In March 1778, while he was camped at Valley Forge, Commander in Chief George Washington sent a lock of his hair to the daughter of the New Jersey Governor. It wasn’t a romantic gift; rather, Washington was responding to a common request made to celebrities of his time, similar to the autographed photo one might request today. Because hair is so long-lasting, people of the 18th and 19th centuries often collected, wore, and displayed the hair of their loved ones and the notable people they met or were inspired by. Even in the 20th century, when Jackie Kennedy took her last look at JFK’s body before the funeral, she cut a lock of his hair to keep. In this episode I look at the practices around collecting hair and making hair artwork; I’m joined by Ted Pappas, author of Combing Through the White House: Hair and Its Shocking Impact on the Politics, Private Lives, and Legacies of the Presidents.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “I dream of Jeanie with the light brown hair,” composed by Stephen Collins Foster, and sung by Lambert Murphy, accompanied by an orchestra conducted by Rosario Bourdon on June 29,1922, in Camden, New Jersey; the recording is in the public domain and is available via the Library of Congress National Jukebox. The episode image is “Child named Carl who became a soldier; with handwritten note and lock of hair in case,” United States, ca. 1856; the photograph is available via the Library of Congress, and there are no known restrictions on publication.

Additional Sources:

• “Hair! At the Library? Yes, and Lots of It,” by Neely Tucker, Library of Congress Blog, August 11, 2022.
• “Beethoven may have had lead poisoning,” by Ari Daniel, NPR All Things Considered, May 18, 2024.
• “A lock of love,” by Vicky Iglikowski-Broad, UK National Archives, June 1, 2015.
• “The Real Rules of Courtship: Dating in the Regency Era,” by Dr. Sally Holloway, PBS Masterpiece.
• “George Washington to Kitty Livingston,” George Washington’s Mount Vernon.
• “Hair as Historic Artifact,” George Washington’s Mount Vernon.
• “These Strands of Lincoln’s Locks Could Sell for Thousands of Dollars. What’s Behind the Fascination With Presidential Hair?” by Olivia Waxman, Time Magazine, August 23, 2018.
• “Why Victorians Loved Hair Relics,” By: Matthew Wills, JSTOR Daily,  April 8, 2019.
• “Daniel Webster mourning brooch,” Massachusetts HIstorical Society.
• “Charles T. Menge's price list of ornamental hair jewelry and device work, nos. 32 and 34 John Street, New York,” Smithsonian Institution Library, 1873.
• “The Intricate Craft of Using Human Hair for Jewelry, Art, and Decoration,” by Anika Burgess, Atlas Obscura, January 12, 2018.
• “Homegrown Thread: The Art of Human Hairwork in the Gilded Age,” by Marsha Borden, Piecework Magazine, July 26, 2023.
• “The Curious Victorian Tradition of Making Art from Human Hair,” by Allison Meier, Artsy, February 13, 2018.
• “Hair Wreaths – Sentimental or Spooky?” Maine State Museum.
• “A Little Off the Top for History,” by Jerry Guo, The New York TImes, July 13, 2008.

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