First off, we’re plugging.

The second No Tags book is here – and it looks great. ‘Conversations on underground music culture, Volume 2’ compiles the best interviews and conversations we’ve had on the second year of No Tags, plus five exclusive pieces with Emma Garland, Shaad D’Souza, Mattie Colquhoun, Nono Gigsta and Yu Su. You can order it here, and it will ship from the 10th December.

Speaking of plugging, No Tags live at the ICA on 11th December is almost sold out! There are around 25 tickets left. As well as live conversations with Djrum and Anjali Prashar-Savoie and a DJ set from Finn, we’ll have copies of the book on sale – plus some predictably stupid stickers. Keep honking!

From plugging to yapping, there’s a pod this week. We compile some of our listeners’ best war stories from Bloc 2012 (who’d have thought so many future Taganistas were in attendance?), before getting into some big questions: is it too far for artists to market themselves via Black Friday sales? And has graffiti run its course?

We also dig into the strange story of ‘I Run’, the dance mega-hit of the moment that has been accused of using AI to plagiarise Jorja Smith. Depending on what happens now, this could represent a line-in-the-sand moment for AI and copyright, so we get into the background of the track, where the case currently stands and what might happen from here.

Also: what are your top five dancefloor bangers of the 21st century? Chal submitted hers to this rundown for The Quietus, but we’d like to know what our listeners would pick. Tell us in the comments!

…And we’re back!

Yes, first episode of No Tags for a few weeks, and while we do appreciate the concern, it’s just the two of us running this show, we both have jobs that we do it around, and sometimes we get really busy. Also Tom was in Asia for three weeks and most importantly, we were making a book.

That’s right: the second No Tags book is here! Titled ‘Conversations on underground music culture, Volume 2’, it’s essentially a sequel to our first book: a compendium of the best interviews and conversations we’ve had on the second year of No Tags, with five exclusive pieces to boot. You can order it now over on our Shopify store!

We’ll be launching the book on 11th December at the ICA, where we’ll be joined by Djrum, Anjali Prashar-Savoie and Finn. We’re down to the last 50 tickets for the show, and we’ll have the new book on sale on the night plus some other treats. We’re excited to see you there – get your tickets from the ICA website.

Finally, there’s a pod this week!

We’ve spent the last month sucking up culture like the sponges we are – and we’re not just talking about Tom’s late night ramen adventures in Tokyo. We debrief recent trips to Bang Face Weekender and Simple Things, as well as live shows from Smerz and Model/Actriz. We also share our memories (not to mention some potentially spurious speculation) about the great Bloc Weekend debacle of 2012. If you know you know.

It’s a loose episode that’s heavy on the yapping, but hey – we were making a book! It’s good to be back. See you at the ICA.

First, news: our new book is almost at the printers ahead of launching it at the No Tags live show in London on 11th December! We’ll be announcing our guests very soon, and you can grab tickets now from the ICA website.

This week’s guest is a revered member of the UK blognoscenti: Dan Hancox. Dan has written extensively on grime (including its definitive history, Inner City Pressure), crowds, the politics of public space and his beloved Spain, while interviewing icons from Skepta to Wiley to Barcelona’s socialist mayor. He’s also the co-host of the Cursed Objects podcast, where he and Dr Kasia Tee try to make sense of this mad world through tat such as Jamie Oliver’s mix CD.

In September, Dan broke the internet by sharing the transcript of his 2007 interview with Burial on his Substack. With that excitement, plus the paperback publication of his book Multitudes: How Crowds Made the Modern World, we realised it was time to get Dan pon pod.

Join us in the smoking area as we discuss: releasing the Burial tapes; Dizzee and Wiley’s on-stage reunion; the power of crowds and why the state is so scared of them; the future of Notting Hill Carnival; what Dan makes of DJ AG’s livestream empire; the return of sodcasting; Van Gogh bucket hats and other cursed objects; and his favourite films.

