This episode is an extract from Last year’s Wakelin award winner Clare Woods, who was recorded in September 2014 in conversation with Amanda Farr, director of Oriel Davies and selector of the award.

In Association with Swansea Remembers, Art historian and artist Barry Plummer, discussed the life of Augustus John, as part of a series of talks that looked at artists from the Glynn Vivian collection, and the complex relationship with War.

Recorded in July 2014.

In Association with Swansea Remembers, Art historian and artist Barry Plummer, discussed the life of Augustus John, as part of a series of talks that looked at artists from the Glynn Vivian collection, and the complex relationship with War.

Recorded in July 2014.

Writer Rachel Trezise discusses Cosmic Latte, her current collection of short fiction stories. Rachel won the Dylan Thomas Prize in 2006 and her first full length play, Tonypandemonium, was staged by National Theatre Wales in autumn 2013 and won ‘Best Production in the English Language’ at the Theatre Critics of Wales Awards in early 2014.

Writer Rachel Trezise discusses Cosmic Latte, her current collection of short fiction stories. Rachel won the Dylan Thomas Prize in 2006 and her first full length play, Tonypandemonium, was staged by National Theatre Wales in autumn 2013 and won ‘Best Production in the English Language’ at the Theatre Critics of Wales Awards in early 2014.

Dr Ceri Thomas presents the concluding part in a trilogy of talks spanning one hundred years in the history of visual culture in South Wales from 1910. Part Three was recorded in April 2014.

Dr Ceri Thomas presents the concluding part in a trilogy of talks spanning one hundred years in the history of visual culture in South Wales from 1910. Part Three was recorded in April 2014.

Swiss painter Andreas Rüthi, gave a talk about his work and the European tradition of still life painting in relation to modernism and more recent critical writing on still life, recorded in May 2014.

Swiss painter Andreas Rüthi, gave a talk about his work and the European tradition of still life painting in relation to modernism and more recent critical writing on still life, recorded in May 2014.

Dr Ceri Thomas presents the second in a trilogy of talks spanning one hundred years in the history of visual culture in South Wales from 1910. Part Two was recorded in March 2014.