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The Unclaimed Cities are not the idyllic setting Lexil, Finn, and Ceera thought it would be. This new land has challenges of its own – which they soon discover. When Lexil and Finn return to the Wastelands, they are accompanied by Kaylen, someone they can’t decide is a friend or foe. As they retrace their path, they meet up with old allies and enemies, and encounter other treachery embedded in the Wastelands. The trio are then forced to face their own assumptions, prejudices, and fears.

And in the end, to change her fate and alter the destiny of all other Reborns, Lexil must decide what she is willing to risk...

Of both herself and others.

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New York City, 1954.

Two women are found murdered. One is Lorraine Quinn, Cantor Gold’s most recent one-night-stand. The other is political power broker and aspiring New York socialite Eve Garraway, a regular client of Cantor’s stolen art trade.

Police nemesis, Lieutenant Norm Huber, wants to pin the murders on Cantor, send her to prison, and put her in the electric chair. He’ll get evidence on her any way he can. Into this cauldron of danger and death come two other women, each with ties to Cantor’s past. One hates her until passion intervenes; the other harbors darkly hidden feelings.

Set during the earliest stirrings of the Homosexual Rights Movement, Cantor begins to question her own tenuous identity, and the trade-offs she must make to get what she wants.

Cantor Gold, dapper butch art thief and smuggler for whom survival is everything, must now grapple with two fronts: surviving the shifting sands of the criminal underworld, and navigating the changing tides of society.

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London, 1942.

A killer going by the name of “Crimson Jack” is stalking the wartime streets of London, murdering women on the exact dates of the infamous Jack the Ripper killings of 1888. Has the Ripper somehow returned from the grave? Is the self-styled Crimson Jack a descendant of the original Jack—or merely a madman obsessed with those notorious killings?

In desperation Scotland Yard turn to Sherlock Holmes, the world's greatest detective. Surely he is the one man who can sift fact from legend to track down Crimson Jack before he completes his tally of death. As Holmes and the faithful Watson tread the blacked out streets of London, death waits just around the corner.

Inspired by the classic film series from Universal Pictures starring Basil Rathbone and Nigel Bruce, which took Sherlock Holmes to the 1940s, this is a brand-new adventure from a talented author who brilliantly evokes one of mystery fiction’s most popular characters.

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New York Times bestselling author Caitlin Rother has written or co-authored 14 books.

Rother's latest book, to be released on April 27, 2021, is "DEATH ON OCEAN BOULEVARD: Inside the Coronado Mansion Case," about the mysterious death of Rebecca Zahau at the Spreckels Mansion in Coronado, which was deemed a suicide by authorities, but as a murder by a civil jury and the Zahau family.

The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words:

SHE SAVED HIM CAN YOU SAVE HER.

Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way?

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The Son of Sam case grew into a lifelong obsession for journalist Maury Terry, who became convinced that the murders were linked to a satanic cult. Author Maury Terry becomes convinced that serial killer David Berkowitz did not act alone and tries to prove that the web of darkness behind the Son of Sam murders goes deeper than anyone imagined -- and his investigation costs him everything.

The hunt for the "Son of Sam" captivated the world in the late 1970s, but the story behind one of America's most notorious serial murderers is all but forgotten -- until now. While the arrest and conviction of David Berkowitz brought the nightmare to an end for many New Yorkers, for journalist and Ultimate Evil author Maury Terry, the real mystery was just beginning. Terry, convinced Berkowitz had not acted alone, would go on to spend decades attempting to prove that the web of darkness behind the murders went deeper than anyone imagined -- and his pursuit of that elusive truth would eventually cost him everything. Filmmaker Joshua Zeman (CROPSEY, MURDER MOUNTAIN) draws on archival news footage, conversations with the people closest to the investigation, and Terry's own words and case files to tell a cautionary tale of a man who went down a rabbit hole and never came out. But was Maury Terry just chasing ghosts -- or are the true Sons of Sam still out there

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Bram Stoker Winner for Best Young Adult Novel -- 

In this post-apocalyptic thriller, 17-year old Feeni Xo hopes to clear her name from a homicide while a strange virus starts killing people in her village and she believes the two incidents are connected. Through an investigation-themed VR video game used to solve cold cases, Feeni discovers the girl she appears to have killed is the sister of her in-game partner.

"Once again, Nzondi creates a rich and vibrant world crackling with life. He is a brilliant writer, one readers and critics should be watching."

--Pete Nowalk, creator of How to Get Away with Murder

"If you're looking for a story that's daringly imaginative, Oware Mosiac will scratch that itch."

--Alma Katsu, author of The Hunger

"Nzondi's Oware Mosaic is real Afrofuturism, speculative fiction actually set on the continent itself. This is the future of SF, and the future is looking good."

--Steven Barnes, author of Lion's Blood

"I loved, loved, loved this novel by Nzondi! Breath-taking SF adventure!!"

--Linda Addison, author of How to Recognize a Demon Has Become Your Friend

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“When a doctor does go wrong, he is the first of criminals,” Sherlock Holmes observed during one of his most puzzling murder investigations. Incredibly, at the time the words of the world’s most famous fictional detective appeared in print in the Strand Magazine, a real-life Canadian doctor was stalking and murdering women in London’s downtrodden Lambeth neighbourhood. Dr. Thomas Neill Cream had been a suspect in the deaths of two women in Canada, and had killed as many as four people in Chicago before he arrived in London in 1891 and began using pills laced with strychnine to kill prostitutes. The Lambeth Poisoner, as he was dubbed in the press, became one of the most prolific serial killers in history.

