Since the pandemic and the murder of George Floyd, there have been renewed efforts to shine a light on dance music's roots in Black communities. Still, there's a critical need for more Black-forefronted collectives and programmers—as well as more thoughtfully curated and balanced rosters of talent in clubs and festivals—to keep the origins of electronic music alive. In comes Brooklyn’s dweller festival, founded in 2019 by Discwoman's Frankie Decaiza Hutchinson, which aims to highlight exclusively Black talent from across the globe. This year’s edition featured a live RA Exchange with Nigerian-British selector OK Williams, who spoke to RA music critic Kiana Mickles about some of the deep-rooted inequities that continue to bar Black artists from contributing to the contemporary dance music landscape. They also discuss Williams’ ascent on the global stage—beginning from her Early Bird residency at NTS and full-fledged touring career post-pandemic—and her first forays into production. This is a lively discussion that includes questions from the audience. Listen to the episode in full.

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