This Special Edition podcast features long-time WFWA member Julie Carrick Dalton (The Forest Becomes Her, St. Martin's Press, July 2026) who has just published her third book with a Big Five publisher with another one due in 2028. Rather than focus on her publishing journey, we dive deep into the writing process itself, including finding your "why", emotional mining your own psyche for true emotional resonance, and how to turn a passion (in Julie's case, climate activism) into a framing network for your writing career. So much meaty discussion here, including why you might want your book to rate lower on GoodReads, exploring the different stages in women's lives, and the power of chiastic storytelling, a novel where the end circles back to the beginning.

Julie Carrick Dalton is the author of The Forest Becomes Her, The Last Beekeeper, and Waiting for the Night Song. Her work has won the New Hampshire Book Awards' People's Choice Award for Best Novel and been named a finalist for the Massachusetts Book Award, the Siskiyou Prize for New Environmental Literature, and others. Her novels have appeared on most-anticipated lists from CNN, Newsweek, USA Today, and Parade, among others. A former journalist, organic farmer, and beekeeper, she is a TEDx and keynote speaker who frequently speaks about fiction in the age of climate crisis at universities, museums, and conferences in the United States and abroad. She teaches in Drexel University's Creative Writing MFA program, is a 2026–27 Visiting Scholar of Note at the American Library of Paris, and is a frequent guest lecturer at Harvard.

To learn more about Julie, click here.

This week our guest is Lindsay Marie Morris (The Last Letter from Sicily, Storm Publishing, January 2025). We discuss how actually going to your book's location beats online research, the difference between writing as a journalist and as a novelist, and why it's good to have a second novel in your back pocket when you're querying your debut. We also explore content creation as a marketing approach (Lindsay published 300 articles related to her book in the months before publication) and how you also need a plan to maintain momentum after your debut's release.

Lindsay Marie Morris is a novelist and journalist in Los Angeles. Inspired by her Sicilian-American roots, her debut novel traces a World War II–era story of love, resilience, and family secrets that spans continents and generations. Her second novel, Beneath the Sicilian Stars, returns to this pivotal moment in history, following a family divided between California and Sicily whose lives are forever changed by the war, forcing them to confront questions of loyalty, belonging, and sacrifice. A graduate of Marquette University, Lindsay began her career in magazine publishing, serving as an editor at publications including Folio: and Shape, before expanding into digital media and nonprofit communications. She coaches writers, visits book clubs, and blogs about history, culture, and writing. She has presented lectures at the Osher Lifelong Learning Institute, libraries, bookstores, museums, and organizations throughout the US.

To learn more about Lindsay, click here.

Our podcast guest this week is N. J. Mastro (Solitary Walker: A Novel of Mary Wollstonecraft, Black Rose Writing, February 2025) Nancy's debut is an historical, biographical novel of the woman most people consider the first true feminist. We discuss how to deal with the news that two novels with the same general subject matter are being released right before yours, how she had to narrow her focus to Mary's last ten years, and how research is never over, even during revision. Finally, we talk about how and why Nancy changed her cover after publication and the WFWA groups which were instrumental to her writing success.

N.J. Mastro writes historical fiction and publishes Herstory Revisited, a blog where she reviews biographical novels about prominent women from the past. In 2025, she published her debut novel, Solitary Walker: A Novel of Mary Wollstonecraft. Besides writing, Mastro is an avid reader, a seasoned cook, and a wine enthusiast. A former school superintendent, she holds a doctorate in educational leadership, a master's in school administration, and a bachelor's degree in elementary education. Originally from Minnesota, she and her husband retired to South Carolina so they could golf year around. You can find N.J. and her blog Herstory Revisited on Substack at https://nancy691.substack.com/.

To learn more about N.J., click here.

