Glenn Barkley is a busy man! He has written a brilliant book on Ceramics, 'Ceramics: An Atlas of Forms', (published by Thames and Hudson), a global cultural study of the history of ceramics, sharing the stories of over 100 objects, honouring the artists who have left their mark on this timeless practice. This coincides with the curation of an upcoming show at the AGNSW, brick vase clay cup jug, a look at the Gallery’s collection - July 1 2023 - Jan 2024. 

'Barkley was previously senior curator at the Museum of Contemporary Art Australia (2008–14) and curator of the University of Wollongong Art Collection (1996–2007). He was a finalist in the 2017 Sidney Myer Ceramics Award and is held in numerous collections both nationally and internationally, including the Art Gallery of South Australia, Adelaide, National Gallery of Australia, Canberra, Shepparton Art Museum and Artbank, Sydney.' He is represented by Sullivan and Strumpf. 

Congratulations Glenn, so great to meet you and find out all about you and your work. Cant wait to read your new book....

Episode 153 - Glenn Barkley, artist, writer, curator...

Come along for the ride with two comical, curious artists Fiona Verity and Julie Nicholson as they talk about their creative journey. Hear them interviewing artists, curators, gallery owners, teachers and creatives to guide them, and the listeners, within the arts community. Enjoy the banter whilst they navigate through all the Art W**k.

Arts

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Education

Training

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Higher Education

K-12

Educational Technology

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Management & Marketing

Business News

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Self-Improvement

Many thanks to Jasmine for chatting to us on zoom - great to talk about your art practise. 

Jasmine is a professional practicing artist whose work is best described as the meeting of exploration and refinement. Jasmine has taken her art to a number of mediums – sculpture, large-scale public works and intimate paintings for private collection. She is not afraid to venture outside an established comfort zone. Whatever her choice of art form, Mansbridge brings a refined and meticulous hand to the work; her deliberation and contemplation are evident at all times.  The work provokes thought and wonder and gives the viewer the chance to apply their personal storytelling, as they unpack the geometry and portals of Mansbridge’s imagined world. You can find out more about Jasmine on her website or social media https://www.jasminemansbridge.com
https://www.instagram.com/jasmine_mansbridge/

Jasmine will be showing at Michael Reid Gallery on 4th May 2024




Episode 184 - Jasmine Mansbridge

Jesse - The Empowered muse, life modelling for individual wellness and social sustainability. 

We've been eager to chat with a life model for some time, and luckily Jesse posed for Julie's Art class in Avalon. She's skilled and knowledgeable, exceeding our expectations. Initially anticipating a conversation about modeling experiences and anecdotes, we were pleasantly surprised. Jesse shared her reasons for life modeling, driven by a need to confront her fears. This journey led to enhanced self-awareness and body positivity, influenced by the artists' portrayals of her beauty. After mastering modeling, Jesse traveled across Australia last year, organising life modeling classes in rural towns. Her goal was to break barriers and demonstrate the benefits for both individuals and communities. It was an extraordinary conversation, and we're grateful to Jesse for her openness. Her story has reshaped our perspective on life modeling, offering a beautiful insight into her journey.

Episode 183 - Jesse The Empowered Life Model

Natalie O'Connor and Jo Mellor are currently showing at Woollahra Gallery at Redleaf so you can go check out their work right now! 

Natalie O'Connor  is an artist recently awarded her PHD at UNSW for her thesis, 'The Nature of Redness', which is also the title of Natalie's exhibition at Woollahra. 

 Natalie O’Connor is an artist, researcher, public programs & education coordinator at Hazelhurst Arts Centre. Her experience in the international colour manufacturing industry has heavily influenced her practice. She holds a Bachelor of Education and Master's degree. Most recently, she was awarded a PhD at UNSW for her thesis, The Nature of Redness- A Practice-Based Research into Red Pigments to Offer a New Understanding of Material Colour. Her practice and thesis are concerned with the permanency and fragility of colour and the technical innovations of the artist’s palette that result from a collaborative dialogue between artists and scientists since the early nineteenth century. She engages deeply with the colour red, investigating its materiality and revealing its inherent qualities of colour.  By understanding and experiencing the delicacies of each red pigment, scientists explore the potential for colour-making in the future. This allows the new potential for contemporary artists to make informed choices with their palettes to interpret the world around them.   
Jo Mellor is also a graduate of UNSW recently a masters in Fine Arts research
 
'Jo Mellor is a recent graduate of UNSW Art & Design's MFA program. Her MFA project was guided by Aboriginal knowledge provided by Ngiyampaa Elder Aunty Beryl Carmichael. The project applied the methodologies of yarning and deep listening to an expanded textile practice as well as consultation and collaboration with the Menindee Ngiyampaa and Barkandji community. Emerging from this research, Jo's current exhibition, Cobalt and Rust (Woollahra Gallery at Redleaf, 20 March - 14 April 2024) is a critical examination of the ecological crises affecting Broken Hill (Wilyakali Country). Through a textile-based, eco-feminist practice, the exhibition lays bare the devastating consequences of land and water mismanagement by government bodies and corporations who fail to consult with the Traditional Custodians of Country. The textile series in the exhibition presents dense clusters of embroidery that suggest textures of scarred earth, whilst hues of cobalt and rust echo chemical discord. -

Jo's exhibition at Woollahra is called, 'Cobalt and Rust'. 

Their shows are on until 14th April.

Thanks for talking to us!

Episode 182 - Natalie O'Connor and Jo Mellor

Many thanks Evie for your time and sharing your stories and experiences about your life and artwork. Evie is inspired by her environment. 

To find out more about Evie and her artwork you can see on her instagram. 

https://www.instagram.com/evie.adasal/?hl=en

To see the artwork of Evie's from Paddington Art Prize 2023 

https://www.artgalleria.com/folio?p=cb840d31-507c-457c-9439-0d7fe04a31bd

Episode 181 - Evie Adasal

We had the great pleasure of interviewing artist @elle_beaumont_ at @michaelreid.northernbeaches last weekend just before the opening of the group show, ‘Country’, as featured in this month’s @countrystylemag. Elle also has a solo show in October at @michaelreid.southernhighlands so keep an eye out for that. 

‘Elizabeth Beaumont (b. 1989) is an emerging artist living on the remnant bushland of the Ngambri/Ngunnawal people in the Southern Tablelands, NSW. Elizabeth grew up in the Southern Highlands, NSW. 
Elizabeth is self-taught, with a background in criminal law and psychology. Elizabeth has always painted, but has dedicated time to her practice since 2017. Elizabeth’s paintings are predominately abstracted landscapes and expressions of the bush, with recurring interrogation of the ecology of the southern tablelands, wallum heathland, the central Australian desert, and Southwest Tasmania.  ​​
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Thanks so much for talking to us, Elle, good luck for the future and happy painting! 



Episode 180 - Elle Beaumont

Art Wank

Episode 153 - Glenn Barkley, artist, writer, curator...

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