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When Gerard Manley Hopkins became a Jesuit in 1868, he burned his poetry and swore off making any more. Then followed nearly a decade of poetic silence, in which he wrote little to no poetry. That is, until a ship called the Deutschland ran aground off the coast of England. Hopkins was so affected by the tragedy, especially the death of five Franciscan nuns, that a poem came pouring out of him in 35 eight-line stanzas.
"The Wreck of the Deutschland" is written in two parts. The first part is autobiographical, and the second part focuses on the action and aftermath of the wreck itself. Though almost roundly rejected by everyone who read it during Hopkins life, "The Wreck of the Deutschland" makes innovative use of the English language the likes of which has rarely been seen since, let alone in 1875.
Music from this episode was from EVOE, Julian Cassia, Brianna Tam, Sid Acharya, Aija Alsina, idokay, and Enzo Bellomo.
Sound design and editing is by Nate Sheppard. For more poetry from the Rabbit Room, subscribe to our newsletter at Rabbitroompoetry.substack.com.
See omnystudio.com/listener for privacy information.
5
2020 ratings
When Gerard Manley Hopkins became a Jesuit in 1868, he burned his poetry and swore off making any more. Then followed nearly a decade of poetic silence, in which he wrote little to no poetry. That is, until a ship called the Deutschland ran aground off the coast of England. Hopkins was so affected by the tragedy, especially the death of five Franciscan nuns, that a poem came pouring out of him in 35 eight-line stanzas.
"The Wreck of the Deutschland" is written in two parts. The first part is autobiographical, and the second part focuses on the action and aftermath of the wreck itself. Though almost roundly rejected by everyone who read it during Hopkins life, "The Wreck of the Deutschland" makes innovative use of the English language the likes of which has rarely been seen since, let alone in 1875.
Music from this episode was from EVOE, Julian Cassia, Brianna Tam, Sid Acharya, Aija Alsina, idokay, and Enzo Bellomo.
Sound design and editing is by Nate Sheppard. For more poetry from the Rabbit Room, subscribe to our newsletter at Rabbitroompoetry.substack.com.
See omnystudio.com/listener for privacy information.
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