The Shit No One Tells You About Writing

Granting Yourself Permission to Tell a Story - Kerri Maher


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In today's Books with Hooks, Carly and CeCe are kicking it back to the old format in which they look at the same three queries together. They discuss how important it is to show that there's enough plot and escalation to merit a whole novel when writing a query; the pitfall of using the term "crossover"; being mindful of when your book is coming off as quiet or too interior to the protagonist; avoiding a recap beginning, where you give too much background info, like a recap on a show; looking out for redundancies during the polishing phase; the difference between telling the reader something versus making the reader FEEL something; and how it isn't enough to just paint a picture - the picture needs to feel real.

After which Bianca chats with Kerri Maher, author of The Paris Bookseller, about fictionalizing real people (including the potential pitfalls and how to do it in a meaningful way); the social contract involved in writing/reading historical fiction; how to quiet the doubtful voice when writing, granting yourself permission to write a particular story; and how to frame novels that span a significant period of time.

Find us on our socials: 
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra 
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Kerri Maher on Instagram: @kerrimaherwriter and on Twitter: @kerrimaherbooks



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The Shit No One Tells You About WritingBy Bianca Marais, Carly Watters and CeCe Lyra

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