away; how multi-POV books should be pitched; and focusing on plot rather than feelings.
After which, Bianca chats with author of The Family Plot, Megan Collins, about writing limited omniscient third person; getting approval from your publisher; the immediacy of present tense; how every story will tell you what it needs; bringing poetry into any genre of writing; how you should choose your POV character; and coming up with secondary characters based on the purpose you need them to serve.
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