First, a plug: tickets are now on general sale for No Tags live at the ICA in London on 11th December! There will be special guests, and there will be a new book for sale: Vol 2 is in production now.

On this week’s episode we drive headfirst – Modelos in hand – into the discourse around One Battle After Another, the designated cinema event of the year. Is it PTA’s masterpiece, or has he bitten off more than he can chew?

OBAA’s ubiquity got us thinking: what was the last album that felt like a monocultural event? Do albums have the power to do this anymore, or were the early 2010s our last hurrah?

Finally we debrief on the news that Corsica Studios – the club that Chal and Tom have spent more time in than any other – is closing. We share some Corsica memories but also wonder: should great clubs stay open forever?

If you’re a longtime enjoyer No Tags, perhaps you'd consider subscribing to our paid tier for £5 per month. Thanks to everyone who’s signed up so far.

Lots to cover today, but first off: we’re going live again!

We’ll be bringing No Tags live to the ICA in London – yep, that one – on the evening of 11th December. If you are based enough to subscribe to our paid tier, then you now have early access to discounted tickets via the link in this email’s header (and in the paywalled section at the bottom of the email). These early access tickets will be available for seven days before the show goes on general sale on 8th October.

If you don’t subscribe to our paid tier but are considering making the leap, then you’re in luck: the discount will also be available to new subscribers who sign up in the next seven days – once you subscribe, you’ll receive an email with the link.

More details for both the show and the book are imminent, but for the former: there will be guests! There will be DJs! There will be books on sale! And there may be merch!

OK, on to this week’s show. With the second leg of the Oasis reunion cashgrab safely behind us, it felt like the right time to tackle something we’ve noticed building all year long – a massive surge of flag-waving, football shirts and indie tribalism across pop and political culture.

Is the “Britcore” trend anything more than warmed-over nostalgia for the ‘90s? When and where is it safe to wave an England flag? How did the Ireland flag become a rallying point for right-on indie tribes and politicised youth? Why do we show support for Palestine through football shirts?

And a bonus Blobby mention, as is customary.

We all know that hardcore will never die – but do we really know what hardcore is? As a music journalist for 15 years and raver for much longer, Holly Dicker is no stranger to documenting dance music’s heaviest, gnarliest and speediest niches – but in Dance or Die: A History of Hardcore, she attempts to finally answer that big question.

From the pioneering hardware assault developed in Frankfurt and Berlin, to London’s grubbiest squat raves, Dutch intercity gabber rivalries and Scotland’s ‘tartan techno’ explosion, Dance or Die is a historical map of hardcore in its many forms.

Holly dials in from – where else? – Rotterdam to talk us through the crucial rave tales collected in her book, as well as revealing her personal history with hardcore and offering her thoughts on where the scene went wrong post-Covid.

Feeling like a hardcore Taganista? Help the pod by giving us a (good!) rating on your podcast app of choice, leaving a review over at Apple Podcasts, or liking this post on Substack. You can also subscribe to our paid tier for £5 per month and become a member of our own NT Hard Crew. Thanks to this month’s new subscribers!

We all know what happened to the sorcerer’s apprentice, right?

Mickey Mouse got hold of a spell book before he was smart enough to use it, conjured a broom that just wouldn’t quit, and nearly got sucked into a whirlpool. Yet, tragically, no one can remember what the moral of this story was supposed to be!

This week we batten down the hatches in preparation for the #slopwave – at least, that was the plan a couple of months ago when we first started worrying about the volume of mass-produced AI gibberish coming down the pipes. Now it kinda feels too late? Like microplastics in the brain, we’re already compromised.

Still, we start by tackling the current wave of AI slop infiltrating country music, the lo-fi beat scene, City Pop and faux-vintage soul before turning to deeper conundrums about AI-generated art. Could an AI music app like Suno ever produce a hit? Is Suno really so much worse than using a loop library like Splice? And will AI ever create anything as meaningful as Mr Blobby? These questions and more on a slopulent edition of No Tags.

