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If you love historical fiction that uncovers the hidden stories of ordinary people caught in extraordinary circumstances, this episode is going to pull you right in.

In today’s conversation on The Resilient Writers Radio Show, I’m joined by historical novelist Diane Shotton, author of Motty’s Vow and her latest novel, The Dictograph Case. 

Diane writes the kind of fiction that shines a light on forgotten people and overlooked moments in history—and this story began with one of those astonishing discoveries that simply won’t let a writer go.

Back in 1999, while researching her family history in a local library, Diane stumbled across a newspaper story about seven men accused of treason during World War I for talking among themselves in a shoe shop. 

The case involved a “Dictograph”—an early listening device used to secretly record their conversations—which were then used against them in court. Three of the men, all over the age of 65 and respected in their community, ended up in jail. Diane knew immediately this was a story she had to tell.

What makes The Dictograph Case especially compelling is the way Diane blends fact and fiction. At the core is a real historical event, but around that she builds a richly imagined mystery with noir undertones, a slow-burn romance, and a town full of secrets. 

We talk about the choices she made as a novelist: why she told the story through Michael, the grandson of the shoe shop owner, and how Olivia—whose father was killed during the events surrounding the case—became an essential part of the narrative.

Diane also shares some of the craft challenges behind writing the book, including working with dual point of view for the first time, trusting readers to pick up on clues without over-explaining, and figuring out how to raise the stakes for the antagonist so the mystery had real tension. 

It’s a thoughtful look at how historical fiction is shaped not just by research, but by storytelling decisions on the page.

We also talk about the delicate balance between truth and invention. Diane is a genealogist, so facts matter deeply to her—but in this case, fiction allowed her to explore what history left behind. 

In reality, the town seemed to move on and never speak of the incident again. In the novel, Diane imagines what it might look like if the emotional and social consequences lingered for decades.

Our conversation also touches on the eerie relevance of the novel’s themes today: free speech, patriotism, public pressure, and the ways fear can be used to divide communities. This is one of those historical novels that doesn’t just immerse you in another time—it also throws light on our own.