This week's podcast guest is Lisa F. Rosenberg (Fine, I'm a Terrible Person, Sibylline Press, January 2025). What happens when you come across a character so juicy you want someone to write about them and the only person who can is you? If you're Lisa F. Rosenberg, you go back to school to get an MFA, make your thesis a debut novel, and enter the world of writing. We discuss her journey, including working with a woman-centric publisher, learning to grow from feedback, and the process of finding the community and the venues that match your novel.

Lisa Rosenberg has a B.A. from U.C. Berkeley in Art History, a M.A. in Graduate Humanities, and MFA in Creative writing from Dominican University. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery. After transitioning to museum education, she was most recently a public guide at SFMOMA and Museum Educator on staff at the Contemporary Jewish Museum in San Francisco. Her writing until recently has been in her professional life, primarily non-fiction, essays for exhibition catalogs, art criticism, tours, and public talks. Her fiction has appeared in Amaranth: a journal of food writing, art, and design, and she was recently a quarter-finalist in the Driftwood Press in house short story contest. Her debut novel: Fine, I'm a Terrible Person was published in January of 2025 by Sibylline Press.

To learn more about Lisa, click here.

Our guest this week is Evelyn Ann Casey (Candlewood, Three Towers Press, February 2025). Evelyn's debut, set in the 1970's, is considered historical fiction and we commiserate about how old that makes us feel. Then we discuss how Flea Bag's second season with its "hot priest" theme helped her see deeper into her own novel which centers around both a predatory priest and a forbidden love story. Listen to hear her take on Catholic vs. Christian-based small presses and what a bookseller taught her about what shelf her novel actually belonged on (hint: it wasn't romance).

Evelyn Ann Casey writes stories filled with grace and gumption. Her writing asks hard questions yet reflects hope in the darkest hours. A love of language and storytelling grew from her Chicago roots in a multi-ethnic neighborhood filled with Irish brogues, Sicilian music, and the banter of Jewish delis. Evelyn worked in government relations in Milwaukee and Madison before managing outreach programs in healthcare at the University of Wisconsin-Madison. When not exploring locales near and far with her husband, Evelyn attends music and theatre venues as often as possible and volunteers with community reading programs.

To learn more about Evelyn, click here.

This week's podcast guest is Angela Douglas (Every Fall, indie published, January 2025). Initially published by Rising Action, Angela bought her rights back to her debut and is now releasing her second book as well, The Mentor. We discuss having to take mental-health breaks during the writing because of more serious subject matter, and how many of the critiques she got back from beta readers and editors suggested changing different things, making revision tricky. We explore what's different about publishing in Canada, how she advises new authors to not say yes to everything to avoid burnout and she describes her new venture, Eyes on Books, where peers share marketing successes and missteps and learn from each other's experiences.

Angela Douglas is an award-winning Canadian author of psychological thrillers, based in the Okanagan. Her debut novel, Every Fall, has been recognized by the Crime Writers of Canada Excellence Awards, the Canadian Book Club Awards, the Pen Craft Awards, and the National Indie Excellence Awards. She is a member of International Thriller Writers, Crime Writers of Canada, the Women's Fiction Writers Association and Sisters in Crime. She is also the founder of Eyes on Books, a Book Marketing Hub. When she isn't working or hanging out with her family, she hides in her studio, writing. Her next psychological thriller, The Mentor, comes out in Fall 2026.

To learn more about Angela, click here.

Our guest this week is Mary Hansen (The Traveling Archivist Eastern Oregon, Luminare Press, January 2025). We delve into the differences between a librarian and an archivist, how Mary thinks of archival research as a 'creative act', how a PBS documentary provided the inspiration for her debut, and the positives of working with a book coach who doesn't try to change your story. Then she discusses how she initially used SubStack as a safe, low-profile rehearsal space for testing out her unique voice and how her character's rich back story became her follow-up novel.

Mary B. Hansen is a writer and archivist who understands the power of stories and information to transform lives, including her own. As a writer, Mary uses story to facilitate change and deepen emotion. As an archivist, she sees information, archival and current, as a tool for finding our place in the larger world. Mary is a Certified Archivist with a Master's in Library and Information Science. She is currently focused on writing about archives rather than working in them. She lives and writes in Portland, Oregon with her partner, 2 cats and a very smart Australian Shepherd.

