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Havoc is the new film from Welsh writer-director Gareth Evans, and it does exactly what it says on the tin. Starring Tom Hardy as a jaded cop at the heart of a conspiracy in an unnamed, crime-ridden American city's underbelly, it packs some of the most frenetic action scenes of the year so far – but then again, what did you expect? Gareth is the filmmaker behind 2011's The Raid, 2014’s The Raid 2 and the TV show Gangs of London – each of which is renowned for its dizzying fight choreography.
In the spoiler conversation you’re about to hear, Gareth tells me about his love for characters who have something to atone for. We get into an early, more commercial draft of the film in which Walker wasn’t the estranged father he is in the finished film, and break down how he constructed the movie’s jaw-dropping club fight sequence. Plus, hear how his own experience of parenthood fed into the writing of Havoc. That last bit is surprisingly tender for a film in which a character gets harpooned in the head.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on [email protected].
Screenwriters – get comprehensive feedback on your latest script from Al Horner by visiting ScriptApart.com/coverage.
To get ad-free episodes and exclusive content, join us on Patreon.
Hosted on Acast. See acast.com/privacy for more information.
By Script Apart4.7
204204 ratings
Havoc is the new film from Welsh writer-director Gareth Evans, and it does exactly what it says on the tin. Starring Tom Hardy as a jaded cop at the heart of a conspiracy in an unnamed, crime-ridden American city's underbelly, it packs some of the most frenetic action scenes of the year so far – but then again, what did you expect? Gareth is the filmmaker behind 2011's The Raid, 2014’s The Raid 2 and the TV show Gangs of London – each of which is renowned for its dizzying fight choreography.
In the spoiler conversation you’re about to hear, Gareth tells me about his love for characters who have something to atone for. We get into an early, more commercial draft of the film in which Walker wasn’t the estranged father he is in the finished film, and break down how he constructed the movie’s jaw-dropping club fight sequence. Plus, hear how his own experience of parenthood fed into the writing of Havoc. That last bit is surprisingly tender for a film in which a character gets harpooned in the head.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on [email protected].
Screenwriters – get comprehensive feedback on your latest script from Al Horner by visiting ScriptApart.com/coverage.
To get ad-free episodes and exclusive content, join us on Patreon.
Hosted on Acast. See acast.com/privacy for more information.

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