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The French prime minister, François Bayrou, is expected to be ousted in a confidence vote on Monday afternoon - which could lead to the collapse of his government. The Eurozones' second biggest economy is mired in debt - 114% of its annual economic output - and the prime minister has introduced an austerity budget, aimed to slash government spending by €44bn. But he does not have the votes to get it through.
In Germany - the Munich car show is usually a glitzy and glamorous display of the latest models by an industry that thrives on style and tech. But it’s a more subdued affair this year as European carmakers face a series of problems: sinking sales in China and tariffs on sales in the US.
AI has been used in many aspects of film-making and now the company OpenAI is putting its muscle behind a full-length animated movie, Critterz, which could be screened at the Cannes Film Festival next year. Roger Hearing speaks to Dr Dominic Lees, lead writer on AI for the BFI’s Sight & Sound magazine - and Associate Professor of Filmmaking at the University of Reading, about what this means for the creative side and business of filmmaking.
By BBC World Service4.3
251251 ratings
The French prime minister, François Bayrou, is expected to be ousted in a confidence vote on Monday afternoon - which could lead to the collapse of his government. The Eurozones' second biggest economy is mired in debt - 114% of its annual economic output - and the prime minister has introduced an austerity budget, aimed to slash government spending by €44bn. But he does not have the votes to get it through.
In Germany - the Munich car show is usually a glitzy and glamorous display of the latest models by an industry that thrives on style and tech. But it’s a more subdued affair this year as European carmakers face a series of problems: sinking sales in China and tariffs on sales in the US.
AI has been used in many aspects of film-making and now the company OpenAI is putting its muscle behind a full-length animated movie, Critterz, which could be screened at the Cannes Film Festival next year. Roger Hearing speaks to Dr Dominic Lees, lead writer on AI for the BFI’s Sight & Sound magazine - and Associate Professor of Filmmaking at the University of Reading, about what this means for the creative side and business of filmmaking.

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