Fleur Barron is a very interesting singer, and an exceptionally versatile one. This summer, she is making her debut at the Salzburg Festival, where I sat down and talked with her. She is singing Mahler—a composer she has been singing a lot lately.

Where is she from? Well, her bio tells us this: “Born in Northern Ireland to a Singaporean mother and British father, Ms. Barron grew up in Hong Kong and later New York.” Her father was Brian Barron, a war correspondent for the BBC.

Fleur went to Columbia University, where she majored in comp lit. Her studies in college were broad. (She was versatile even then.) In her freshman year, she was thinking of a double major in math and medieval studies. (That is a mighty combo, in my book.)

Go back a little. When Fleur was a schoolgirl, she was cast in Aladdin—as Aladdin. She wanted to be Jasmine, as any girl would. But they cast her as Aladdin, owing to her relatively low voice. (Ms. Barron is a mezzo-soprano.)

My observation: Shouldn’t Fleur Barron get the title role, whatever it is?

In our podcast, I ask her about her life and career, and about music and the music industry. What is the future of classical music? That is a standard question, but not a bad one. In all of these matters, Fleur is wonderfully articulate, and you will enjoy spending time with her.

A very impressive young woman, and “a real individual,” too. (That was one of my grandmother’s highest terms of praise: “a real individual,” someone who doesn’t come out of a cookie cutter.)

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