In this fascinating book, Dean Jobb reveals how bungled investigations, corrupt officials and failed prosecutions allowed Cream to evade detection or freed him to kill, again and again. The first complete account of Dr. Cream’s crimes and his many victims explores how the stifling morality and hypocrisy of the Victorian era allowed this monster to poison vulnerable and desperate women, many of whom had turned to him for medical help. It offers an inside account of Scotland Yard’s desperate search for a killer as brazen and efficient as Jack the Ripper.

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Marya Zhukova is a woman of many passions. Her husband isn’t one of them. It’s mathematics and literature that captivate her, in part, but her lover, Vera, enthralls her most of all. These are, however, all dangerous obsessions in the socially turbulent St. Petersburg of 1875. Marya is the fiery center to a small solar system of characters, each of whom depends on her to light their own lives. There is her aunt Lidia, a spinster who, dying of consumption, exacts from her niece a promise to marry. There is Grigorii, Marya’s one-time math teacher, who longs for his former pupil to achieve the scholarly glory he cannot. There is Vera, a young tutor surprised to find she’s fallen in love with a woman. There is Sergei, an earnest librarian captivated by Marya and willing to do whatever it takes to be near her, even if that means a platonic marriage. But when Sergei is consumed with desire for Marya, his anguish over the promise he made sets in motion a deadly chain of events. St. Petersburg itself adds a richness to these characters as they walk and muse along the city’s canals or bounce along the rutted streets behind a hardy droshky driver on their way to dine at Privato or Leiner’s Deli or to watch ballet at the Marinsky Theater. Inspired by a real-life account, Infraction takes place at a time when women who yearn for more find that freedom comes at a cost.

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In one of most uniquely offbeat collaborations of the year, celebrated pop singer Blake Lewis joins forces with EDM’s most accomplished drummer producer KJ Sawka to form The Private Language, a new project that combines cutting edge electropop, indie dance and future funk into one irresistible package. Their boldly unexpected debut single is a fresh take on the Tears For Fears smash ‘Everybody Wants To Rule The World’, spinning the classic songcraft of the original with state of the art modernist production. Released on Earth Day, the video for the song conveys an impassioned plea for peace and unity in these uncertain times. Watch it here.

Sawka and Lewis originally crossed paths amid the vibrant Seattle hip hop and rave scene, becoming fast friends and fellow musical travelers. Lewis rose to fame as one of the most distinctive and memorable finalists on American Idol, winning over the world with his charismatic singing, beatboxing and scat-singing. He went to collaborate with OneRepublic’s Ryan Tedder, releasing a top 10 US album and a #1 Billboard dance track. Sawka has been playing drums and producing for over 28 years, working with artists such as Illenium, BT, Amon Tobin, Andy Summers of the Police and dubstep supergroup Destroid. He is most known as the incendiary drummer for drum n’ bass legends Pendulum.

Covering this classic 1980s hit has been a unique experience for both artists, as Sawka explains: "This song was a real challenge to reinterpret. It’s such an iconic song with a unique pulse. we slowed it down to 100 BPM and that changed it enough for an original feel and it fit our style and vibes. We then continued to produce in the way we do our original music by diving deep into the drum parts, vocal and keyboard effects and live bass. It was so much fun to create.” 

For his part, Lewis was drawn to the song for both artistic and sentimental reasons, as he relates “From their brilliant production, grooves and soaring vocal talent, I’ve been such a fan of Tears For Fears ever since I could remember. Any time one of their songs came on the radio as a kid in the 80’s I couldn’t help myself from singing at the top of my lungs. I love how melodic their music is in every way. After being amazed seeing them in concert two years ago, I knew I wanted to try taking a stab at one of their songs. Deciding to cover this song in particular, was tricky for us. Keeping the artistic integrity of the original while trying to make it your own is such a challenge but we had so much fun shaping this song in our style and think we nailed it.”

“I came up with the idea for the music video during the height of the pandemic. Seeing so much tragedy and the impact we make on the environment I wanted to say something about it. I’ve always been mindful about the environment I’m in and human rights issues, from standing with the Dakota Tribes protesting at Standing Rock and performing charity concerts on Earth Day. I want to unite people with our music and message. The earth was here long before us and will remain long after. We need to be kind to each other, ourselves and Mother Nature. It’s just so simple to help and I hope whoever sees our version of this classic takes a little bit of that away with them.”

Look for more music from The Private Language coming soon!

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Chicago After Stonewall: Gay Lib to Gay Life is a detailed account of how LGBTQ Chicagoans responded to the Stonewall Riots. This book pulls together jigsaw pieces of information from many sources, including a wealth of documents held in the McCormick Library of Special Collections at Northwestern University, Evanston, IL, to reveal a picture of a raggle-taggle band of dysfunctional rebels with one cause.

In post-Stonewall Chicago, several attempts were made to publish a gay newspaper, but none lasted. The longest was the Chicago Gay Crusader with twenty-six issues, between 1973-1975. However, the paper was irregular and a hangover from the 1960s hippie underground press in style. It wasn’t until June 20, 1975, when Grant L. Ford published Volume 1/Number 1 of Chicago Gay Life, that Chicago boasted a professional gay newspaper.

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