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Fiona Apple’s Fetch the Bolt Cutters isn’t just the best album of 2020, it’s the sort of masterpiece that defines an entire era. On this episode, Pitchfork Editor Puja Patel is joined by Contributing Editor Jenn Pelly, who wrote Pitchfork’s 10 Fetch the Bolt Cutters review and spent the year in communication with Apple for a series of follow-up pieces, and Features Editor Ryan Dombal, who wrote Pitchfork’s previous 10 review a decade ago—for Kanye West’s My Beautiful Dark Twisted Fantasy—and worked closely with Pelly on her Apple coverage. The three discuss the brilliance of Fetch the Bolt Cutters, and Apple’s unorthodox approach to making it; as well as the process of deciding that an album should receive a perfect score, and what a 10 really means.
By Pitchfork3
815815 ratings
Fiona Apple’s Fetch the Bolt Cutters isn’t just the best album of 2020, it’s the sort of masterpiece that defines an entire era. On this episode, Pitchfork Editor Puja Patel is joined by Contributing Editor Jenn Pelly, who wrote Pitchfork’s 10 Fetch the Bolt Cutters review and spent the year in communication with Apple for a series of follow-up pieces, and Features Editor Ryan Dombal, who wrote Pitchfork’s previous 10 review a decade ago—for Kanye West’s My Beautiful Dark Twisted Fantasy—and worked closely with Pelly on her Apple coverage. The three discuss the brilliance of Fetch the Bolt Cutters, and Apple’s unorthodox approach to making it; as well as the process of deciding that an album should receive a perfect score, and what a 10 really means.

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