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You ever have that experience reading a book where you think it's about one thing, and then slowly it starts to reveal that it's actually about something else? We call this "misdirection," a narrative device that allows writers to write the story they want to write while allowing an undercurrent of what the story is "actually about."
In this conversation with editor-in-chief Amy Jones and content editor Michael Woodson sit down with author Lydia Kiesling about how to intentionally misdirect your readers, writing about climate change in realistic fiction, and her new novel Mobility, available in bookstores August 1.
By Writer's Digest5
88 ratings
You ever have that experience reading a book where you think it's about one thing, and then slowly it starts to reveal that it's actually about something else? We call this "misdirection," a narrative device that allows writers to write the story they want to write while allowing an undercurrent of what the story is "actually about."
In this conversation with editor-in-chief Amy Jones and content editor Michael Woodson sit down with author Lydia Kiesling about how to intentionally misdirect your readers, writing about climate change in realistic fiction, and her new novel Mobility, available in bookstores August 1.

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