To learn more about Mary, go to https://marybhansen.com/

This week's guest is Wanda Penalver Bevan (The Rains of Wishton, The Book Reality Experience, February 2025). We discuss writing dual timelines, point of view, and what it's like to write a "story within a story". Wanda describes how she used an existing book club as beta readers before her book was published, her experiences with a hybrid press, and her "try everything and find out what sticks" approach to marketing.

WANDA PENALVER BEVAN was born in Ithaca, New York. A graduate of Northwestern University, she's worked as an actress, legal assistant, event manager, and hotel industry professional. She's the songwriter of Little Girl, a tribute to the youngest victim of the 2011 Tucson shooting that wounded former Arizona congresswoman, Gabby Giffords, and her poem America's Child is on display at the Oklahoma City National Memorial honoring those who perished in the federal building bombing in 1995. Her latest book, The Rains of Wishton (2025) is the second in the Wishton series, following her first novel, Their Souls Met in Wishton, (2016). She is also the author of A Slow Dance in Memoriam and Other Poems, (2022), a poetry anthology. After three decades in southern California, Wanda now lives in Phoenix.

To learn more, go to Wanda's website https://www.wandaswayiswrite.com/about

Our guest this week is Lisa Montanaro (Everything We Thought Was True, Red Adept, January 2025). We discuss how Lisa taps into her background as an actress to "method act" her novels as she writes, including acting out scenes and writing scenes out of order based on her personal headspace that day. In the publication arena, she points out pluses and minuses to going traditional but with a smaller press and the differences between writing and marketing non-fiction and fiction. Finally we examine the challenges of distribution to bookstores and why book clubs are the best.

Lisa Montanaro is part no-nonsense Italian American New Yorker and part sunny Californian. Her background encompasses performer, teacher of the Deaf, lawyer, productivity consultant, writer coach, speaker, and author. Lisa's debut novel, Everything We Thought Was True, published by Red Adept Publishing, drew inspiration from her family history and examines the corrosive nature of secrets—those we keep from ourselves, from each other, and from society. It won Best New Fiction/Debut in the 2025 American Writing Awards and first place for LGBTQ Fiction in the 2024 International Firebird Book Awards, among other awards. Lisa has served as webinar host for WFWA since 2019 and is a passionate member of its Diversity and Inclusion committee. When not writing, you can find her cycling and hiking with her veterinarian husband, gardening, and chasing after her rescue dog. Lisa has enjoyed living snow-free since 2012 in Northern California, where she's made it her mission to sample the wines of the region.

To learn more about Lisa and subscriber to hew newsletter Prosecco & Prose, click here.

This week's guest is Rosa Kwon Easton (White Mulberry, Lake Union, December 2024). We discuss how an unusual query approach got Rosa her dream agent, who helped her strategically pinpoint editors during submission resulting in a two-book deal with Amazon and a selection as a First Reads. We also delve into why you might want to hire a publicist, financing your own book tour, and how your college alumnae group may be your secret weapon in finding book clubs.

Rosa Kwon Easton is a Korean American lawyer, a library trustee, and the author of the debut novel, White Mulberry, an Amazon First Reads Editor's Pick and a #1 Best Seller in Historical Fiction. Her novel has been reviewed by Booklist and named a "Best Book" by Parade Magazine, BookBub, and Book Riot, among others. Easton is an Anaphora Writing Residency Fellow, a member of the Women's Fiction Writers Association, and her work has been published in CRAFT Literary, Electric Literature, Writer's Digest and elsewhere. A graduate of Smith College, Columbia University, and Boston College Law School, she resides with her husband and Maltipoo in sunny Southern California. White Mulberry has been translated into multiple languages, and her sequel, Red Seal, is due out in October 2026.

For more information about Rosa, go to https://rosakwoneaston.com/