
Sign up to save your podcasts
Or


I’ll Cry Instead turns on one small word: instead. The verses stake out a simple, driving premise: “I want to do X, but I can’t, so I’ll cry instead”. And every section reinforces that core. The middle eight shifts the lens: the speaker is ashamed of public sadness, hides away, then promises a future return, which recontextualizes the final verse from immediate reaction to deferred bravado. Lyrically, the song balances ambiguity (“have myself locked up” as jail, isolation, or breakdown), a Dylan-like hyperbole (“chip on my shoulder that’s bigger than my feet”), and flashes of vindictive posturing that raise thornier questions about attitude and tone. Musically, it sits in G with a “seesaw” backbone and country-flavored guitar motion, buoyant bass, tambourine texture, and Lennon’s signature minor-over-major inflections, even clashing against a C7 to prioritize melody. The bridge sequences motives, briefly feels D-centered, then pivots back before a clean, unfussy ending that suits a fast studio date.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
Instagram: https://www.instagram.com/notebynoteseries
Hosted on Acast. See acast.com/privacy for more information.
By Note By Note Series4.8
3535 ratings
I’ll Cry Instead turns on one small word: instead. The verses stake out a simple, driving premise: “I want to do X, but I can’t, so I’ll cry instead”. And every section reinforces that core. The middle eight shifts the lens: the speaker is ashamed of public sadness, hides away, then promises a future return, which recontextualizes the final verse from immediate reaction to deferred bravado. Lyrically, the song balances ambiguity (“have myself locked up” as jail, isolation, or breakdown), a Dylan-like hyperbole (“chip on my shoulder that’s bigger than my feet”), and flashes of vindictive posturing that raise thornier questions about attitude and tone. Musically, it sits in G with a “seesaw” backbone and country-flavored guitar motion, buoyant bass, tambourine texture, and Lennon’s signature minor-over-major inflections, even clashing against a C7 to prioritize melody. The bridge sequences motives, briefly feels D-centered, then pivots back before a clean, unfussy ending that suits a fast studio date.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
Instagram: https://www.instagram.com/notebynoteseries
Hosted on Acast. See acast.com/privacy for more information.

137 Listeners

85 Listeners

450 Listeners

3,138 Listeners

33 Listeners

1,019 Listeners

382 Listeners

351 Listeners

122 Listeners

87 Listeners

63 Listeners

12,788 Listeners

1,191 Listeners

6 Listeners

2 Listeners