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In a television interview for CBC in the mid-60s, Mavis Gallant spoke of her love for mirrors—as objects, and as symbols. She refers to them often in her 120 short stories, almost all of which were published over a fifty year span in The New Yorker. Her legacy was even the inspiration behind Wes Anderson’s female journalist in The French Dispatch. Mavis Gallant was often interviewed; sometimes, she cooperated, sometimes not. Born in Montreal in 1922, Gallant died in Paris in 2014. On the last night of the last day of the last full year of her life, alone in her apartment, age 91, she grants one last interview, this one to herself. Tune in to this magnificent one-of-a-kind staging, with the distinguished collaboration of actors Nicola Cavendish, Gabrielle Rose, and Alessandro Juliani. Curated and written by Bill Richardson.
By Vancouver Writers Fest5
11 ratings
In a television interview for CBC in the mid-60s, Mavis Gallant spoke of her love for mirrors—as objects, and as symbols. She refers to them often in her 120 short stories, almost all of which were published over a fifty year span in The New Yorker. Her legacy was even the inspiration behind Wes Anderson’s female journalist in The French Dispatch. Mavis Gallant was often interviewed; sometimes, she cooperated, sometimes not. Born in Montreal in 1922, Gallant died in Paris in 2014. On the last night of the last day of the last full year of her life, alone in her apartment, age 91, she grants one last interview, this one to herself. Tune in to this magnificent one-of-a-kind staging, with the distinguished collaboration of actors Nicola Cavendish, Gabrielle Rose, and Alessandro Juliani. Curated and written by Bill Richardson.

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