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A Los Angeles native, Anna May Wong began acting in silent films when she was a teenager, but she didn’t reach mainstream notoriety until her role in the film “Daughter Of The Dragon” where she played the daughter of Warner Oland’s Fu Manchu. Wong went on to star in numerous films becoming the first Chinese American movie star. Yet, despite her success, Wong faced much criticism. Although she was often celebrated for her part in furthering Asian representation, she was equally condemned for furthering harmful Asian stereotypes in her roles. Today on FilmWeek, Larry speaks with Yunte Huang, professor of English at the University of California, Santa Barbara, Guggenheim Fellow, and author of the new book “Daughter of the Dragon: Anna May Wong’s Rendezvous with American History.” Huang shares the long journey Wong took to become a prominent actress in the United States and the barriers she faced in both her career and personal life working under a Hays Code Hollywood.
Larry Mantle and LAist film critics Peter Rainer, Manuel Betancourt and Charles Solomon review this weekend’s new movie releases in theaters, streaming, and on demand platforms.
Alzheimer’s disease is the most common type of dementia, affecting millions across the world. In the new documentary “The Eternal Memory,” director Maite Alberdi explores the disease intimately, following former Chilean journalist Augusto Góngora and his wife, Paulina Urrutia, as they navigate their 25 plus year relationship alongside Góngora’s deteriorating memory. “The Eternal Memory” is the follow up to Alberdi’s Academy Award nominated documentary “The Mole Agent.” Her new film won the Grand Jury Prize in the World Cinema Documentary Competition at Sundance. Today on FilmWeek, Larry speaks with Chilean film producer, director, documentarian, screenwriter, and film critic, Maite Alberdi, about her new film “The Eternal Memory” and the process of capturing the intimate moments of Góngora’s Alzheimer’s and Góngora and Urruria’s relationship.
Austin Cross and LAist film critics Wade Major and Christy Lemire review this weekend’s new movie releases in theaters, streaming, and on demand platforms. They also take the time to remember director William Friedkin, who passed away this week at the age of 87.
Christopher Nolan’s three-hour epic about the United States atomic bomb program features a huge cast of notable Hollywood character actors playing real larger-than-life figures. No one knows the value of a strong actor with a familiar face better than the man tasked with matching the actor to the role, casting director John Papsidera.
A veteran at the job, Papsidera has filled out the room of programs like “Yellowstone” and “The Offer” (about the making of “The Godfather”), as well as a frequent collaborator of “Oppenheimer” director Christopher Nolan. With all those characters how do you even begin to start casting? According to Papsidera, “You start with the big pieces – the tentpole characters – and then build around them”. Today on FilmWeek, John speaks with Austin Cross about what it took to reanimate characters from the past with modern Hollywood actors.
Austin Cross and LAist film critics Claudia Puig and Tim Cogshell review this weekend’s new movie releases in theaters, streaming, and on demand platforms. They also revisit the box-office hit "Barbie" as it goes into its second weekend in theaters still dominating ticket-sales.
Ghibli Fest 2023, a yearly re-screening of Studio Ghibli films, may have kicked off back in March but it’s upcoming re-release has historical significance. That being the 1997 film “Princess Mononoke,” a film that was renowned filmmaker Hayao Miyazaki’s first, global box office hit, making close $200 million. It’s domestic and global success at the time was unmatched… up until the 2001 film “Spirited Away.”
Fans revisiting these features comes at a time where Miyazaki reaches the next chapter in his storytelling, with his final film “The Boy and the Heron” having released in Japan in July. No official release date globally has been announced, but North America will be blessed with a screening as the Toronto International Film Festival opens its festivities with Miyazaki’s last film as a director.
Today on AirTalk, we talk about Studio Ghibli’s growth in the global box office, Hayao Miyazaki’s role in that, and the legendary filmmaker’s legacy. Joining guest host Austin Cross is LAist & Animation Scoop film critic Charles Solomon, and Steve Alpert, former overseas promotion manager for Studio Ghibli.
It’s been called the scariest movie of all time and it just turned 50 years old. William Friedkin’s “The Exorcist” came out in 1973 and has since inspired sequels, prequels, and TV series. In his latest book “The Exorcist Legacy: 50 Years of Fear,” writer and film historian Nat Segaloff brings his insights to a film that has embedded itself in our collective psyche and its place in the zeitgeist. Nat joins Larry on FilmWeek to talk about the history of “The Exorcist” and why it has had such staying power in horror and film culture.
Larry Mantle and LAist film critics Lael Loewenstein, Manuel Betancourt and Charles Solomon review this weekend’s new movie releases in theaters, streaming, and on demand platforms. They also revisit the box-office hit "Barbie" as it goes into its second weekend in theaters still dominating ticket-sales.
Larry Mantle and LAist film critics Peter Rainer and Andy Klein review this weekend’s new movie releases in theaters, streaming, and on demand platforms.
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