We’re not pretending to be experts here – just listen to that new No Tags theme song for proof! – so we’d love to hear from people who either work in AI or operate in a field that’s started to feel the slop. If that’s you, drop us an email or a comment.

And they said music journalism was dead. It’s list time, losers!

When it comes to round-up episodes we like to draft in No Tags’ very own fifth Beatle, Henry Bruce-Jones. Minimal intro required here: we discuss our favourite music of 2025 so far, from the new wave of weird UK rappers to the changing faces of mainstream pop – plus rap oldheads, surveillance electro, minimal techno reboots and more. We didn’t include any of the records already discussed on the pod this year – including aya’s hexed and FKA twigs’ Eusexua – but they’re all still in the running for AOTY, of course.

Below is a time-stamped rundown of everything we discussed, so feel free to skip ahead if certain corners aren’t your bag.

We like to see No Tags as a conversation between us and you, so let us know your own most loved (and most hated) releases and trends of the year in the comments below, or maybe drop us a reply on Insta or send an email?

If you like what we’re doing on No Tags (over 50 episodes deep now!), a really helpful way to support is by leaving us a rating on your podcast app of choice, or leaving us a review over at Apple Podcasts. You can also like or share this post on Substack, which makes a big difference – and if you really love the pod, you can subscribe to our paid tier for £5 per month. Thanks to this month’s new subscribers!

Running order

Pop Corner (07:40)

Rap Corner (38:25)

The UK ‘Underground’ (1:05:22)

Dance Music Corner (1:27:04)

Percies (1:41:42)

Who’s on your Mount Rushmore of pop?

That’s the question of the week. After welcoming Jeff Weiss back to London for a live show about his tremendous novel-slash-memoir, Waiting For Britney Spears, we got to thinking about our own pop album percies. 2007’s Blackout is certainly up there – ‘a lost weekend of one-more-gram indulgence’ that ‘embodied the hedonistic sleaze of the late Bush years,’ as Jeff sums it up in the book.

Waiting For Britney… is a celebrity biography like no other – a gonzo account of Jeff’s time as a rookie in the world of Hollywood gossip rags, back when celebrities still had mystique and Brit still had a full head of hair. There is scandal and there are laughs, but never at the expense of its stricken central character. The words ‘leave Britney alone!’ never sounded more reasonable.

At the end of June, Jeff blessed us with his presence at Young Space in East London, where we talked to him about paparazzi, poptimism, fedoras, K-Fed, and the chaotic energy of LA in the early 2000s, the era that feminism forgot. Plus, a working theory: why Britney, Kanye and Trump are the quintessential 21st century Americans.

If you like what we’re doing on No Tags, please forward this email to someone else who’d like it, subscribe on your podcast app of choice – or better yet, leave us a nice review. And if you’re really into what we’re doing, please consider subscribing to our paid tier for £5 per month.

It’s Glastonbury weekend, and we’re back with the Big Questions.

Not a sentence we expected to be saying on No Tags, but we kick off by talking about Will Smith – specifically his recent appearance with London streamer du jour DJ AG. The Fresh Prince is in the middle of a generationally cringe promo run and we’ve been wanting to discuss AG’s streams for a while now, so these two forces colliding over a dubstep remix of the Men in Black theme felt like the perfect opportunity.

If you’re looking for something more high-brow, well, you still have to get through Tom’s full review of the Cooper’s Hill Cheese Roll – aka Final Destination: Cotswolds. Once we’re through that, it’s onto higher ground, debriefing recent experiences at Polyphonic Eating with Yu Su, Warp Records’ ‘happening’ at The Barbican and a No Tags night out at Corsica for Hodge and Peverelist. Music writers who still go to clubs? Perish the thought!

We always say it, but if you like what we’re doing on No Tags, please do rate and subscribe on your podcast app of choice – or better yet, leave us a review. This stuff really does help. And if you’re really into what we’re doing, please consider subscribing to our paid tier for £5 per month.