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"Take the Woods Ballistic! Black Belt Nightlife" disrupts the sleepy picture of rural life by taking you into its nightlife. In Alabama’s Black Belt, the night scene has a beat all its own, rooted in a sense of deep community. We dive into bootlegging, clubbing, and a legendary Black Belt festival: the Footwash in Uniontown. Catherine Shelton of the Coleman Center for the Arts in York and Bosephus Gary of Bo’s Fashions in Uniontown take us into the mix, revealing how Black Belt residents balance a hard work week and an ongoing fight for environmental justice with nights of leisure and release.
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Alabama’s Black Belt has always been a place of migration: the site of both forced and elective movement. Today, our reasons for leaving and coming home are still shaped by the desire for better lives and livelihoods. In "Migration: Making Meals and Homes in Alabama," we meet three women whose very different paths all led to a home in the Black Belt: Maria escaped violence in Mexico; Margaret fled religious persecution in Egypt; and Sarah came home to do some good, opening Abadir’s Light Fare and Pastry in Greensboro. Their stories remind us that the Alabama Black Belt is and always has been home to all kinds of people and all kinds of passage.
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For generations, rural families in the Alabama Black Belt grew and hunted what they needed to sustain themselves. Wild game was a major and critical part of the diet. Today, hunting is still a popular Black Belt pursuit, but it’s less about sustenance and more about camaraderie, challenge, and immersion in nature. We meet Jerry Dawson, a coon hunter in Sumter County, who illuminates the world of coon dogs, and Nikki Baker, a dove hunter in Marengo County, who loves to beat all the men on the field (and often does) to the 15 bird limit.
This batch of Gravy is reported and produced by Jackie Clay, Executive Director at the Coleman Center for the Arts in rural Sumter County, Alabama; Matt Whitson; an award-winning production audio mixer and video editor at Alabama Public Television in Birmingham, Alabama; and Emily Blejwas, Executive Director of the Alabama Folklife Association and author of The Story of Alabama in Fourteen Foods (UA Press).
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As "Cooking Up a Living in Alabama" reveals, culinary entrepreneurship, whether running barbecue stands, holding neighborhood fish fries, or selling sweets around town, has long enabled African Americans to earn income, stick together as a family, and express creativity. Georgia Gilmore of Montgomery is the quintessential model in Alabama.
In this episode of Gravy, we visit Thomas and Tommie Taylor of T-N-T BBQ in York and Martha Hawkins of Martha’s Place in Montgomery for a modern look at Black entrepreneurship in the Alabama Black Belt. We get a rural and an urban view of how Black entrepreneurs use innovation and hard work to generate real community impact.
This batch of Gravy is reported and produced by Jackie Clay, Executive Director at the Coleman Center for the Arts in rural Sumter County, Alabama; Matt Whitson; an award-winning production audio mixer and video editor at Alabama Public Television in Birmingham, Alabama; and Emily Blejwas, Executive Director of the Alabama Folklife Association and author of The Story of Alabama in Fourteen Foods (UA Press).
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Alabama’s Black Belt stretches in a strip 25 miles wide across the center of the state. Named for the rich soil that enabled cotton to flourish, the Black Belt was once Alabama’s most prosperous and politically powerful region. It held most of the state's enslaved people, and African Americans still comprise the majority of the Black Belt population today.
"New Stewards on Old Homesteads in Alabama" provides a contemporary look at Black Belt land and its stewards: the most recent chapter in a long history of transformation. Younger generations are now returning to family land in the Black Belt, often to find it reclaimed by wilderness. We learn how they strive to make a living from the land and the challenges faced in a rural food system. We consider opposing notions of agricultural life: one that inflicts trauma, and one that heals from it. Andrew Williams of the Deep South Food Alliance in Linden and Yawah Awolowo of Mahala Farms in Cuba are our guides.
This batch of Gravy is reported and produced by Jackie Clay, Executive Director at the Coleman Center for the Arts in rural Sumter County, AL; Matt Whitson, production audio mixer and video editor at Alabama Public Television in Birmingham, AL; and Emily Blejwas, Executive Director of the Alabama Folklife Association. The Southern Foodways Alliance is the organization behind the podcast.
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"Pesach in Blacksburg," by Erika Meitner. Featured in Vinegar & Char: Verse from the Southern Foodways Alliance. University of Georgia Press, 2018.
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"Grace," by Jake Adam York. Featured in Vinegar & Char: Verse from the Southern Foodways Alliance. University of Georgia Press, 2018.
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You’d be hard-pressed to find a major city in the United States that doesn’t have Indian food. Despite some of the nation’s limited ideas about what American food is, Indian favorites like chicken tikka masala, biryani, and samosas have become nationally recognized, and are often the dinner or lunch of choice for millions of Americans. But, what about the dessert? In this episode of Gravy, Kayla Stewart travels in search of the mithai—or sweet—life of North Carolina’s Indian American community, all through the lens of Indian desserts.
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The Cuban sandwich. If it’s made with ingredients someone else doesn’t like, you might find yourself in an hours-long argument in the middle of Little Havana. In Miami and Tampa, Florida, restaurant owners, historians, and Cuban Americans recount their own memories of the Cuban sandwich, as well as the story of its origins. In this episode of Gravy, reporter Kayla Stewart explores the sandwich’s long-standing origin story, new research about the Cuban sandwich, and how the South influenced the sandwich’s popularity and the current identity of Floridian Cuban Americans.
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Arab American and Middle Eastern immigrants have had a unique experience in the U.S. With a history that dates back more than 100 years, Arab Americans of every generation have brought their food and history with them, and have often used restaurants as a center of culture and a way to create their own American and Arab story. In Arkansas, one popular restaurant owner has married his love of his hometown Damascus, Syria, and his love of his present home of Little Rock. The result is delicious in taste, rich in history, and demonstrative of Arab American ingenuity that’s existed for generations.
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